Sue Grafton - F is For Fugitive

Jack Clemson had been leaning against the wall in murmured conversation with the attorney next to him. As the time approached for Bailey's case to be called, he broke away and crossed the room.

"FREEZE!" he yelled. "Everybody just hold it right there."

He fired once, apparently to make his point. The boom from the gun was deafening and the blast took one of the overhead lights right off its chain and sent it crashing to the floor. Shattered glass rained down like a cloudburst, and people screamed and scrambled for cover. A baby started shrieking. Everybody hit the floor, including me. Bailey's father was still sitting upright, immobilized by surprise. I reached up and grabbed him by the shirt front. I pulled him down to the floor with me, sheltering him with my body weight. He struggled, trying to get up, but in his condition it didn't take much to subdue him. I glanced over in time to see one of the deputies belly-crawl up the aisle to my right, shielded from the gunman's view by the wooden benches.

I'd caught a glimpse of the gunman and I could have sworn it was Tap, his hands shaking badly. He seemed too small to be a threat, his entire body tensed by fear. The true menace was the shotgun, with its broad, lethal spray, the indiscriminate destruction if his finger slipped. Any unexpected movement might startle him into firing. Two women on the other side of Royce were burbling hysterically, clinging to one another like lovers.

"BAILEY, COME ON! GET THE FUCK OUTTA HERE!!" the gunman screamed. His voice broke from fright and I felt a chill as I peered over the seat. It had to be Tap.

Bailey was transfixed. He stared in disbelief and then he was in motion. He leaped the wooden railing and ran, pounding down the aisle toward the rear door while Tap blasted again. A large framed photograph of the governor jumped off the wall, disintegrating as the pellets ripped through glass, wood frame, and matting in a spray of white. A second round of wails and screams erupted from the crowd. Bailey had disappeared by then. Tap cracked the shotgun and jammed in two more shells as he backed out of the courtroom. I heard running. An outside door slammed and then there were shouts and the sound of shots.

In the courtroom, there was chaos. The clerk and the court reporter were nowhere to be seen and I could only guess that the judge had made his way out of the room at floor level, crawling on his hands and knees. Once the immediate threat was gone, people surged forward in a panic, shoving toward the bench, pushing through to the safety of the judge's chambers beyond. Pearl was hustling his son and daughter-in-law out the fire exit, setting off an alarm bell that clanged at a piercing pitch.

More screams sounded from the corridor, where someone was shouting incomprehensibly. I headed in that direction, bent double until I could get a sense of what was happening. If more gunfire broke out, I didn't want to get caught by flying bullets. I passed a woman bleeding badly from the glass shards that had cut into her face. Someone was already applying pressure to the worst of her wounds, while beside her, two little children huddled together and wept. I reached the rear door and pushed out. Shana Timberlake was leaning against the wall to my left, her face blanched, the shadows under her eyes as emphatic as stage makeup.

Outside, police sirens were already spiraling against the morning air.

Through the big plate-glass walls that formed one side of the corridor, I could see uniformed police officers spilling down the steps into the courtyard outside. Several women screamed in continuous shrill tones, as if the shooting had unleashed years of suppressed anguish. The jam of hysterical people in the hallway surged forward and then parted abruptly.

Tap Granger lay on his back, his arms flung out like he was taking a sunbath. The red ski mask had been pulled back off his face and it rested on the back of his head, as flabby as a rooster's crest. He wore a short-sleeved shirt and I could see where his wife had ironed the creases in. His arms looked skinny. His whole body looked dead. Bailey was nowhere in sight.

I went back into the courtroom, aware for the first time that I was crunching my way through broken glass and grit. Royce Fowler was on his feet, swaying uncertainly among the rows of empty benches. His mouth trembled.

"Tell me you had nothing to do with this," I said to him.

"Where's Bailey? Where's my boy? They'll shoot him down like a dog."

"No, they won't. He's unarmed. They'll find him. I take it you didn't know this was going to happen."

"Who was that in the mask?" "Tap Granger. He's dead." Royce sank onto the bench and lowered his head into his hands. The debris underfoot made a crackling sound. Looking down, I realized the floor was littered with white specks.

I stared in confusion, then bent down and picked up a handful. "What is this?" I said. Comprehension came in the same moment, but it still made no sense. Tap's shotgun shells had been loaded with rock salt.

By the time we got back to the motel, Royce was close to collapse and I had to help him into bed. Ann and Ori had heard the news in the doctor's office and they came straight home, pulling in soon after I did. Bailey Fowler was being billed as "a killer on the loose, believed armed and dangerous." The streets of Floral Beach already looked deserted, as if in the wake of some natural disaster. I could practically hear the doors slamming all up and down the block, little children jerked to safety, old ladies peering out from behind their curtains. Why anyone thought Bailey would be foolish enough to come back to his parents' house, I don't know. The sheriff's department must have considered it a good possibility because a deputy, in a tan uniform, stopped by the motel and had a long, officious chat with Ann, one hand on his gun butt, his gaze shifting from point to point, searching (I assumed) for some indication that the escapee was being harbored on the premises.

As soon as the patrol car pulled away, friends began to arrive with solemn expressions, dropping off casseroles. Some of these people I'd seen at the courthouse and I couldn't tell if their appearance was motivated by sympathy or a craven desire to be part of the continuing drama. Two neighbor ladies came, introduced to me as Mrs. Emma and Mrs. Maude, aging sisters who'd known Bailey since he was a boy. Robert Haws, the minister from the Baptist church, appeared along with his wife, June, and yet another woman who introduced herself as Mrs. Burke, the owner of the Laundromat two blocks away. She just popped over for a minute, she said, to see if there was anything she could do. I was hoping she'd offer cut rates on the Fluff V Fold, but apparently this didn't occur to her. Judging from Mrs. Maude's expression, she disapproved of the store-bought frozen cheesecake the Laundromat lady handed over so blithely. Mrs. Maude and Mrs. Emma exchanged a look that suggested this was not the first time Mrs. Burke had flaunted her lack of culinary zealousness. The phone rang incessantly. Mrs. Emma appointed herself the telephone receptionist, fielding calls, keeping a log of names and return numbers in case Ori felt up to it later.

Royce refused to see anyone, but Ori entertained from her bed, repeating endlessly the circumstances under which she'd heard the news, what she'd first thought, when the facts had finally penetrated, and how she'd commenced to howl with misery until the doctor sedated her. Whatever Tap Granger's fate or her son's fugitive status, she experienced events as peripheral to "The Ori Fowler Show," in which she starred. Before I had a chance to slip out of the room, the minister asked us to join him in a word of prayer. I have to confess, I've never been taught proper prayer etiquette. As far as I can tell, it consists of folded hands, solemnly bowed heads, and no peeking at the other supplicants. I don't object to religious practices, per se. I'm just not crazy about having someone else inflict their beliefs on me. Whenever Jehovah's Witnesses appear at my door, I always ask for their addresses first thing, assuring them that I'll be around later in the week to plague them with my views.