Sue Grafton - N Is For Noose

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Amazon.com Review
"Suppose we could peer through a tiny peephole in time and chance upon a flash of what was coming up in the years ahead?" The questioner is Kinsey Millhone, middle-aged, two-time divorcee detective and junk food junkie star of Sue Grafton's popular "alphabet" mysteries; the book is 'N' Is for Noose. If Kinsey had had just a smidgen of foresight, she would never have taken her current case, handed down to her from her on-again, off-again flame and comrade in arms, Robert Dietz. We encounter the two this time out after Deitz's knee surgery, as Kinsey drives his "snazzy little red Porsche" back to Carson City, where she checks out his digs for the first time. To her surprise, he lives in a palatial penthouse, which-under the unspoken bylaws of investigative etiquette-she qualmlessly snoops through. They sit around for a fortnight playing gin rummy and eating peanut butter and pickle sandwiches together, but perennially single Kinsey grows wary: "It was time to hit the road before our togetherness began to chafe."
She heads off to meet Dietz's former client, Mrs. Selma Newquist, a devastated widow whose makeup tips seem to come from Tammy Faye Baker. Her husband Tom Newquist, a detective himself, had been working on a mysterious case when he abruptly died of a heart attack. Selma suspects foul play, but bless her, she isn't the brightest star in the sky and can't figure out what Tom was working on even though he's left behind enough paper to fill a recycling truck. Kinsey digs right in and roams the sleepy, one-horse town of Nota Lake for clues, interviewing a colorful cast of in-laws and locals. Beneath the quaint, quiet, country veneer, she unearths a bubbling hotbed of internal strife and familial double-dealing. Was Tom covering up for his partner? Is Selma protecting someone? Grafton's knack for gritty details and realistic characters ("[Selma's] skin tones suggested dark coloring, but her hair was a confection of white-blond curls, like a cloud of cotton candy"), coupled with the fast-paced, believable story line, makes for another delightful, entertaining read.

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You really should get help, she suggested. The injuries won't kill you, but the shock well could. Remember the symptoms? Pulse and breathing become faster. Blood pressure drops. Weakness, lethargy, a little clamminess? Does that ring a bell here?

I was laboring to breathe, struggling to keep my wits about me while my vision brightened and narrowed. It had been a long time since I'd been hurt and I'd nearly forgotten how it felt to be consumed by suffering. I knew he could have killed me, so I should have been happy this was the worst he'd conjured up. What exhilaration he must have felt. I had been brought low and my attempts at self-defense seemed pathetic in retrospect.

I held my hand against my chest protectively while I eased onto my side and from there to my knees. I pushed upward with left elbow, supporting myself clumsily as I struggled to my feet. I was mewing like a kitten. Tears stung my eyes. I felt abased by the ease with which I'd been felled. I was nothing, a worm he could have crushed underfoot. My cockiness had left me and now belonged to him. I pictured him grinning, even laughing aloud as he sped down the highway. He would shake his fist in the air with joy, reliving my subjugation in much the same way I would in the days to come.

I turned on the overhead light and looked down at my hand. Both my index finger and my insult finger jutted out at thirty-degree angles. I really couldn't feel much, but the sight of it was sickening. I found my bag near the bed. I picked up my jacket and laid it across my shoulders like a shawl. Oddly, the cabin wasn't that disordered. The iron had been flung into the far corner of the room. The wooden chair had been knocked over and the braided rug was askew. Tidy little bun that I am, I righted the chair and flopped the rug back into place, picked the iron up and returned it to the top closet shelf, cord dangling. Now I had only myself to accommodate.

I locked the cabin with effort, using the unaccustomed left hand. I headed toward the motel office. The night was cold and a soft whirl of snow whispered against my face. I drank deeply of the cold, refreshed by the dampness in the air. Out near the road, I could see the glow of the motel vacancy sign, a red neon beacon issuing its invitation to passing motorists. There was no traffic on the highway. None of the other cabins showed any signs of life. Through the office window, I could see a table lamp aglow. I went in. I leaned against the doorframe while I knocked on Cecilia's door. Long minutes passed. Finally, the door opened a crack and Cecilia peered out.

I could hear the mounting roar of a fainting spell rising around my ears. I longed to sit down and put my head down between my knees. I took a deep breath, shaking my head in hopes of clearing it.

Still squinting, she tied the sash of her pink chenille robe as she emerged. "What's this about?" she said, crossly. "What's the matter with you?"

I held up my hand. "I need help."

TEN

Cecilia dialed 9-1-1 and reported the break-in and the subsequent attack. The dispatcher said he'd send an ambulance, but Cecilia assured him she could get me to the hospital in the time it would take the paramedics to arrive. She threw on her sweats, a coat, and running shoes, and put me in her ancient Oldsmobile. To give her credit, she seemed properly concerned about my injury, patting me occasionally and saying things like, "You hang on now. You'll be fine. We're almost there. It's just down the road." She drove with exaggerated care, both hands on the steering wheel, chin lifted so she could see over the rim. Her speed never exceeded forty miles an hour and she solved the problem of which lane to drive in by keeping half the car in each.

I no longer felt pain. Some natural anesthesia had flooded through my system and I was woozy with its effect. I leaned my head back against the seat. She studied me anxiously, no doubt worried I'd barf on the hard-to-clean upholstery fabric.

"You're dead white," she said. She depressed the window control, opening the window halfway so that a wide stream of icy air whipped against my face. The highway was glossy with moisture, snow blowing across the road in diagonal lines. At this hour of the night, there was a comforting silence across the landscape. So far, the snow wasn't sticking, but I could see a powdering of white on tree trunks, an airy accumulation in the dead and weedy fields.

The hospital was long and low, a one-story structure that stretched in a straight line like some endless medical motel. The exterior was a mix of brick and stucco, with a roof of three-tab asphalt shingle. The parking area near the ambulance entrance was virtually deserted. The emergency room was empty, though the few brave souls on duty roused themselves and appeared in due course, one of them a clerk whose name tag read L. LIPPINCOTT. I was guessing Lucille, Louise, Lillian, Lula.

Ms. Lippincott's gaze flicked away from the bristling bouquet of digits. "How did you fall?"

"I didn't. I was assaulted," I said and then proceeded to give her an abbreviated account of the attack.

Her facial expression shifted from distaste to skepticism, as though there must be portions of the story I'd neglected to tell. Perhaps she fantasized some bizarre form of self-abuse or S M practices too nasty to relate.

I sat in a small upholstered chair, reciting my personal data-name, home address, insurance carrier-while she entered the information into her computer. She was in her sixties, a heavy-boned woman with graying hair arranged in perfect wavelets. Her face looked like half the air had leaked out, leaving soft pouches and seams. She wore a nursy-looking pantsuit of waffle-patterned white polyester with large shoulder pads and big white buttons down the front. "Where'd Cecilia disappear to? Wasn't she the one brought you in?"

"I think she's gone off to find a restroom. She was sitting right out there," I said, indicating the waiting area. A new-found talent allowed me to point in two directions simultaneously-index and insult fingers going north-west, ring finger and pinkie steering eastnorth-east. I tried to avoid the sight, but it was hard to resist.

She made a photocopy of my insurance card, which she set to one side. She entered a print command and documents were generated, none of which I was able to sign with my bunged-up right hand. She made a note to that effect, indicating my acceptance of financial responsibility. She assembled a plastic bracelet bearing my name and hospital ID number and affixed that to my wrist with a device resembling a hole punch.

Chart in hand, she accompanied me through a doorway and showed me a seat in an examining room about the size of a jail cell. She stuck my chart in a slot mounted on the door before she left. "Someone'll be right with you."

The place looked like every other emergency room I'd ever been exposed to: beige speckled floor glossy with wax, making it easy to remove blood and other body fluids; acoustical tile on the ceiling, the better to dampen all the anguished cries and screams. The prevailing smell of rubbing alcohol made me think about needles and I desperately needed to lie down that instant. I set my jacket aside and crawled up on the examining table, where I lay on the crackling paper and stared at the ceiling. I wasn't doing well. I was shivering.

The lights seemed unnaturally bright and the room oscillated. I laid my left arm across my eyes and tried to think about something nice, like sex.

I could hear a low conversation in the corridor and someone came in, picking up my chart from the door. "Miss Millhone?" I heard the click of a ballpoint pen and I opened my eyes.

The ER nurse was black, her name tag identifying her as V LaMott. She had to be Rafer LaMott's wife, mother to the young woman working as a shortorder cook over at the Rainbow Cafe. Was theirs the only African American family in Nota Lake? Like her daughter, V LaMott was trim, her skin the color of tobacco. Her hair was cropped close, her face devoid of makeup. "I'm Mrs. LaMott. You've met my husband, I believe."

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