Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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"You go to bed with him?" I asked, casually.

A blush began to saturate Colleen's cheeks. "No, but I would have. Hell, I was so crazy about him I broached the subject myself. I was shameless. I was wanton. I'd have taken him on any basis… just to be with him once." She shook her head. "He wouldn't do it, and you know why? He was honorable. Decent. Can you imagine the gall of it in this day and age? Tom was an honorable man. He made a promise to be faithful and he meant it. That's one of the things I admired most about him."

"Maybe it's just as well. He wouldn't have been good at deceit even if he'd been willing to try."

"So I've told myself."

"You miss him," I said.

"I've cried every day since I heard about his death. I never even had the chance to say goodbye to him."

"It must be tough."

"Awful. It's just awful. I miss him more than I missed my own mother when she died. So maybe if I'd slept with him, I'd have had to kill myself or something. Maybe the loss and the pain would have been impossible to bear."

"You might have had less respect for him if he'd given in."

"That's a risk I'd have taken, given half a chance."

"At any rate, I'm sorry for your pain."

"No sorrier than I am. I'm never going to find another guy like him. So what can you do? You soldier on. At least his wife has the luxury to mourn in public. Is she taking it hard?"

"That's why she hired me, trying to find relief."

Colleen looked away from me casually, trying to conceal her interest. "What's she like?"

I thought for a moment, trying to be fair. "Generous with her time. Terribly insecure. Efficient. She smokes. Sort of hard-looking, platinum blond hair teased out to here. She has slightly gaudy taste and she's crazy about her son, Brant. This was Tom's stepson."

"Do you like her? Is she nice?"

"People claim she's neurotic, but I do like the woman. A few don't, but that's true of all of us. There's always someone who thinks we're dogshit."

"Did she love him?"

"Very much, I'd say. It was probably a good marriage… maybe not perfect, but it worked. She doesn't like the idea of his dying with unfinished business."

"Back to that," she said.

"I'd do the same for you if you hired me to find answers."

Colleen's gaze came back to mine. "You thought it was me. That we were having an affair."

"It crossed my mind."

"If I'd had an affair with him, would you have told his wife the truth?"

"No. What purpose would it serve?"

"Right." She was silent for a moment.

"Do you know why Tom was so distressed?" I asked.

"I might."

"Why so protective?"

"It's not up to me to ease her mind," she said. "Who's easing mine?"

I held my hands up in surrender. "I'm just asking the question. You have to do as you see fit."

"I have to go," she said abruptly, gathering up her coat. "I'll call you later with the phone number for Ritter's daughter."

I held a finger up. "Hang on. I just remembered. I have something for you if you're interested." I reached into the outer zippered compartment of my shoulder bag and pulled out one of the black-and-white photographs of Tom at the April banquet. "I had these done up in case I needed 'em. You might like to have something to remember him by."

She took the picture without comment, a slight smile playing across her mouth as she studied it.

I said, "I never met him myself, but I thought it captured him."

She looked up at me with tears rimming her eyes. "Thank you."

SIXTEEN

When I returned from my run the next morning, there was a message from Colleen Sellers on my answering machine, giving me the name and Perdido address of a woman named Dolores Ruggles, one of Pinkie Ritter's daughters. As this represented the only lead I had, I gassed up the VW and headed south on 101 as soon as I was showered and dressed.

On my left, I could see fields under cultivation, the newly planted rows secured by layers of plastic sheeting as slick and gray as ice. Steep hills, rough with lowgrowing vegetation, began to crowd up against the highway. On my right, the bleak Pacific Ocean thundered against the shore. Surfers in black wetsuits waited on rocking boards like a scattered flock of sea birds. The rains had moved on, but the sky was still white with a ceiling of sluggish clouds and the air was thick with the mingled scents of brine and recent precipitation. Snow would be falling in the high Sierras near Nota Lake.

I took the Leeward off-ramp and made two left turns, crossing over the freeway again in search of the street where Dolores Ruggles lived. The neighborhood was a warren of low stucco structures, narrow streets intersecting one another repeatedly. The house was a plain box, sitting in a plain treeless yard with scarcely a bush or a tuft of grass to break up the monotonous flat look of the place. The porch consisted of a slab of concrete with one step leading up to the front door and a small cap of roofing to protect you as you rang the bell, which I did. The door was veneer with long sharp splinters of wood missing from the bottom edge. It looked like a dog had been chewing on the threshold.

The man who opened the door was drying his hands on a towel tucked into the waist of his trousers. He was easily in his sixties, maybe five-foot-eight, with a coarsely lined face and a thinning head of gray-white hair the color of wood ash. His eyes were hazel, his brows a tangle of wiry black and gray. "Keep your shirt on," he said, irritably.

"Sorry. I thought the bell was broken. I wasn't even sure anyone was home. I'm looking for Dolores Ruggles."

"Who the hell are you?"

I handed him my card, watching his lips move while he read my name. "I'm a private investigator," I said.

"I can see that. It says right here. Now we got that established, what do you want with Dolores? She's busy at the moment and doesn't want to be disturbed."

"I need some information. Maybe you can help me and we can spare her the imposition. I'm here about her father."

"The little shithead was murdered."

"I'm aware of that."

"Then what's it to you?"

"I'm trying to find out what happened."

"What difference does it make? The man is D-E-A-D dead and not soon enough to suit my taste. I've spent years coping with all the damage he did."

"Could I come in?"

He stared at me. "Help yourself," he said abruptly and turned on his heel, leaving me to follow. I scurried after him, taking a quick mental photograph as we passed through the living room. Not to sound sexist, but the room looked as if it had been designed by a man. The floors were bare hardwood, stained dark. I noted a tired couch and a sagging upholstered chair, both shrouded by heavy woven Indian-print rugs. I thought the coffee table was antiqued, but I could see as I passed the only patina was dust. The walls were lined with books: upright, sideways, slanting, stacked, packed two deep on some shelves, three deep on others. The accumulation of magazines, newspapers, junk mail, and catalogs suggested a suffocating indifference to tidiness.

"I'm doing dishes out here," he said, as he moved into the kitchen. "Grab a towel and you can pitch in. You might as well be useful as long as you're picking my brain. By the way, I'm Homer, Dolores's husband. Mr. Ruggles to you."

His tone had shifted from outright rudeness to something gruff, but not unpleasant. I could see he'd been rather good-looking in his day; not wildly handsome, but something better-a man with a certain amount of character and an appealing air. His skin was darkly tanned and heavily speckled with sun damage, as if he'd spent all his life toiling in the fields. His shirt was an earth brown with an elaborately embroidered yoke done in threads of gold and black. He wore cowboy boots that I suspected were intended to add a couple of inches to his height.

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