J. Robb - Judgment in Death

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From Publishers Weekly
Written under the pen name J.D. Robb, this futuristic mysteryDset in New York City, year 2059Dshowcases veteran writer Nora Roberts's skills at their best. It's as tough, smart, sassy and successful as its heroine, police lieutenant Eve Dallas. The story opens in the upscale nightclub Purgatory, where Dallas discovers the brutally slain body of a fellow officer; another cop is murdered soon thereafter. Both men, it appears, were on the take, and both were connected to elusive criminal Max Ricker. Dallas 's investigation, which exposes crime and police corruption, puts both her reputation and life in danger. To make matters worse, Purgatory is owned by her own millionaire husband, RoarkeDa business associate of Ricker's before turning legitimateDand the overlap of professional and personal lives adds extra fireworks to an already tempestuous marriage. Robb's plotting is precise and fast paced, creating a satisfying mystery full of lively, credible twists. Secondary charactersDa troubled female police captain, an Internal Affairs cop with a leftover crush on DallasDare as well-drawn as Dallas herself, a tough but endearing 21st-century woman. Sexy, surprising and often funny power struggles between Dallas and Roarke are the tasty icing on this extremely well-made fictional "cake," which is just the right confection for lazy late-summer reading.

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But she didn't trust her luck.

She spent an hour going over Vernon's data. She'd be pulling him into interview shortly. She intended to hit him and hit him hard.

The coffee was wearing off and the words beginning to blur when her communicator beeped.

"Dallas?"

"I'm going to get me a big sloppy tongue kiss."

"I never said anything about tongues," Eve said, and made a mental note to warn Mavis to keep her mouth locked tight when Dickhead was backstage. "What have you got, Dickie?"

"Something that should make even your cold, cold heart pitty-patter. I got a little swab of Seal-It off the edge of the tub."

"Jesus, tell me you got a print, I'll kiss you myself."

"Cops always want a miracle." He hissed out a breath, deflated. "What I got is Seal-It. My guess is he used it to protect his hands and feet, but he got a little carried away with it. You know what happens if you hit it too thick?"

"Yeah it glops some. You can knock or scrape it on something and end up leaving some behind. Damn it, Dickie, what the hell does a swab of Seal-It give me?"

"You want to hear this, or you want to mouth off? He knocked some of the seal off, probably when he was getting your guy thrust up for the last spin in the bubble tub. That's why it's pretty damn likely this little piece of fingernail I got, which my diligence and sharp skills located, is your killer's."

She held herself level. "Have you checked the DNA against Bayliss's?"

"What do I look like? A moron?"

She opened her mouth, reminded herself she needed him, and virtuously shut it again. "Sorry, Dickie, it's been a long night."

"Tell me. It doesn't match Bayliss. I got it-and I mean it's barely a sliver, the little darling-off the underside of the tape. Got Bayliss's hair with it. You figure that came off his arm, as that's the location label on the evidence bag, but you don't figure to get a piece of the dead guy's nail on the under side of the tape, do you?"

"No, no, you don't. Goddamn, Dickie, that's good. That's beautiful. I think I'm falling in love with you."

"They all do, in the end. Got the prelim data coming through now." He shot across the room on his favored rolling chair. "Male. Caucasian male. Can't give you much more than that right now. You want me to try to pin down approximate age and heritage and all that happy stuff, it's going to take time. And I ain't got a lot of this sucker to work with. Could be I'll find more. He broke the seal one place, might be he broke it another. So far, the only hair is from Bayliss."

"Keep on it. Good work, Dickie."

"Yeah. You know what, Dallas? You bring this guy in, we'll nail him in court. Get it? Nail him."

"Yeah, I get it. That's a real knee-slapper."

She cut transmission, sat back.

A sliver of a fingernail, she thought. Sometimes a man could hang for nothing more than that.

A sliver of a fingernail. Carelessness. The first small chink of it.

Thirty pieces of silver. Symbolism. Religious symbolism. If the victims were Judas, who was the Christ figure? Not the murderer, she decided as her mind drifted. Christ was the sacrifice, he was the pure. The Son. What was the phrase?

The only begotten Son.

A personal message to the primary. Conscience. The killer had a conscience, and his mistake with Kohli troubled him enough that he needed to soothe it by explaining, by justifying. And by setting up an ultimatum.

Bring down Ricker. It circled back to Ricker.

Ricker. The Son. Purgatory.

Roarke.

Business, she thought. Old business.

– =O=-***-=O=-

She was in bed, in the dark, but she wasn't sleeping. It wasn't safe to sleep, to let herself hide in dreams.

He was drinking, and he wasn't alone.

She could hear words when their voices raised, and they raised often. It was her father's voice she focused on, because he was the one who might slide into the dark with her if he didn't drink enough. Just enough. He would come in, make a shadow in the doorway with the light hard and bright behind him.

If he was angry with the man, and not drunk enough, he would hurt her. Maybe just slaps, maybe. If she was lucky.

But if she wasn't lucky, his hands would bruise and squeeze-and his breath, candy-scented-would begin to come fast and hard. The ragged T-shirt she wore to sleep in would be no defense. Her pleas and struggles would only make him mad, make him mad so his breathing got faster, faster, like a big engine.

Then he would put his hand over her mouth, cutting off her air, cutting off her screams as he pushed his thing into her.

"Daddy's got something for you, little girl. Little bitch."

In her bed she shuddered and listened.

She was not yet eight.

"I need more money. I'm the one taking the risks. I'm the one putting my ass out there."

His voice was slurred, but not enough. Not yet enough.

"We made the deal. Do you know what happens to people who fuck with me? The last employee who tried to… renegotiate terms didn't live long enough to regret it. They're still finding small pieces of him in the East River."

This voice was quiet; she had to strain to catch it. But he wasn't drunk. No, no, she knew the sound of a man who'd been drinking, and this wasn't it. Still, the tone had her shivering. There was a nasty undercurrent to the cultured voice.

"I'm not looking for trouble, Ricker." There was a whine now, which had her cringing. If he was afraid, he'd hurt her. And he'd use his fists. "I got expenses. I got a daughter to raise."

"I'm not interested in your personal life but in my merchandise. See that it's delivered tomorrow night, at the appropriate time and place, you'll get the rest of your fee."

"It'll be there."

A chair scraped the floor. "For your sake-and your daughter's-it better be. You're a drunk. I dislike drunks. See that you're sober tomorrow night."

She heard footsteps, the door opening, closing. Then silence.

It was broken by the smashing of glass, of roaring oaths. In her bed she trembled and braced for the worst.

The walls shook. He was pounding his fists on them. Better than on her, was all she could think. Let him beat the walls, let him find another bottle. Please, please, let him go out to find more to drink, to find someone else to punish.

Please.

But the door of her room burst open. He stood, a shadow, big, dark, with the light bright and hard behind him.

"What're you staring at? You been listening to my private conversations? You been poking your nose in my business."

No. No. She didn't speak, only shook her head fast and fierce.

"I ought to leave you here for the rats and the cops. Rats'll chew your fingers off, and your toes. Then the cops'll come. You know what they do to little girls who don't mind their own?"

He lumbered to her, dragging her up by the hair so fire burst in her scalp and she cried out despite her efforts to stay quiet.

"They put them in dark holes in the ground and leave them there so bugs crawl into their ears. You wanna go into a little dark hole, little girl?"

She was crying now. She didn't want to, but the tears simply spurted out. He slapped her. Once, twice, but it was almost absent-minded, and she began to hope.

"Get your lazy ass out of bed and pack your junk. I got places to go, people to see. We're heading south, little girl."

He smiled then, a big, toothy grin that left his eyes wild. "Ricker thinks he scares me. Well, hell I got the first half of his money and his goddamn drugs. We'll see who has the last laugh. Mother fucking Max Ricker."

As she scrambled to obey, stuffing what clothes she had into a bag, she could only think she was saved, for one night, she was saved. Thanks to a man named Max Ricker.

– =O=-***-=O=-

Eve shot out of sleep with her heart pounding, her throat dry.

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