Lawrence Block - Hit Parade

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Hit Parade: краткое содержание, описание и аннотация

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The New York Times bestselling author and master of the modern mystery returns with a fierce and poignant new novel featuring his acclaimed killer-for-hire, Keller
John Keller is everyone's favorite hit man: a new kind of hero for a new, uncertain age. He's cool. Reliable. A real pro: the hit man's hit man. The inconvenient wife, the aging sports star, the business partner, the retiree with a substantial legacy. He's taken care of them all, quietly and efficiently.
Keller's got a code of honor, though he'd never call it that. And he keeps the job strictly business. "What happens is you wind up thinking of each subject not as a person to be killed but as a problem to be solved. Now there are guys doing this who cope with it by making it personal. They find a reason to hate the guy they have to kill. I don't know what's a sin and what isn't, or if one person deserves to go on living and another deserves to have his life ended. Sometimes I think about stuff like that, but as far as working it all out in my mind, well, I never seem to get anywhere."
But while Keller might be a pragmatic and crack assassin, he's also prone to doubts and loneliness just like everybody else. There was a psychotherapist once. A dog. Even a woman. And though he's got Dot, his wisecracking contact and sometimes confidante, and his precious stamp collection, these days, it doesn't seem to be enough.
Keller's been at this business a long while. Just maybe it's time to pack it in and find a nice little house in the desert. Only problem is, retirement takes money. And to get money, he's got to go to work…
Hit Parade, the third novel featuring the fascinating Keller, displays the hallmarks that distinguish Lawrence Block's award-winning fiction: the intelligence, the clever plotting, the humor, the tricky twists and ironic turns, the darkness and emotional complexity – and, above all else, the humanity.

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If Kissimmee Dudley won, Keller got to keep the two-thousand-dollar standby fee. That was a decent amount of money for not doing a thing, and there were times when he’d have been happy to see it play out that way.

But this wasn’t one of those times. He really wanted those stamps. If the horse lost, well, he’d go out and earn them. But what if the damned horse won?

The sixth raceended with Pass the Gas six lengths ahead of the field. Keller cashed his ticket and ran into his friend, who’d been talking with a fellow who bore a superficial resemblance to Jerry Orbach.

“Saw you in line to get paid,” the little man said. “What did you have, the exacta or the trifecta?”

“I don’t really understand those fancy bets,” Keller admitted. “I just put my money on Pass the Gas.”

“Paid even money, didn’t he? That’s not so bad.”

“I had him to show.”

“Well, if you had enough of a bet on him-”

“Just two dollars.”

“So you got back two-twenty,” the man said.

“I just felt like winning,” Keller said.

“Well,” the man said, “you won.”

He’d put downthe catalog, picked up the phone. When Dot answered he said, “I was thinking. If that Dudley horse wins, the client wins his bet and I don’t have any work to do.”

“Right.”

“But if one of the other jockeys crosses him up-”

“It’s the last time he’ll ever do it.”

“Well,” he said, “why would he do it? The jockey, I mean. What would be the point?”

“Does it matter?”

“I’m just trying to understand it,” he said. “I mean, I could understand if it was boxing. Like in the movies. They want the guy to throw a fight. But he can’t do it, something in him recoils at the very idea, and he has to go on and win the fight, even if it means he’ll get his legs broken.”

“And never play the piano again,” Dot said. “I think I saw that movie, Keller.”

“All the boxing movies are like that, except the ones with Sylvester Stallone running up flights of steps. But how would that apply with horses?”

“I don’t know,” she said. “It’s been years since I saw National Velvet .”

“If you were a jockey, and they paid you to throw a race, and you didn’t-I mean, where’s the percentage in it?”

“You could bet on yourself.”

“You’d make more money betting on Kissimmee Dudley. He’s the long shot, right?”

“That’s a point.”

“And that way nobody’d have a reason to take out a contract on you, either.”

“Another point,” Dot said, “and if the jockeys are all as reasonable as you and I, Keller, you’re not going to see a dime beyond the two grand. But they’re very small.”

“The jockeys?”

“Uh-huh. Short and scrawny little bastards, every last one of them. Who the hell knows what somebody like that is going to do?”

Keller’s friend wasshort enough to be a jockey, but a long way from scrawny. Facially, he looked a little like Jerry Orbach. It was beginning to dawn on Keller that everybody in the OTB parlor, even the blacks and the Asians, looked a little like Jerry Orbach. It was sort of a generic horseplayer look, and they all had it.

“Kissimmee Dudley,” Keller said. “Where’d somebody come up with a name like that?”

The little man consulted his Racing Form . “By Florida Cracker out of Dud Avocado,” he said. “ Kissimmee ’s in Florida, isn’t it?”

“Is it?”

“I think so.” The fellow shrugged. “The name’s the least of that horse’s problems. You take a look at his form?”

The man reeled off a string of sentences, and Keller just let the words wash over him. If he tried to follow it he’d only wind up feeling stupid. Well, so what? How many of these Jerry Orbach clones would know what to do with a perforation gauge?

“Look at the morning line,” the man went on. “Hell, look at the tote board. Old Dudley ’s up there at forty-to-one.”

“That means he doesn’t have a chance?”

“A long shot’ll come in once in a while,” the man allowed. “Look at Hypertension. With him, though, his past performance charts showed he had a chance. A slim one, but slim’s better than no chance at all.”

“And Kissimmee Dudley? No chance at all?”

“He’d need a tailwind and a whole lot of luck,” the man said, “before he could rise to the level of no chance at all.”

Keller slipped away, and when he came back from the ticket window his friend asked him what horse he’d bet on. Keller’s response was mumbled, and the man had to ask him to repeat it.

“Kissimmee Dudley,” he said.

“That right?”

“I know what you said, and I suppose you’re right, but I just had a feeling.”

“A hunch,” the man said.

“Sort of, yes.”

“And you’re a man on a lucky streak, aren’t you? I mean, you just won twenty cents betting the favorite to show.”

The line was meant to be sarcastic, but something funny happened; by the time the man got to the end of the sentence, his manner had somehow changed. Keller was wondering what to make of it-had he just been insulted or not?

“The trick,” the fellow said, “is doing the wrong thing at the right time.” He went away and came back, and told Keller he probably ought to have his head examined, but what the hell.

“Kissimmee Dudley,” he said, savoring each syllable. “I can’t believe I bet on that animal. Only way he’s gonna win the seventh race is if he was entered in the sixth, but it’ll be some sweet payoff if he does. Not forty-to-one, though. Price is down to thirty-to-one.”

“That’s too bad,” Keller said.

“Except it’s a good sign, because it means some late bets are coming in on the horse. You see a horse drop just before post time from, say, five-to-one to three-to-one, that’s a good sign.” He shrugged. “When you start at forty-to-one, you need more than good signs. You need a rocket up your ass, either that or you need all the other horses to drop dead.”

9

Keller wasn’t surewhat to watch for. He knew what you did to get your horse to run faster. You hit him with the whip, and dug your heels into his flanks.

But suppose you wanted to slow him down? You could sit back in the saddle and yank on the reins, but wouldn’t that be a little on the obvious side? Could you just hold off on the whip and cool it a little with the heel-digging? Would that be enough to keep your mount from edging out Kissimmee Dudley?

The horses were entering the starting gate, and he picked out Dudley and decided he looked like a winner. But then they all looked like winners to Keller, big well-bred horses, some taking their positions without a fuss, others showing a little spirit and giving their riders a hard time, but all of them sooner or later going where they were supposed to go.

Two of the jockeys were girls, Keller noticed, including the one riding the second favorite. Except you were probably supposed to call them women, you had to stop calling them girls these days around the time they entered kindergarten, from what Keller could tell. Still, when they were jockey-size, it seemed a stretch to call them women. Was he being sexist? Maybe, or maybe he was being sizeist, or heightist. He wasn’t sure.

“They’re off!”

And so they were, bursting out of the starting gate. Neither of the girl jockeys was riding Kissimmee Dudley, so if one of them won, well, she’d live to regret it, albeit briefly. Some people in Keller’s line of work didn’t like to take out women, while others were supposed to get a special satisfaction out of it. Keller didn’t care one way or the other. He wasn’t a sexist when it came to business, although he wasn’t sure that was enough to make him a hero in the eyes of the National Organization for Women.

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