Stuart Woods - L.A. Dead

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Amazon.com Review
Stuart Woods is a master of the glitzy, high-concept, suspense thriller, and Stone Barrington, hero of five previous mysteries, is the kind of private cop who glides gracefully between lavishly detailed dinners, private jets, fancy parties, sexy assignations in luxury hotels, and the occasional murder investigation. Occasionally he gets his hands dirty, but more often it's his sheets. L.A. Dead finds him in Venice, where he's about to marry the beautiful (but seriously crazy) daughter of a high-ranking Mafioso, whose other daughter happens to be married to Stone's best friend-an NYPD cop, naturally. The civil ceremony's over, but the church wedding is only hours away when Stone is called to L.A., where his former lover has just discovered her husband's dead body. The lover is Arrington (an oddity, given Stone's surname; did Woods just run out of imagination here?), the dead husband is a famous movie star, and everyone believes she killed him. Everyone except Stone, who's still in love with Arrington. He has a helluva time interviewing (and bedding) all the women in her circle, including the dead husband's private secretary, Arrington's best friend, her lawyer's mistress, and a number of Hollywood wives. Jackie Collins does the ladies better, but Stone manages to save the damsel in distress, get rid of his nutty near-wife without offending her father, and wrap up all the details except the most important one. No doubt he's saving that for the next book. In the meantime, Woods's many fans will snap this up and spend the interim wondering: if Stone marries the woman of his dreams, will that make her Arrington Barrington?

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"Have you forgotten that we were married last Saturday, in Venice, by the mayor of the city?"

"You know as well as I do, that ceremony is not valid without a religious ceremony to follow."

"We took vows."

"I said ' si ' when prompted; I have no idea what the mayor said to me."

Dolce recited something in Italian. '"Til death us do part," she translated.

"Well, that's what happened with your previous husband, isn't it?" He shot back, then immediately regretted having said it.

"And it could happen again!" Dolce spat.

"Is that what we've come to? You're threatening me?"

Dolce stood up and came toward him. "Stone, let's not do this to each other; come to bed."

Stone stood up and backed away from her. The robe had come undone, and he fought the urge to couch her, "No, no. I have to leave, Dolce, and you should leave, too, and go back to New York or Sicily or wherever."

"Papa is going to be very disappointed," she said in a low voice.

That really did sound like a threat, Stone thought. "I'll call him tomorrow and explain things."

"Explain what? That you're abandoning me? Leaving me at the altar? He'll just love hearing that. You don't know Papa as well you think you do. He has a terrible temper, especially when someone he loves has been wronged."

Stone was backing toward the door. "I haven't wronged you, Dolce; I've just explained how I feel. I'm doing you a favor by withdrawingfrom this situation now, instead of later, when it would hurt us both a lot more." He was reaching for the doorknob behind him.

"You're my husband, Stone," Dolce was saying, "and you always will be, for as long as you live," she added threateningly.

"Good-bye, Dolce," Stone said. He got the door open and hurried out, closing it carefully behind him.

He had gone only a few steps when he heard a large object crash against the door and shatter. On the way through the lobby, he stopped at the front desk. "I'm Stone Barrington," he said to the young woman.

"Yes, Mr. Barrington," she said. "Are you checking in again?"

"No, and please be advised that the woman in suite 336 is Miss Dolce Bianchi, not Mrs. Stone Barrington. Will you let the telephone operator know that, please?"

"Of course," the young woman said, looking nonplussed. "Whatever you say, Mr. Barrington."

Stone got the station wagon from the attendant and headed back toward Malibu. Before he had even reached Sunset, the car phone rang.

"Hello?"

"Stone," Arrington said, "I'm on my way back to Bel-Air."

"Why and how?" Stone asked.

"I caught sight of a photographer on the beach with a great big lens, and I guess it just creeped me out. Manolo came and got me; he had to smuggle me past the gate in the trunk."

"All right, I'll meet you at the house. Tell Manolo to use the utility entrance." He said good-bye and hung up. How long, he wondered, had that photographer been on the beach?

Chapter 20

Stone got to the house first. He parked the car, went into the house and out to the guest house, where he started packing his clothes. He had his bags in Vance's Mercedes by the time Arrington arrived.

She came in through the front door, took a few steps, and froze, staring down the central hallway. "That's where he was, isn't it?" she asked Stone, nodding toward the spot.

"You remember?" Stone asked.

She nodded again.

He turned to the buder. "Manolo, will you fix us some dinner, please? Anything will do."

"Of course, Mr. Barrington," the butler said, and disappeared into the kitchen.

Stone took Arrington's hand and walked her to the bedroom. He sat her on the bed and sat down beside her. "What else do you remember?" he asked. "This is important."

Arrington wrinkled her brow. "Just Vance lying there, bleeding."

"Do you remember anything immediately before that?"

"I don't think so."

"Do you remember hearing the shot?"

She shook her head. "No. Just Vance lying there."

"Do you remember the police and the paramedics arriving?"

"No. Nothing until I woke up in the clinic." She laid her head on his shoulder. "When is this going to be over, Stone?"

"Not for a while," Stone replied. "We've still got the funeral on Friday, and on Saturday, we have to take you to the district attorneys office."

"Will they put me in jail?"

"I hope not; Marc Blumberg's working on that."

"I'm so glad you're here," she said. She put her hand on his cheek and drew him closer, kissing him.

Stone pulled back. "Listen to me carefully," he said. "You and I cannot be seen by anybody being… affectionate with each other."

"Only Manolo and Maria are here."

"And they'd both be shocked, if they walked in here and found us kissing. If they were called to testify in court, they'd have to tell the truth. Your husband has been dead for less than a week; you have to be seen to be the grieving widow for some time to come; I cannot tell you how important that is to your future."

She nodded. "I understand." She took his hand. "But it's important for you to know that I still love you. I never stopped."

Stone squeezed her hand but could not bring himself to respond. "Go freshen up for dinner," he said.

They dined in the smaller of the two dining rooms, on pasta and a bottle of California Chardonnay. They chatted about old times in New York, but as dinner wore on, Arrington seemed increasingly tired.

"I think you're going to have to put me to bed," she said finally.

Stone rang for Manolo. "We'll get Isabel; she'll put you to bed."

Arrington nodded sleepily. "I wish you were coming to bed with me."

"Shhh," Stone said. He turned her over to Isabel, got the keys and the alarm code for the Colony house from Manolo, then drove back to Malibu. He chose the guest room nearest the kitchen, unpacked, soaked in a tub for a while, and fell asleep.

* * *

He was awakened by the telephone. Nine-thirty, he saw by the bedside dock. He had slept like a stone.

"Hello?"

"Stone?"

"Yes."

"It's Marc Blumberg."

"Good morning, Marc."

"No, it's not."

"What's the problem?"

"The problem is, there is a very nice color photograph of you and Arrington in each other's arms, on the cover of the National Inquisitor. She's wearing a very tiny bikini."

"Oh, God," Stone groaned.

"Did the two of you spend the night together?"

"No, we didn't. I had to go into L.A., and while I was gone, Arrington spotted the photographer on the beach. Her butler came and drove her to the Bel-Air house. I met them there, we had dinner, then I moved out of the guest house and out here."

"Did the media outside the gates figure out that Arrington left?"

"No, I don't think so; she left in the trunk of the car."

"Did any media see you return to the house last night?"

"There was a TV truck there, but they paid little attention to me."

"So they think she's still there, and that you spent the night together."

"I suppose they could draw that conclusion."

"All right, I'm going to have to hold a press conference and try to contain this."

"I suppose that's the right thing to do."

"The upside is, you were fully clothed and were seen to leave after kissing her, while she remained on the deck. The photograph is a little ambiguous, too; I can claim that you were simply consoling her. The Inquisitor hasn't figured out who you are, yet; I'll describe you as a family friend who drove her home from the clinic."

"All right."

"They're going to put all this together sooner or later, probably sooner, so be prepared for some attention. Tell me, does Vance's bungalow at Centurion have a bedroom?"

"Yes, it does."

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