Nora Roberts - Dance Upon the Air

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Amazon.com Review
Setting: Three Sisters Island, coast of New England, present day
Sensuality rating: 6
Perennial New York Times bestselling author Nora Roberts's new Three Sisters Island trilogy is pure magic! No, I mean really magic. An intriguing combination of The Witches of Eastwick and Sleeping With the Enemy, Dance Upon the Air introduces readers to the idyllic town of Three Sisters Island. Reputedly conjured by a trio of sisters seeking to escape the Salem witch-hunts, the island remains a place of quiet refuge for one and all, including pretty Nell Channing who arrives in town afraid of her own shadow, with few possessions and no past. But the warm, sunny days and cool, windswept nights, as well as the loving concern of new friends-especially hunky sheriff Zack Todd-soon lure skittish Nell into a much-welcome fresh life. Nell's new boss, the captivatingly lovely bookstore owner Mia Devlin (look for Mia's story, hopefully, in the not-too-distant future), wonders from what or whom Nell is running. Mia treats Nell as she would a sister, which isn't too far off the mark, helping Nell discover and explore her inner resources while Zack's romantic attentions bring a rosy glow to Nell's cheeks and to her future. But something wicked this way comes… Will Nell be ready to face and conquer her past? Even with the love and support of Mia, Zack, and Zack's fellow police officer, his peppery, down-to-earth sister Ripley, Nell has the fight of her life-the fight for her life-on her hands. Roberts continues to delight fans and create new believers with her talent and imagination.
From Publishers Weekly
The first installment of Roberts's newest trilogy set on Three Sisters island invokes the sensitive characterizations and magic that distinguished her previous trilogy (Jewels of the Sun; Tears of the Moon; Heart of the Sea). An enchanted island off the coast of Massachusetts, Three Sisters was formed as a sanctuary by three frightened witches fleeing persecution. Although the witches found peace on the island, each of them entered into an ill-fated relationship and died tragically. Now their descendants Nell Channing, Ripley Todd and Mia Devlin have to break the pattern set by their foremothers, or the island will sink. This first book focuses on Nell, a newcomer to the island who escaped her abusive husband by staging her death. Nell is unaware that she's a witch, but she is instinctively drawn to the island and secures a job as a chef in the caf‚ owned by Mia. Between coping with her bleak memories and deciding whether she can give her heart to Zach Todd, Ripley's brother and the island sheriff, Nell has little time to digest the discovery that she's a witch. In the end, however, Nell will have to come to terms with her newfound powers so that she can fight her all-too-demented husband. It's probably witchcraft that Roberts can turn out so many books and still create something that's sexy and charming, but in this tale, it's evident that she hasn't lost her fairy touch. (June 5)Forecast: No stranger to bestseller lists, Roberts triumphed in 2000 with the release of two hardcovers and eight mass market paperbacks, seven of which sold in the millions. National radio advertising and print advertisements in USA Today will ensure that her latest hits the big time as well.

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"Quiet. You're not to interfere. Look at me, Nell. You can trust me, and yourself. Watch. And see."

"Hold on to your hats," Ripley muttered, and stepped a bit further back, just in case.

Mia opened her hands, empty hands. Spread her fingers. Turning them over, she held her arms out as if reaching.

There was a spark, electric blue. Then another, then a dozen, then too many to count. They sizzled, like fire on water, turned the air within the circle to deep sapphire.

And there, where the bare ground had been, rose a bright and gilded pillar of flame.

Nell's legs simply folded until her butt hit the ground with a solid thump. Nothing that was going through her mind, had she been able to capture any of the scattered pieces of her thoughts, could have made its way out of her mouth.

"Told you." Ripley sighed, shook her head.

"Quiet!" Mia spun away from the fire, held out a hand to help Nell to her feet. "You've seen me do magic before, little sister. You've done magic yourself."

"Not like that."

"It's a basic skill."

"Basic? Mia, really. You made fire . Out of nothing."

"What she means is it's along the lines of losing your virginity. It's kind of a jolt," Ripley said helpfully. "It might be less pleasurable than you expect the first time around, but after a while, you get better at it."

"Close enough." Mia agreed. "Now center yourself, Nell. You know how. Clear your mind. Visualize, gather the power. Make your fire."

"I can't possibly-"

Mia cut her off with a lifted hand. "How do you know unless you try? Concentrate." She stepped behind Nell, laid her hands on Nell's shoulders. "There's light inside you, and heat, energy. You know it. Bring it together. Feel it. It's like a tingling in the belly, and it rises toward the heart. It spreads up, fills you."

Gently, she put her hands under Nell's arms, lifting them. "It runs under your skin, like a river, flows down your arms, to your fingertips. Let it come. It's time."

While they worked, Ripley watched. There was something lovely about it in a strange way. Something like watching Mia balance Nell on her first two-wheeler, offering encouragement, keeping pace, building confidence.

The first time wasn't easy on student or teacher, she knew. Nell's face was sheened with the sweat of effort. The muscles in her arms trembled.

The clearing, never completely silent, seemed to vibrate. The air here, never completely still, sighed.

There was a faint and fitful spark. When Nell would have leaped back, Mia was there, holding her in place, her quiet and steady encouragement like a chant.

Another spark, stronger.

Ripley watched Mia step back, leaving her little sister wobbling on two wheels, solo. Despising the weakness, Ripley felt tears, pure sentiment, gather in her eyes. And a little spurt of pride as Nell's fire shimmered to life.

For the first time since she'd begun, Nell felt the beat of her own heart, the rise and fall of her own chest. Power, bright as silver, pumped through her blood.

"It's better than losing your virginity. It's beautiful, and bright," she whispered. "Nothing will ever be the same for me again."

She turned, full of joy. But Mia was no longer looking at her, but at Ripley.

"We need three."

Furious, Ripley refused to let the tears fall. "You won't get the third from me."

Mia had seen the tears, and understood them. She also understood Ripley. "Very well." To Nell she said, "She probably can't do it anymore."

"Don't tell me what I can't do," Ripley piped up.

"It'd be hard for her to find that out, especially after watching you do so well, after such a short time."

"And stop talking like I'm not here. I hate that."

"Why are you here?" Mia asked with annoyance. "Nell and I can make the third together." Which had been Mia's plan before she'd seen Ripley at the door. "We certainly don't need you and your pathetic, rusty attempts. She was never as good as me," she said to Nell. "It always infuriated her that what came so easily to me was such an effort for her."

"I was every bit as good as you."

"Hardly."

"Better."

Ah, Mia thought. Ripley never could turn down a challenge. "Prove it."

Weakened by sentiment, stirred by longing, and bristling with the dare, Ripley stepped into the circle.

No, Nell thought. She swaggered.

She didn't hold out her arms as Mia had, but seemed to throw them, and the fire that burst from their tips, onto the ground.

The minute she did, she hissed like a snake. "You did that on purpose."

"Perhaps, but so did you. And look here, the sky did not fall. You made the choice, Ripley. I couldn't have pushed you into it unless you'd wanted it."

"This doesn't change anything. It's one time only."

"If you say so, but you might as well have some wine while you're here." Mia studied the trio of flames as she picked up the bottle. Ripley's was bigger than hers, a result of temper. But not, Mia thought with satisfaction, nearly as elegant.

And, pouring the wine, she felt a fire inside herself. That was hope.

***

They had another glass when they returned to Mia's house.

Restless now, Ripley wandered from window to window. Jingling the change in her pocket. Mia ignored her. For as long as she'd known her, Ripley had never been a quiet soul. And at the moment, Mia understood there was a considerably testy war going on inside of her.

"Have you decided how you're going to handle your situation with Zack?"

Nell glanced up at her. She sat on the floor, mesmerized by the fire. "No. Part of me hopes that Evan will divorce me, take it out of my hands. And the rest of me knows that's not the core of the problem."

"If you don't stand up to bullies, they tromp all over you."

Nell admired Ripley. Strong, wiry, and ready, she thought. "Knowing that and acting on it are two different things. Evan would never have taken a piece out of someone like you."

Ripley lifted a shoulder. "So, take it back."

"She will when she's ready," Mia countered. "You of all people should know that it's impossible to push one person's beliefs, ideas, or standards on another. Or to erase someone else's fear."

"She's upset with me because I hurt Zack. I can't blame you."

"He's a big boy." Ripley shrugged, then sat on the arm of the couch. "What are you going to do about him-Zack, that is-in the meantime?"

"Do?"

"Yeah, do. Are you just going to let him slide through his brooding phase-which is what comes after the pissed-off phase with him and, let me tell you, is a lot harder to live with. I figure we've gotten to be pals, more or less, since you've been here. Do a pal a favor and snap him out of it before I have to smother him in his sleep."

"We've talked."

"I don't mean talk. I mean action. Is she really that much of a sweetie?" Ripley asked Mia.

"Apparently. Ripley, in her own delicate way, is suggesting that you lure Zack back to bed and soothe away your troubles with a bout or two of hot jungle sex. Which is her answer to all manner of pesky annoyances, including hangnails."

"Bite me. Mia's given up sex, which explains why she's such a bitch."

"I haven't given it up, I'm simply more selective than a cat in heat."

"It isn't about sex." Making the statement, making it firm and fast, was Nell's only solution to fending off another argument.

Ripley snorted. "Yeah, sure, right."

Mia sighed. "It pains me, more than I can say, to agree with Ripley. Even partially. Certainly your relationship with Zack isn't, as all of Ripley's are, based on sex. But it's a vital part of it, an expression of your feelings, a celebration of them, and your intimacy."

"You can put flowers on it, it's still sex." Ripley gestured with her glass. "However high-minded Zack is, he's still a guy. Being around you and not getting laid-"

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