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Sue Grafton: C is for Corpse

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Sue Grafton C is for Corpse

C is for Corpse: краткое содержание, описание и аннотация

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From Publishers Weekly The corpse in private eye Kinsey Millhone's third adventure ("A" Is for Alibi and "B" Is for Burglar is that of Bobby Callahan, a young man she first meets while both are working out in a local gym. Bobby is convinced the car crash he'd been injured in was really an attempt on his life and, fearful of another assault, persuades Kinsey to investigate. A few days later, Bobby is indeed killed, and Kinsey stays on the case. She is befriended by Bobby's wealthy mother, his opportunistic stepfather and druggie, anoretic stepsister. She learns Bobby was having an affair with a friend of his mother's whose first husband had been killed in a suspicious burglary, and whose second is county pathologist. While the almost hard-boiled Kinsey ferrets out the ugly secrets behind Bobby's death, she's also trying to save her elderly landlord from the schemes of the scam-operating senior lady he's smitten with. Kinsey Millhone is nobody's fool; she's also sensitive, funny and very likable. Writing with a light, sure touch, Grafton has produced a fast-moving California story about quirky, believable people.

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She picked up the phone and I told her what was going on, including the business about Blackman in Bobby's address book. Of necessity, I told her as much as I knew about the blackmailing business. Hell, why not? This was no time to keep secrets. She already knew that Nola and Bobby were lovers. She might as well understand what he had undertaken in Nolas behalf. I even took the liberty of mentioning Sufi's involvement, though I still wasn't sure about that. I suspected that she was a go-between, ferrying messages between Nola and Bobby, counseling Bobby, perhaps, when his passion clashed with his youthful impatience.

She was quiet for a moment in the same way I had been. "What happens now?"

"I'll talk to Homicide tomorrow and tell them everything I know. They can handle it after that."

"Be careful in the meantime," she said.

"No sweat."

Chapter 26

There was still an hour and a half of daylight left when I reached the old county medical complex. From the number of parking spaces available, it was clear that most of the offices were closed, personnel gone for the day. Kelly had told me there was a second parking lot around the side that was used by the janitorial staff at night. I didn't see any reason to park that far away. I pulled into a slot as close to the entrance as I could get, noting with interest that there was a bicycle chained to a rack just off to my left. It was a banged-up old Schwinn with fat tires and a fake license plate wired onto the rear, reading "Alfie." Kelly had told me the building was generally locked up by seven, but that I could buzz in and Alfie would buzz back to admit me.

I grabbed my flashlight and my key picks, pausing to pull a sweatshirt over my tank tbp. I remembered the building as chilly, even more so, I imagined, if I was there after sunset. I locked my car and headed for the entrance.

I paused at the double doors in front and pressed a bell to my right. After a moment, the door buzzed back, releasing the lock, and I went in. The lobby was already accumulating shadows and reminded me vaguely of an abandoned train station in a futuristic movie. It had that same air of vintage elegance: inlaid marble floors, high ceilings, beautiful woodwork of buffed oak. The few remaining fixtures must have been there since the twenties, when the place was built.

I crossed the lobby, glancing idly at the wall directory as I passed. Almost subliminally, a name caught my eye. I paused and looked again. Leo Kleinert had an office out here, which I hadn't realized before. Had Bobby driven this far for weekly psychiatric sessions? Seemed a bit out of the way. I went downstairs, footsteps scratching on the tile steps. As before, I could feel the temperature dropping, like a descent into the waters of a lake. Down here, it was gloomier, but the glass door to the morgue was lighted, a bright rectangle in the gathering darkness of the hall. I checked my watch. It wasn't even 7:15.

I tapped on the glass for form's sake and then tried the knob. It was unlocked. I opened the door and peered in.

"Hello?"

There was no one in evidence, but that had happened to me before when Dr. Fraker and I had visited. Maybe Alfie was in the refrigerated storage room where the bodies were kept.

"Heellloo!"

No response. He'd buzzed me in, so he had to be around here someplace.

I closed the door behind me. The fluorescent lighting was harsh, giving the illusion of winter sunlight. There was a door to my left. I crossed and knocked before I opened it to find an empty office with a dark brown Naugahyde couch. Maybe the guy on the graveyard shift snagged some shut-eye in here when nothing else was going on. There was a desk and a swivel chair. The outside of the window was covered with ornamental wrought-iron burglar bars, the daylight blocked out by a mass of unruly shrubs. I closed the door and moved over to the refrigerated room where the bodies were kept, peering in.

No Alfie in sight. Inside, the light was constant, occupants laid out on blue fiberglass berths, engaged in their eternal, motionless naps, some wrapped in sheets, some in plastic, necks and ankles wound with what looked like masking tape. Somehow, it reminded me of quiet time at summer camp.

I returned to the main room and sat for a while, staring at the autopsy table. My customary procedure would have been to snoop into every cabinet, drawer, and storage bin, but it felt disrespectful here. Or maybe I was afraid I'd stumble onto something grotesque: trays of dentures, a Mason jar chock-full of floating eyeballs. I don't know what I thought I'd see. I shifted restlessly. I felt as if I were wasting time. I went to the door and looked out into the hall, tilting my head to listen. Nothing.

"Alfie?" I called. I listened again, then shrugged and closed the door. It occurred to me that as long as I was there, I could at least verify that the number Bobby'd written down was, in fact, the same as the number on Franklin s toe tag. That wouldn't do any harm. I took the address book out of my handbag and turned to the penciled entry on the back cover. I went into the cold-storage room again, moving from body to body, checking I.D. tags. This was like some kind of bargain-basement sale only nothing was marked down.

When I got to the third body, the numbers matched. Kelly was right. Bobby'd shifted the hyphen over so the seven-digit code looked like a telephone number. I stared at the body, or what I could see of it. The plastic that Franklin was wrapped in was transparent but yellowing, as though stained with nicotine. Through the swaddling, I could see that he was a middle-aged black man of medium height, slim, with a face of stone. Why was this corpse significant? I was feeling anxious. I figured Alfie would be back shortly and I really didn't want to be caught nosing around in here. I went back to my chair.

Coming out of the cold-storage room was like leaving an air-conditioned theater. It made the autopsy room feel balmy by comparison. I was getting itchy to explore. I couldn't help myself. I was irritated that no one was there to help me and feeling edgy from the quiet. This was not a fun place. Ordinarily, I don't hang out in morgues and it was making me tense.

Just to soothe my nerves, I peered into a drawer, testing the contents against the grisly images I'd conjured up. This one contained scratch pads, order blanks, arid miscellaneous paper supplies. Reassured, I tried the next drawer: small vials of several drugs, the names of which I did not recognize. I was warming up here and I checked on down the line. Everything appeared to be related to the business of dissecting the dead; not surprising, given the locale, but not very enlightening.

I straightened up and looked around the room. Where were the files? Didn't anybody keep records around this place? Somebody had mentioned that there were medical charts stored out here, but where? This floor? Somewhere on one of the floors above? I didn't relish the idea of creeping through the empty building by myself. I'd been picturing Alfie Leadbetter at my side, telling me what was accessible and where I might start. I'd even pictured slipping him a twenty-dollar bill if that's what it took to enlist his aid.

I glanced at my watch. I'd now been here forty-five minutes and I wanted some results. I grabbed my handbag and went out in the hall, looking in both directions. It was getting darker down here, although I could see through a window at the end of the hall that it was still light outside. I found a wall switch and flipped on the lights and then I wandered along the corridor, reading the small white signs mounted above each office door. The radiology offices were right next to the morgue. Beyond that, Nuclear Medicine, and nursing offices. I wondered if Sufi Daniels had occasion to come out here.

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