Thomas Harris - The Silence of the Lambs

Starling poked the lump in the trousers. Too hard, even for high school, she reflected. She spread the fly with her fingers and shined her light inside, on dildo of polished, inlaid wood. Good-sized one, too. She wondered if she was depraved.

Carefully she turned the jar and examined the sides and back of the head for wounds. There were none visible. The name of a laboratory supply company was cast in the glass.

Considering the face again, she believed she learned something that would last her. Looking with purpose at this face, with its tongue changing color where it touched the glass, was not as bad as Miggs swallowing his tongue in her dreams. She felt she could look at anything, if she had something positive to do about it. Starling was young.

In the ten seconds after her WPIK-TV mobile news unit slid to a stop, Jonetta Johnson put in her earrings, powdered her beautiful brown face, and cased the situation. She and her news crew, monitoring the Baltimore County police radio, had arrived at Split City ahead of the patrol cars.

All the news crew saw in their headlights was Clarice Starling, standing in front of the garage door with her flashlight and her little laminated ID card, her hair plastered down by the drizzle.

Jonetta Johnson could spot a rookie every time. She climbed out with the camera crew behind her and approached Starling. The bright lights came on.

Mr. Yow sank so far down in his Buick that only his hat was visible above the window sill.

"Jonetta Johnson, WPIK news, did you report a homicide?"

Starling did not look like very much law and she knew it. "I'm a federal officer, this is a crime scene. I have to secure it until the Baltimore authorities--"

The assistant cameraman had grabbed the bottom of the garage door and was trying to lift it.

"Hold it," Starling said. "I'm talking to you , sir. Hold it. Back off, please. I'm not kidding with you. Help me out here." She wished hard for a badge, a uniform, anything.

"Okay, Harry," the newswoman said. "Ah, officer, we want to cooperate in every way. Frankly, this crew costs money and I just want to know whether to even keep them here until the other authorities arrive. Will you tell me if there's a body in there? Camera's off, just between us. Tell me and we'll wait. We'll be good, I promise. How about it?"

"I'd wait if I were you," Starling said.

"Thanks, you won't be sorry," Jonetta Johnson said. "Look, I've got some information on Split City Mini-Storage that you could probably use. Would you shine your light on the clipboard? Let's see if I can find it here."

"WEYE mobile unit just turned in at the gate, Joney," the man, Harry, said.

"Let's see if I can find it here, Officer, here it is. There was a scandal about two years ago when they tried to prove this place was trucking and storing-- was it fireworks?" Jonetta Johnson glanced over Starling's shoulder once too often.

Starling turned to see the cameraman on his back, his head and shoulders in the garage, the assistant squatting beside him, ready to pass the minicam under the door.

"Hey!" Starling said. She dropped to her knees on the wet ground beside him and tugged at his shirt. "You can't go in there. Hey! I told you not to do that."

And all the time the men were talking to her, constantly, gently. "We won't touch anything. We're pros, you don't have to worry. The cops will let us in anyway. It's all right, honey."

Their cozening backseat manner put her over.

She ran to a bumper jack at the end of the door and pumped the handle: The door came down two inches, with a grinding screech. She pumped it again. Now the door was touching the man's chest. When he didn't come out, she pulled the handle out of the socket and carried it back to the prone cameraman. There were other bright television lights now, and in the glare of them she banged the door above him hard with the jack handle, showering dust and rust down on him.

"Give me your attention," she said. "You don't listen, do you? Come out of there. Now. You're one second from arrest for obstruction of justice."

"Take it easy," the assistant said. He put his hand on her. She turned on him. There were shouted questions from behind the glare and she heard sirens.

"Hands off and back off, buster." She stood on the cameraman's ankle and faced the assistant, the jack handle hanging by her side. She did not raise the jack handle. It was just as well. She looked bad enough on television as it was.

The odors of the violent ward seemed more intense in the semidarkness. A TV set playing without sound in the corridor threw Starling's shadow on the bars of Dr. Lecter's cage.

She could not see into the dark behind the bars, but she didn't ask the orderly to turn up the lights from his station. The whole ward would light at once and she knew the Baltimore County police had had the lights full on for hours while they shouted questions at Lecter. He had refused to speak, but responded by folding for them an origami chicken that pecked when the tail was manipulated up and down. The senior officer, furious, had crushed the chicken in the lobby ashtray as he gestured for Starling to go in.

"Dr. Lecter?" She heard her own breathing, and breathing down the hall, but from Miggs' empty cell, no breathing. Miggs' cell was vastly empty. She felt its silence like a draft.

Starling knew Lecter was watching her from the darkness. Two minutes passed. Her legs and back ached from her struggle with the garage door, and her clothes were damp. She sat on her coat on the floor, well back from the bars, her feet tucked under her, and lifted her wet, bedraggled hair over her collar to get it off her neck.

Behind her on the TV screen, an evangelist waved his arms.

"Dr. Lecter, we both know what this is. They think you'll talk to me."

Silence. Down the hall, someone whistled "Over the Sea to Skye."

After five minutes, she said, "It was strange going in there. Sometime I'd like to talk to you about it."

Starling jumped when the food carrier rolled out of Lecter's cell. There was a clean, folded towel in the tray. She hadn't heard him move.

She looked at it and, with a sense of falling, took it and toweled her hair. "Thanks," she said.

"Why don't you ask me about Buffalo Bill?" His voice was close, at her level. He must be sitting on the floor too.

"Do you know something about him?"

"I might if I saw the case."

"I don't have that case," Starling said.

"You won't have this one, either, when they're through using you."

"I know."

"You could get the files on Buffalo Bill. The reports and the pictures. I'd like to see it."

I'll bet you would. "Dr. Lecter, you started this. Now please tell me about the person in the Packard."

"You found an entire person? Odd. I only saw a head. Where do you suppose the rest came from?"

"All right. Whose head was it?"

"What can you tell?"

"They've only done the preliminary stuff. White male, about twenty-seven, both American and European dentistry. Who was he?"

"Raspail's lover. Raspail, of the gluey flute."

"What were the circumstances-- how did he die?"

"Circumlocution, Officer Starling?"

"No, I'll ask it later."

"Let me save you some time. I didn't do it; Raspail did. Raspail liked sailors. This was a Scandinavian one named Klaus something. Raspail never told me the last name."

Dr. Lecter's voice moved lower. Maybe he was lying on the floor, Starling thought.

"Klaus was off a Swedish boat in San Diego. Raspail was out there teaching for a summer at the conservatory. He went berserk over the young man. The Swede saw a good thing and jumped his boat. They bought some kind of awful camper and sylphed through the woods naked. Raspail said the young man was unfaithful and he strangled him."