Sue Grafton - O Is For Outlaw

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O Is For Outlaw: краткое содержание, описание и аннотация

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Amazon.com Review
Wise-cracking, staunchly independent, and chronically curious, Grafton's gritty gumshoe Kinsey Millhone is back. This time, the alphabet series star will take on the toughest case to date: her past. What begins as a random phone call from a "storage space scavenger" (someone who buys the contents of defaulted storage units) leads Kinsey to a box of old papers and personal effects that her ex-husband, Mickey Magruder, left behind. Inside, she finds a 15-year-old unsent letter from a bartender that, among other things, reveals her former hubby was having an affair. The letter also contains details about the murder of a transient-a crime for which Mickey was blamed. Although never convicted, Mickey was ruined-losing his job, wife, and friends. But 15 years later, Kinsey realizes that foul play may have been involved in the murder, a deadly temptation for her.
Die-hard fans will especially enjoy Kinsey's self-disclosure-something she's infamous for not doing-about her childhood, the fate of her parents, and the randy details of her first marriage. A very vulnerable and interesting side to Kinsey's character is also revealed when her obsessive-compulsive fact-finding bent is mixed up with matters of the heart.
A fast, fun read, O Is for Outlaw is packed with Grafton's clear, colorful imagery and signature metaphors: "Our recollection of the past is not simply distorted by our faulty perception of events remembered, but skewed by those forgotten. The memory is like orbiting twin stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed."

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Yount lit a fresh cigarette and glanced in my direction. He was having trouble with his focus. His mouth seemed to work, but his eyeballs were rolling like two green olives in an empty relish dish. "What'll you have?"

"How about a Fehr's?"

"You don't want Fehr's," he said. And to the bartender, "Lady wants a shot of Early Times with a water back."

"The beer's fine," I corrected.

The bartender reached into a cooler for the beer, which he opened and placed on the bar in front of me.

Yount said peevishly, "Give the lady a glass. Where's your manners?"

The bartender set a glass on the bar and Yount spoke to him again. "Who's cooking tonight?"

"Patsy. Want to see a menu?

"Did I say that? This lady and I could use some privacy."

"Oh, sure." The bartender moved to the other end of the bar, accustomed to Yount's manner.

Yount shook his head with exasperation and his gaze slid in my direction. His head was round as a ball, sitting on the heft of his shoulders with scarcely any neck between. His shirt was a dark polyester, probably selected for stain concealment and ease of laundering. A pair of dark suspenders kept his pants hiked high above his waist. He wore dark socks and sandals, with an inch of shinbone showing. "Outfit okay? If I'd knowed you was coming, I'd've wore my Sunday best," he said, deliberately fracturing his grammar.

I had to laugh. "Sorry. I tend to look carefully at just about everything."

"You a journalist?"

I shook my head. "A private investigator. I'm trying to get a line on Duncan Oaks. You remember him?"

"Of course. You're the second detective to come in here asking after him this month."

"You talked to Mickey Magruder?"

"That's the one," he said.

"I thought as much."

"Why'd he send you? He didn't take me at my word? "

"We didn't talk. He was shot last week and he's been in a coma ever since."

"Sorry to hear that. I liked him. He's smart. First fella I met who could match me drink for drink."

"He's talented that way. At any rate, I'm doing what I can to follow up his investigation. It's tough, since I don't really know what he'd accomplished. I hope this won't turn out to be a waste of your time."

"Drinking's a waste of time, not talking to pretty ladies. What's the sudden interest in Oaks?"

"His name's cropped up in connection with another matter, something in California, which is where I'm from. I know he once worked for the Tribune. Your name was on his press pass, so I thought I'd talk to you. "Fool's errand if I ever heard one. He's been dead twenty years."

"So I heard. I'm sorry for the repetition, but if you tell me what you told Mickey, maybe we can figure out if he's relevant."

Yount took a swallow of whiskey and tapped the ash off his cigarette. "He's a 'war correspondent' pretty fancy title for a paper like the Trib. I don't think even the Courier-journal had a correspondent back then. This was in the early sixties."

"Did you hire him yourself?"

"Oh, sure. He's a local boy, a blueblood, high society: good looks, ambition, an ego big as your head. More charisma than character." His elbow slid off the bar, and he caught himself with a jerk that we both ignored. Mentally, he seemed sharp. It was his body that tended to slip out of gear.

"Meaning what?"

"Not to speak ill of the dead, but I suspect he'd peaked out. You must know people like that yourself. High school's the glory days; after that, nothing much. It's not like he did poorly, but he never did as well. He's a fellow cut corners, never really earned his stripes, so to speak."

"Where'd he go to college?"

"He didn't. Duncan wasn't school-smart. He's a bright kid, made good grades, but he never cared much for academics. He had drive and aspirations. He figured he'd learn more in the real world so he nixed the idea."

"Was he right about that?"

"Hard to say. Kid loved to hustle. Talked me into paying him seventy-five dollars a week, which, frankly, we didn't have. Even in those days, his salary was a pittance, but he didn't care."

"Because he came from money?"

"That's right. Revel Oaks, his daddy, made a fortune in the sin trades, whiskey and tobacco. That and real estate speculation. Duncan grew up in an atmosphere of privilege. Hell, his daddy would've given him anything he wanted: travel, the best schools, place in the family business. Duncan had other fish to fry."

"For instance?"

He waved his cigarette in the air. "Like I said, he wangled his way into a job with the Trib, mostly on the basis of his daddy's influence."

"And what did he want?"

"Adventure, recognition. Duncan was addicted to living on the edge. Craved the limelight, craved risk. He wanted to go to Vietnam and report on the war. Nothing would do until he got his way."

"But why not enlist? If you're craving life on the edge, why not the infantry? That's about as close to the edge as you can get."

"Military wouldn't touch him. Had a heart murmur sounded like water pouring through a sluice. That's when he came to us. Wasn't any way the Trib could afford his ticket to Saigon. Didn't matter to him. He paid his own way. As long as he had access, he's happy as a clam. In those days, we're talking Neil Sheehan, David Halberstam, Mal Browne, Homer Bigart. Duncan pictured his byline in papers all across the country. He did a series of local interviews with newlyweds, army wives left behind when their husbands went offto war. The idea was to follow up, talk to the husbands, and see the fighting from their perspective."

"Not a bad idea."

"We thought it had promise, especially with so many of his classmates getting drafted. Any rate, he got his press credentials and his passport. He flew from Hong Kong to Saigon and from there to Pleiku. For a while, he was fine, hitching rides on military transports, any place they'd take him. To give him credit, I think he might have turned into a hell of a journalist. He had a way with words, but he lacked experience."

"How long was he there?"

"Couple months is all. He heard about some action in a place called la Drang. I guess he pulled strings, maybe his old man again or just his personal charm. It was a hell of a battle, some say the worst of the war. After that came LZ Albany: something like three hundred fellas killed in the space of four days. Must have found himself caught in the thick of it with no way out. We heard later he was hit, but we never got a sense of how serious it was."

"And then what?"

Yount paused to extinguish his cigarette. He missed the ashtray altogether and stubbed out the burning ember on the bar. "That's as much as I know. He's supposed to be medevacked out, but he never made it back. Chopper took off with a bellyful of body bags and a handful of casualties. Landed forty minutes later with no Duncan aboard. His daddy raised hell, got some high Pentagon official to launch an investigation, but it never came to much."

"And that's it?"

"I'm afraid so. You hungry? Ask me, it's time to eat. "

"Fine with me," I said.

Porter gestured to the bartender, who ambled back in our direction. "Tell Patsy to put together couple of Hot Browns." "Good enough," the man said. He set his towel aside, came out from behind the bar, and headed for a door I assumed led to Patsy in the kitchen.

Yount said, "Bet you never ate one."

"What's a Hot Brown?"

"Invented at the Brown Hotel. Wait and see. Now, where was l?"

"Trying to figure out the fate of Duncan Oaks," I said.

"He's dead."

"How do you know?"

"He's never been heard from since."

"Isn't it possible he panicked and took off on foot?"

"Absence of a body, anything's possible, I guess."

"But not likely?"

"I'd say not. The way we heard it later, the NVA were everywhere, scourin' the area for wounded, killing them for sport. Duncan had no training. He probably couldn't get a hundred yards on his own."

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