Sue Grafton - M is for Malice

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From Publishers Weekly
Approaching middle age warily, PI Kinsey Millhone of the Southern California coast is mildly depressed, romantically vulnerable and in the process of reassessing her family ties. Yet, when it comes to her professional abilities, she's at the top of her form, as this deftly plotted and absorbing novel (her 13th appearance, after L Is for Lawless) proves. Bader Malek, a local industrial tycoon, has died, and his four sons now stand to inherit a substantial fortune. But one of them, Guy, has been missing since 1968. A drug addict, ne'er-do-well and all-around miscreant, Guy had been disinherited by his exasperated father shortly before he vanished. But that particular will has disappeared, and Kinsey has been hired by the family to find out if Guy is still alive and thus in line to collect his original portion of the estate. She quickly succeeds in locating him and brings back a sweet, guileless and totally reformed man. But is he? The three other brothers?a truly devious, arrogant and greedy lot?are deeply ambivalent about Guy's return. A murder in the family leaves the surviving Malek kin as prime suspects. This is a subtle and swiftly moving novel, pleasantly unpredictable, with an agreeable overlay of smoldering romance, as fellow PI and former lover Robert Dietz reenters Kinsey's life. Grafton's heroine?more introspective, yet still feisty and surefooted?leads this finely tuned and at times electrifying tale to a thoroughly satisfying conclusion. 1,000,000 first printing.

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Almost all of the tables at Emile's were occupied by the time I arrived. In Santa Teresa, the beach restaurants do the bulk of their business during the summer tourist season when the motels and bed-and-breakfast establishments near the ocean are fully booked. After Labor Day, the crowds diminish until the town belongs to the residents again. But Emile's-at-the-Beach is a local favorite and doesn't seem to suffer the waxing and waning of the out-of-town trade.

Tasha must have driven down from Lompoc because a sassy red Trans Am bearing a vanity license plate that read TASHA H was parked at the curb. In the detective trade, this is what is known as a clue. Besides, flying down from Lompoc is more trouble than it's worth. I moved into the restaurant and scanned the tables. I had little appetite for the encounter, but I was trying to stay open to the possibilities. Of what, I couldn't say.

I spotted Tasha through one of the interior archways before she spotted me. She was seated in a small area off the main dining room. Emile had placed her by the front window at a table for two. She was staring out at the children's play equipment in the little beach park across the street. The wading pool was closed, emptied for the winter, a circle of blue-painted plaster that looked now like a landing pad for a UFO. Two preschool-age children were clambering backward up a nearby sliding board anchored in the sand. Their mother sat on the low concrete retaining wall with a cigarette in hand. Beyond her were the bare masts of boats slipped in the harbor. The day was sunny and cool, the blue sky scudding with clouds left behind by a storm that was passing to the south of us.

A waiter approached Tasha and they conferred briefly. She took a menu from him. I could see her indicate that she was waiting for someone else. He withdrew and she began to peruse the lunch choices. I'd never actually laid eyes on Tasha until now, but I'd met her sister Liza the summer before last. I'd been startled because Liza and I looked so much alike. Tasha was cut from the same genetic cloth, though she was three years older and more substantial in her presentation. She wore a gray wool suit with a white silk shell showing in the deep V of the jacket. Her dark hair was streaked with blond, pulled back with a sophisticated black chiffon bow sitting at the nape of her neck. The only jewelry she wore was a pair of oversized gold earrings that glinted when she moved. Since she did estate planning, she probably didn't have much occasion for impassioned courtroom speeches, but she'd look properly intimidating in a skirmish nonetheless. Already I'd decided to get my affairs in order.

She caught sight of me and I saw her expression quicken as she registered the similarities between us. Maybe all the Kinsey girl cousins shared the same features. I raised a hand in greeting and moved through the lunch crowd to her table. I took the seat across from hers, tucking my bag on the floor beneath my chair. "Hello, Tasha."

For a moment, we did a mutual assessment. In high school biology, I'd studied Mendel's purple and white flowering peas; the crossbreeding. of colors and the resultant pattern of "offspring." This was the very principle at work. Up close, I could see that her eyes were dark where mine were hazel, and her nose looked like mine had before it was broken twice. Seeing her was like catching a glimpse of myself unexpectedly in a mirror, the image both strange and familiar. Me and not me.

Tasha broke the silence. "This is creepy. Liza told me we looked alike, but I had no idea."

"I guess there's no doubt we're related. What about the other cousins? Do they look like us?"

"Variations on a theme. When Pam and I were growing up, we were often mistaken for each other." Pam was the sister between Tasha and Liza.

"Did Pam have her baby?"

"Months ago. A girl. Big surprise," she said dryly. Her tone was ironic, but I didn't get the joke. She sensed the unspoken question and smiled fleetingly in reply. "All the Kinsey women have girl babies. I thought you knew."

I shook my head.

"Pam named her Cornelia as a way of sucking up to Grand. I'm afraid most of us are guilty of trying to score points with her from time to time."

Cornelia LaGrand was my grandmother Burton Kinsey's maiden name. "Grand" had been her nickname since babyhood. From what I'd been told, she ruled the family like a despot. She was generous with money, but only if you danced to her tune-the reason the family had so pointedly ignored me and my aunt Gin for twenty-nine years. My upbringing had been blue collar, strictly lower middle-class. Aunt Gin, who raised me from the age of five, had worked as a clerk/typist for California Fidelity Insurance, the company that eventually hired (and fired) me. She'd managed on a modest salary, and we'd never had much. We'd always lived in mobile homes-trailers, as they were known then-bastions of tiny space, which I still tend to prefer. At, the same time, I recognized even then that other people thought trailers were tacky. Why, I can't say.

Aunt Gin had taught me never to suck up to anyone. What she'd neglected to tell me was there were relatives worth sucking up to.

Tasha, likely aware of the thicket her remarks were leading to, shifted over to the task at hand. "Let's get lunch out of the way and then I can fill you in on the situation."

We dealt with the niceties of ordering and eating lunch, chatting about only the most inconsequential subjects. Once our plates had been removed, she got down to business with an efficient change of tone. "We have some clients here in Santa Teresa caught up in a circumstance I thought might interest you. Do you know the Maleks? They own Malek Construction."

"I don't know them personally, but the name's familiar." I'd seen the company logo on job sites around town, a white octagon, like a stop sign, with the outline of a red cement mixer planted in the middle. All of the company trucks and job-site Porta Potti's were fire engine red and the effect was eye catching.

Tasha went on. "It's a sand and gravel company. Mr. Malek just died and our firm is representing the estate." The waiter approached and filled our coffee cups. Tasha picked up a sugar pack, pressing in the edges of the paper rim on all sides before she tore the corner off. "Bader Malek bought a gravel pit in 1943. I'm not sure what he paid at the time, but it's worth a fortune today. Do you know much about gravel?"

"Not a thing," I said.

"I didn't either until this came up. A gravel pit doesn't tend to produce much income from year to year; but it turns out that over the last thirty years environmental regulations and land-use regulations make it very hard to start up a new gravel pit. In this part of California, there simply aren't that many. If you own the gravel pit for your region and construction is booming-which it is at the moment-it goes from being a dog in the forties to a real treasure in the 1980s, depending, of course, on how deep the gravel reserves are and the quality of those reserves. It turns out this one is on a perfect gravel zone, probably good for another hundred and fifty years. Since nobody else is now able to get approvals… well, you get the point I'm sure."

"Who'd have thunk?"

"Exactly," she said and then went on. "With gravel, you want to be close to communities where construction is going on because the prime cost is transportation. It's one of those backwater areas of wealth that you don't really know about even if it's yours. Anyway, Bader Malek was a dynamo and managed to maximize his profits by branching out in other directions, all building related. Malek Construction is now the third-largest construction company in the state. And it's still family owned; one of the few, I might add."

"So what's the problem?"

"I'll get to that in a moment, but I need to back up a bit first. Bader and his wife, Rona, had four boys like a series of stepping-stones, all of them two years apart. Donovan, Guy, Bennet, and Jack. Donovan's currently in his mid-forties and Jack's probably thirty-nine. Donovan's the best of the lot; typical first child, steady, responsible, the big achiever in the bunch. His wife, Christie, and I were college roommates, which is how I got involved in the first place. The second son, Guy, turned, out to be the clunker among the boys. The other two are okay. Nothing to write home about, at least from what Christie's said."

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