Sue Grafton - O Is For Outlaw

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O Is For Outlaw: краткое содержание, описание и аннотация

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Amazon.com Review
Wise-cracking, staunchly independent, and chronically curious, Grafton's gritty gumshoe Kinsey Millhone is back. This time, the alphabet series star will take on the toughest case to date: her past. What begins as a random phone call from a "storage space scavenger" (someone who buys the contents of defaulted storage units) leads Kinsey to a box of old papers and personal effects that her ex-husband, Mickey Magruder, left behind. Inside, she finds a 15-year-old unsent letter from a bartender that, among other things, reveals her former hubby was having an affair. The letter also contains details about the murder of a transient-a crime for which Mickey was blamed. Although never convicted, Mickey was ruined-losing his job, wife, and friends. But 15 years later, Kinsey realizes that foul play may have been involved in the murder, a deadly temptation for her.
Die-hard fans will especially enjoy Kinsey's self-disclosure-something she's infamous for not doing-about her childhood, the fate of her parents, and the randy details of her first marriage. A very vulnerable and interesting side to Kinsey's character is also revealed when her obsessive-compulsive fact-finding bent is mixed up with matters of the heart.
A fast, fun read, O Is for Outlaw is packed with Grafton's clear, colorful imagery and signature metaphors: "Our recollection of the past is not simply distorted by our faulty perception of events remembered, but skewed by those forgotten. The memory is like orbiting twin stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed."

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At the top of the stairs there was a landing about six feet square with a ladder affixed to one wall, probably leading to the roof. The only door off the landing was ajar, light flooding out from the space beyond. I pushed the door back. The room was huge, stretching off into the shadows, easily extending the length and breadth of the four large rooms below. The floor was linoleum, trampled in places where sooty footprints had permanently altered the color. I could see numerous electrical outlets along the walls and five or six large clean patches. The space was dense with the kind of dry heat that suggests poor insulation. The walls were unfinished plywood. There was a plain wooden table, two dozen folding chairs, a big garbage can jammed with scraps. I'd imagined cases of wine and beer stacked along the walls, but there was nothing. What had I pictured? Drugs, illegal aliens, child pornography, prostitution? At the very least, broken and outdated restaurant equipment, the old jukebox, the remains of New Year's Eve and St. Paddy's decorations from celebrations. long past. This was boring.

I cruised the room, taking care to stay on the balls of my shoes. I didn't want anyone downstairs wondering who was clumping around up here. Still nothing of interest. I left the lights as I'd found them and crept back down the stairs. Again, I placed my hand carefully around the doorknob and turned it in silence. The hallway appeared empty. I exited the door, using my palm to blunt the click of its closing.

"Can I help you?"

Tim was standing in the shadows to the left of the door.

I shrieked. I flung up my hands and my shoulder bag flew out of my grasp, contents tumbling out as it hit the floor. "Shit!"

Tim laughed. "Sorry. I thought you saw me. What were you doing?" He was casually dressed: leans and a V-neck knit pullover.

"Nothing. I opened that door by mistake," I said. I dropped to my knees, trying to gather up items that seemed to be strewn everywhere. "Scottie said you wanted to see me. I was looking for your office. This door was unlocked. I tried the knob and it was open so I just went on in. I figured you might be upstairs, so I called out a big yoo-hoo."

"Really. I didn't hear you."

He hunkered, setting my handbag upright. He began to toss the contents back in, while I watched in fascination. Fortunately, I wasn't carrying a gun and he didn't seem to register the presence of my key picks. He was saying, "I don't know how you women do this. Look at all this stuff. What's this?"

"Travel toothbrush. I'm a bit of a fanatic."

He smiled. "And this?" He held up a plastic case.

"Tampons."

As he picked up my wallet, it flipped open to my driver's license, which he glanced at idly. The photostat of my P.I. license was in the window opposite, but if he noticed he gave no indication. He tossed the wallet into the handbag. Shack had probably already blown my cover anyway.

"Here, let me do that," I said, happy to be in motion lest he see my hands were shaking. Once we'd retrieved everything, I rose to my feet. "Thanks."

"You want to see what's up there? Here, come on. I'll show you."

"No, really. That's fine. I actually peeked at the space a few minutes ago. I was hoping you still had the old jukebox."

"Unfortunately, no. I sold that shortly after we bought the place. Great space up there, isn't it? We're thinking about expanding. We were using it for storage until it occurred to me there were better uses for that much square footage. Now all I have to do is get past fire department regulations, among other things."

"You'd do what, add tables?"

"Second bar and a dance floor. First, we have to argue with the city of Colgate and the county planning commission. Anyway, that's not what I wanted to talk to you about. You want to step into my office? We don't have to stand around out here talking in the dark."

"This is fine. I told Scottie I'd stop by his table and have a drink with his dad."

"We heard about Mickey."

"Word travels fast. "

"Not as fast as you'd think. Shack tells us you were a cop once upon a time…

"So what?"

Tim went right on. "We're assuming you're conducting an investigation of your own."

Thank you, Pete Fucking Shackelford, I thought. I tried to think how to frame my reply.

Meanwhile, Tim was saying, "We have a pal in L.A. who might be of help."

"Really. And who's that?"

"Musician named Wary Beason. Mickey's neighbor in Culver City."

Pointerlike, I could feel my ears prick up. "How do you know him?"

"Through his jazz combo. He's played here a couple times. He's very talented."

"Small world."

"Not really. Mickey told him we booked bands, so Wary got in touch and auditioned. We liked his sound."

"I'm surprised Wary didn't call you and tell you about the shooting."

"Yeah, we were too. We've been trying to reach him, but so far no luck. We thought you'd want to talk to him if you went to L.A."

"Maybe I'll do that. Mind if I ask you about a couple of things while I have you?"

"Sure. No problem."

"What's Plas-Stock?"

Tim smiled. "Plastic cutlery, plates, glassware, that kind of thing. We're doing a big buffet for the Memorial Day weekend. We'll comp you to it if you're interested. Anything else?"

"Did you ever pay Mickey the ten grand you owed him?"

His smile lost its luster. "How'd you hear about that? "

"I came across a reference to it in his papers. According to the note, payment was due in full on January fifteenth."

"That's right, but things were tight right about then so he gave me an extension. I pay him off in July. "

"If he lives," I said. "Is that what he was doing when he came up here, negotiating the agreement?"

"Mickey's a drinker."

"I'm puzzled why he'd give you an extension when he's having financial problems of his own."

Tim seemed surprised. "Mickey has money problems? That's news to me. Last time I saw him, he didn't act like a guy with worries. You think the shooting had something to do with business?"

"I'm really not sure. I was curious why he was spending so much time up here."

Tim crossed his arms, leaning against the wall. "Don't quote me on this, especially not to Scottie, but if you want my opinion Mickey was hot to get in Thea's pants."

"What about her? Was she interested in him?"

"Let's put it this way: Not if she's smart. Scottie's not the kind of guy you mess with." I saw him lift his eyes to someone in the passage behind me. "You looking for me?"

"Charlie needs your approval on an invoice. The guy wants a check before he heads back to L.A."

"Be right there."

I glanced back. One of the other waitresses had already turned on her heel and disappeared.

Tim patted my arm. "I better take care of this. Whatever you want, it's on the house."

"Thanks."

I followed two steps behind Tim, entering the bar with another quick visual search for Duffy. Still no sign of him. Shack, at Scottie's table, caught sight of me and waved. I guessed there wasn't going to be a way to get. out of this. Shack must have enjoyed the opportunity to burn me. Scottie turned to see who his dad was waving at, and then he motioned me over. I felt like a mule, stubbornly resisting even while I was being propelled in that direction.

Shack was sitting on the far side of the table, and he rose to his feet, saying, "Well, would you look who's here? We were just talking about you."

"I don't doubt that a bit."

"Sit down, sit down. Grab a seat."

The other fellow at the table rose and sank in his seat respectfully, the physical equivalent of a gent tipping his hat to a lady.

I said, "I really can't stay long."

"Sure you can," Shack said. He reached over and grabbed a chair from a nearby table, pulling it up next to him. I sat down, resigned. Shack's gaze rested on his son, his satisfaction and pride giving a lift to his normally heavy features. He was wearing a plaid wool shirt, unbuttoned to accommodate his thick neck. His companion appeared to be in his fifties, gray hair cut close, weathered complexion suggesting years of sun exposure. Like Shack, he was heavyset, bulky through the shoulders, his belly protruding as if he were six months pregnant.

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