Thomas Harris - The Silence of the Lambs

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Amazon.com Review
The Silence of the Lambs, by Thomas Harris, is even better than the successful movie. Like his earlier Red Dragon, the book takes us inside the world of professional criminal investigation. All the elements of a well-executed thriller are working here-driving suspense, compelling characters, inside information, publicity-hungry bureaucrats thwarting the search, and the clock ticking relentlessly down toward the death of another young woman. What enriches this well-told tale is the opportunity to live inside the minds of both the crime fighters and the criminals as each struggles in a prison of pain and seeks, sometimes violently, relief.
Clarice Starling, a precociously self-disciplined FBI trainee, is dispatched by her boss, Section Chief Jack Crawford, the FBI's most successful tracker of serial killers, to see whether she can learn anything useful from Dr. Hannibal Lecter. Lecter's a gifted psychopath whose nickname is "The Cannibal" because he likes to eat parts of his victims. Isolated by his crimes from all physical contact with the human race, he plays an enigmatic game of "Clue" with Starling, providing her with snippets of data that, if she is smart enough, will lead her to the criminal. Undaunted, she goes where the data takes her. As the tension mounts and the bureaucracy thwarts Starling at every turn, Crawford tells her, "Keep the information and freeze the feelings." Insulted, betrayed, and humiliated, Starling struggles to focus. If she can understand Lecter's final, ambiguous scrawl, she can find the killer. But can she figure it out in time?

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He cocked the Python as he brought it up snick snick and the figure blurred, bloomed bloomed green in his vision and his gun bucked in his hand and the floor hit him hard in the back and his light was on and he saw the ceiling. Starling on the floor, flash-blind, ears ringing, deafened by the blast of the guns. She worked in the dark while neither could hear, dump the empties, tip it, feel to see they're all out, in with the speedloader, feel it, tip it down, twist, drop it, close the cylinder. She'd fired four. Two shots and two shots. He'd fired once. She found the two good cartridges she'd dumped. Put them where? In the speedloader pouch. She lay still. Move before he can hear?

The sound of a revolver being cocked is like no other. She'd fired at the sound, seen nothing past the great muzzle flashes of the guns. She hoped he'd fire now in the wrong direction, give her the muzzle flash to shoot at. Her hearing was coming back, her ears still rang, but she could hear.

What was that sound? Whistling? Like a teakettle, but interrupted. What was it? Like breathing. Is it me? No. Her breath blew warm off the floor, back in her face. Careful, don't get dust, don't sneeze. It's breathing. It's a sucking chest wound. He's hit in the chest. They'd taught her how to seal one, to put something over it, a rain slicker, a plastic bag, something airtight, strap it tight. Reinflate the lung. She'd hit him in the chest, then. What to do? Wait. Let him stiffen up and bleed. Wait.

Starling's cheek stung. She didn't touch it, if it was bleeding she didn't want her hands slick.

The moaning from the well came again, Catherine talking, crying. Starling had to wait. She couldn't answer Catherine. She couldn't say anything or move.

Mr. Gumb's invisible light played on the ceiling. He tried to move it and he couldn't, any more than he could move his head. A great Malaysian Luna Moth passing close beneath the ceiling picked up the infrared and came down, circled, lit on the light. The pulsing shadows of its wings, enormous on the ceiling, were visible only to Mr. Gumb.

Over the sucking in the dark, Starling heard Mr. Gumb's ghastly voice, choking: "How… does… it feel… to be… so beautiful?"

And then another sound. A gurgle, a rattle and the whistling stopped.

Starling knew that sound too. She'd heard it once before, at the hospital when her father died.

She felt for the edge of the table and got to her feet. Feeling her way along, going toward the sounds of Catherine, she found the stairwell and climbed the stairs in the dark.

It seemed to take a long time. There was a candle in the kitchen drawer. With it she found the fuse box beside the stairs, jumped when the lights came on. To get to the fuse box and shut off the lights, he must have left the basement another way and come down again behind her.

Starling had to be positive he was dead. She waited until her eyes were well adjusted to the light before she went aback in the workroom, and then she was careful. She could see his naked feet and legs sticking out from under the workable. She kept her eyes on the hand beside the gun until she kicked the gun away. His eyes were open. He was dead, shot through the right side of the chest, thick blood under him. He had put on some of his things from the armoire and she couldn't look at him long.

She went to the sink, put the Magnum on the drainboard and ran cold water on her wrists, wiped her face with her wet hand. No blood. Moths batted at the mesh around the lights. She had to step around the body to retrieve the Python.

At the well the said, "Catherine, he's dead. He can't hurt you. I'm going upstairs and call-"

"No! GET ME OUT. GET ME OUT. GET ME OUT."

"Look here. He's dead. This is his gun. Remember it? I'm going to call the police and the fire department. I'm afraid to hoist you out myself, you might fall. Soon as I call them I'll come back down and wait with you. Okay? Okay. Try to shut that dog up. Okay? Okay."

***

The local television crews arrived just after the fire department and before the Belvedere police. The fire captain, angered at the glare from the lights, drove the television crews back up the stairs and out of the basement while he rigged a pipe frame to hoist out Catherine Martin, not trusting Mr. Gumb's hook in the ceiling joist. A fireman went down into the well and put her in the rescue chair. Catherine came out holding the dog, kept the dog in the ambulance.

They drew the line on dogs at the hospital and wouldn't let the dog in. A fireman, instructed to drop it off at the animal shelter, took it home with him instead.

CHAPTER 57

There were about fifty people at National Airport in Washington, meeting the red-eye flight from Columbus, Ohio. Most of them were meeting relatives and they looked sleepy and grumpy enough, with their shirttails sticking out below their jackets.

From the crowd, Ardelia Mapp had a chance to look Starling over as she came off the plane. Starling was pasty, dark under the eyes. Some black grains of gunpowder were in her cheek. Starling spotted Mapp and they hugged.

"Hey, Sport," Mapp said. "You check anything?"

Starling shook her head.

"Jeff's outside in the van. Let's go home."

Jack Crawford was outside too, his car parked behind the van in the limousine lane. He'd had Bella's relatives all night.

"I…" he started. "You know what you did. You hit a home run, kid." He touched her cheek. "What's this?"

"Burnt gunpowder. The doctor said it'll work out by itself in a couple of days-- better than digging for it."

Crawford took her to him and held her very tight for a moment, just a moment, and then put her away from him and kissed her on the forehead. "You know what you did," he said again. "Go home. Go to sleep. Sleep in. I'll talk to you tomorrow."

The new surveillance van was comfortable, designed for long stakeouts. Starling and Mapp rode in the big chairs in the back.

Without Jack Crawford in the van, Jeff drove a little harder. They made good time toward Quantico.

Starling rode with her eyes closed. After a couple of miles, Mapp nudged her knee. Mapp had opened two short-bottle Cokes. She handed Starling a Coke and took a half-pint of Jack Daniel's out of her purse.

They each took a swig out of their Cokes and poured in a shot of sour mash. Then they stuck their thumbs in the necks of the bottles, shook them, and shot the foam in their mouths.

"Ahhh," Starling said.

"Don't spill that in here," Jeff said.

"Don't worry, Jeff," Mapp said. Quietly to Starling, "You should have seen my man Jeff waiting for me outside the liquor store. He looked like he was passing peach seeds." When Mapp saw the whiskey start to work a little, when Starling sank a little deeper in her chair, Mapp said, "How you doing, Starling?"

"Ardelia, I'm damned if I know."

"You don't have to go back, do you?"

"Maybe for one day next week, but I hope not. The U.S. Attorney came over from Columbus to talk to the Belvedere cops. I did depositions out the wazoo,"

"Couple of good things," Mapp said. "Senator Martin's been on the phone all evening from Bethesda-- you knew they took Catherine to Bethesda? Well, she's okay. He didn't mess her up in any physical way. Emotional damage, they don't know, they have to watch. Don't worry about school. Crawford and Brigham both called. The hearing's canceled. Krendler asked for his memo back. These people have got a heart like a greasy BB, Starling-- you get no slack. You don't have to take the Search-and-Seizure exam at 0800 tomorrow, but you take it Monday, and the PE test right after. We'll jam over the weekend."

They finished the half-pint just north of Quantico and dumped the evidence in a barrel at a roadside park.

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