Sue Grafton - O Is For Outlaw

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O Is For Outlaw: краткое содержание, описание и аннотация

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Amazon.com Review
Wise-cracking, staunchly independent, and chronically curious, Grafton's gritty gumshoe Kinsey Millhone is back. This time, the alphabet series star will take on the toughest case to date: her past. What begins as a random phone call from a "storage space scavenger" (someone who buys the contents of defaulted storage units) leads Kinsey to a box of old papers and personal effects that her ex-husband, Mickey Magruder, left behind. Inside, she finds a 15-year-old unsent letter from a bartender that, among other things, reveals her former hubby was having an affair. The letter also contains details about the murder of a transient-a crime for which Mickey was blamed. Although never convicted, Mickey was ruined-losing his job, wife, and friends. But 15 years later, Kinsey realizes that foul play may have been involved in the murder, a deadly temptation for her.
Die-hard fans will especially enjoy Kinsey's self-disclosure-something she's infamous for not doing-about her childhood, the fate of her parents, and the randy details of her first marriage. A very vulnerable and interesting side to Kinsey's character is also revealed when her obsessive-compulsive fact-finding bent is mixed up with matters of the heart.
A fast, fun read, O Is for Outlaw is packed with Grafton's clear, colorful imagery and signature metaphors: "Our recollection of the past is not simply distorted by our faulty perception of events remembered, but skewed by those forgotten. The memory is like orbiting twin stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed."

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"Hey, I'm sorry, but you asked."

"Why didn't you ever mention you knew Benny back in high school?"

"When did I have the chance? In those days, you barely spoke to me. And since then, believe me, I've been acutely aware you're not a fan of mine. We run into each other in public, you practically duck and hide, you're so anxious to avoid contact. Anyway, that aside, you weren't speaking to Mickey either, or he'd have told you the same thing."

I felt myself color at his accuracy. And here I thought I was so subtle. "Can I ask one more thing?"

"What's that?" Mark took a sip of his drink.

"After you Joined the army, you were sent to Vietnam. Is that correct?"

"Absolutely. I'm proud of my service record."

"I'm sure you are," I said. "Benny Quintero was there and so was Duncan Oaks." I went on, giving him a hasty summation of what I'd learned from Porter Yount.

Mark's face took on the look of a man who's trying to pay attention while his mind is somewhere else. I could tell he was thinking hard, composing his response before I'd finished what I was saying. His resulting smile held an element of puzzlement. "You have to understand there were hundreds of guys who fought at la Drang. The one/five, the one/seven, the two/seven, the Second Battalion Nineteenth Artillery, the Two-twenty-seventh Assault Helicopter Battalion, the Eighth Engineer Battalion, "

"Got it," I said. "There were lots of guys. I got that, but Duncan was a journalist and he went out there specifically to talk to you because of the series he was writing. He must have told you he talked to Laddie. My guess is you'd felt threatened by him for years. He and Laddie were tight. She was poor in those days and never good enough for him, but I'll bet her classmates would tell me she'd had a crush on him, that she'd have given her eyeteeth for his attention, "

"That's absurd. That's ridiculous," Laddie interjected.

Mark made a motion with his hand that told her to hush, the sort of command you teach a dog in obedience training. She closed her mouth, but the significance of the gesture wasn't lost on her. Mark was clearly annoyed. "Let's get to the bottom line. What are you suggesting?"

"I'm suggesting the three of you connected up. You and Benny and Duncan Oaks."

Mark was shaking his head. "No. Wrong."

I said, "Yes. Right. I have a snapshot of the two of them, and you're visible in the background."

Laddie said, "So what?"

"I'll take care of this," he said to her. And then to me, "Go on. This is fascinating. Clearly, you've cooked up some theory and you're trying to make the pieces fit."

"I know how they fit. Duncan interviewed Laddie for the paper after you shipped out. By then, her daddy had money and Duncan couldn't resist. After all, a conquest is a conquest, however late it comes. The two had a fling and you found out about it. Either she 'fessed up or he told you himself, "

Laddie said, "I don't want to talk about this. It's over and done. I made a mistake, but it was years ago."

"Yeah, and I know who paid," I said caustically.

"Laddie, for God's sake, would you shut your mouth!" He turned back to me again, his face dark. "And?"

"And you killed him. Benny Quintero saw it and that's why he was hounding you. You set Mickey up. You killed Benny and made sure Mickey took the rap for it."

Mark's tone was light, but it wasn't sincere. "And you're saying what, that I shot Mickey too?"

"Yes."

He held his hands out, baffled. "Why would I do that? "

"Because he'd put it together the same way I have."

"Wait a minute, Kinsey. Duncan's body was never found, so for all you know he's alive and well. You think you can make a charge like this without evidence? "

"I have the snapshot. That helps."

"Oh, that's right. The snapshot. What crap. I think I better call your bluff. You have it with you?"

"I left it with a friend."

Mark snapped his fingers. "I forgot about Benny's brother. What's his name again? Duffy. Carlin Duffy. Now, there's a bright guy."

I said nothing.

He went on. "My sources tell me he's living in a shack at Himes Nursery. With his criminal history, it should be easy enough to put the screws to him."

"I thought you weren't worried."

"Call it cleanup," he said.

"Really. Now that you're running for public office, you have to bury your misdeeds, make sure the past won't rise up and bite you in the butt when you're least expecting it."

He pointed at me. "Bingo."

"Did you hate him that much?"

"Duncan? I'll tell you what pissed me off about that guy. Not so much that he screwed Laddie the minute my back was turned, but he showed up at la Drang, trying to pass himself off as a grunt. I had buddies, good friends, young guys, who died with valor, brave men who believed in what we were doing. I saw them die in agony, maimed and mutilated, limbs gone, gutshot. Duncan Oaks was a sleaze. He had money and pretensions but not an ounce of decency. He deserved to die, and I was happy to help him out. Speaking of which, I'd like to have his personal effects."

"Effects?"

"Press pass, dog tags."

"I can't help you there. You'd have to talk to Duffy about those things."

From the depths of my shoulder bag, there was a small but distinct click as the tape ran out and the recorder shut itself off. Mark's gaze flicked down and then flicked up to my face. His smile faded, and I heardLaddie's sharp intake of breath. He held his hand out. "You want to give me that?"

"Hey, Dad?"

The three of us turned in unison. The Bethels' son, Malcolm, was standing in the door to the dining room.

"What is it?" Mark said, trying not to sound impatient with the kid.

"Can I take your Mercedes? I've got a date."

"Of course."

Malcolm continued to stand there. "I need the keys. "

"Well, get a move on. We're in the middle of a conversation here," Mark said, waving him into the room.

Malcolm shot me a look of embarrassment as he entered the room. Impatiently, Mark removed his keys from his pocket, twisting the key from the ring as he separated it from the others. Meanwhile, I was staring at the kid. No wonder the photographs of Duncan Oaks had seemed familiar. I'd seen him, or his incarnation, in Laddie's son. The same youth, the same dark, distinctly handsome looks. Malcolm, at twenty, was the perfect blend of Duncan at seventeen and Duncan at twenty-three. I turned to Laddie, who must have known the final piece of the puzzle had fallen into place.

She said, "Mark." He glanced at her, and the two exchanged a quick piece of nonverbal communication.

"Where're you off to, Malcolm?" I said, ever the chipper one.

"I'm taking my girlfriend to a kegger out on campus."

"Great. I'm just leaving. I think I'll follow you out. I got lost coming in. Could you steer me in the right direction? "

"Sure, no problem. I'll be happy to," he said.

I kept a careful eye on the rear of Mark Bethel's black Mercedes as Malcolm drove slowly down the driveway ahead of me. In my rearview mirror, I saw another set of headlights come into view. Mark had apparently made a scramble for Laddie's BMW, a sporty red model perfect for a hit-and-run fatality or a high-speed chase. In front of me, Malcolm had just reached the gates, triggering the automatic mechanism buried in the drive. Slowly, the gates swung open. Out on the road, I spotted two Santa Teresa Sheriff's Department cars pulled onto the berm, lights flashing. Four deputies were in conversation with Detectives Claas and Aldo, who were just in the process of identifying themselves. Malcolm turned left onto Savanna and I followed in his wake. Detective Aldo caught my eye, but there was no way he could help until the deputies had finished with them. So much for Plan A.

I checked the rearview mirror. Mark was so close on my tail, I could see the smirk on his face. I hugged the back end of the Mercedes, figuring Mark wouldn't ram me or shoot as long as Malcolm was close by. Maybe I'd accompany Malcolm and his girlfriend to the kegger out on campus, have a beer, shoot the shit, anything to avoid Mark. We passed a cemetery on the left and slowed at the intersection by the bird refuge. Malcolm tapped his horn and gave a final wave, turning left on Cabana while I turned right and headed for the freeway.

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