Sue Grafton - O Is For Outlaw

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O Is For Outlaw: краткое содержание, описание и аннотация

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Amazon.com Review
Wise-cracking, staunchly independent, and chronically curious, Grafton's gritty gumshoe Kinsey Millhone is back. This time, the alphabet series star will take on the toughest case to date: her past. What begins as a random phone call from a "storage space scavenger" (someone who buys the contents of defaulted storage units) leads Kinsey to a box of old papers and personal effects that her ex-husband, Mickey Magruder, left behind. Inside, she finds a 15-year-old unsent letter from a bartender that, among other things, reveals her former hubby was having an affair. The letter also contains details about the murder of a transient-a crime for which Mickey was blamed. Although never convicted, Mickey was ruined-losing his job, wife, and friends. But 15 years later, Kinsey realizes that foul play may have been involved in the murder, a deadly temptation for her.
Die-hard fans will especially enjoy Kinsey's self-disclosure-something she's infamous for not doing-about her childhood, the fate of her parents, and the randy details of her first marriage. A very vulnerable and interesting side to Kinsey's character is also revealed when her obsessive-compulsive fact-finding bent is mixed up with matters of the heart.
A fast, fun read, O Is for Outlaw is packed with Grafton's clear, colorful imagery and signature metaphors: "Our recollection of the past is not simply distorted by our faulty perception of events remembered, but skewed by those forgotten. The memory is like orbiting twin stars, one visible, one dark, the trajectory of what's evident forever affected by the gravity of what's concealed."

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A middle-aged white maid in a black uniform answered the door chimes and ushered me into the foyer, where she offered to take my bag. I declined, preferring to retain it on the off chance I'd spy the perfect opportunity to flee the premises. I could hear a smattering of conversation, interspersed with the kind of laughter that suggests lengthy and unrestrained access to booze. The maid murmured a discreet directive and began to cross the living room in her especially silent maid's shoes. I followed her through the dining room and out into the screened atrium, where some fifteen to twenty people were already standing about with their drinks and cocktail napkins. A serving wench was circulating with a tray of hors d'oeuvres: teeny-weeny one-bite lamb chops with paper panties on the ends.

As is typical of California parties, there was a percentage of people dressed far better than I and a percentage dressed like bums. The very rich seem particularly practiced at the latter, wearing baggy chinos, shapeless cotton shirts, and deck shoes with no socks. The not-so-very-rich have to work a little harder, adding an abundance of gold jewelry that might or might not be fake. I tucked my bag against the wall behind a nearby chair and then stood where I was, hoping to get my bearings before the panic set in. I didn't know a soul and I was already flirting with the urge to escape. If I didn't see Eric or Dixie in the next twenty seconds, I'd ease right on out.

A black waiter in a white jacket appeared at my shoulder and asked 'if I'd like a drink. He was tall and freckle-faced, somewhere in his forties, his tone refined, his expression remote. His name tag said STEWART. I wondered what he thought of the Montebello social set and sincerely hoped he wouldn't take me for one of them. On second thought, there probably wasn't too much danger of that.

"Could I have Chardonnay?"

"Certainly. We're pouring Kistler, Sonoma-Cutrer, and a Beringer Private Reserve."

"Surprise me," I said, and then I tilted my head. "Don't I know you from somewhere?"

"Rosie's. Most Sundays."

I pointed in recognition. "Third booth back. You're usually reading a book."

"That's right. I work two jobs at the moment, and Sunday's the only day I have to myself. I got three kids in college and a fourth going off next year. By 1991, I'll be a free man again."

"What's the other job?"

"Telephone sales. I have a friend owns the company, and he lets me fill in when it suits my scheduling. His turnover's fast anyway, and I'm good at the spiel. I'll be back in a moment. Don't you go away."

"I'll be here."

Halfway across the room I caught sight of Mark Bethel in conversation with Eric, hunkered beside Eric's wheelchair. Eric had his back to me; Mark was just to the left of him and facing my way. Mark's face was long and his hairline was receding, which gave him a high-domed head with a wide expanse of brow. He wore glasses with tortoise-shell rims, behind which his eyes were a luminous gray. While technically not goodlooking, the television cameras were amazingly kind to him. He'd removed his suit coat and, as I watched, I saw him loosen his tie and roll up the sleeves of his crisp white dress shirt. The gesture suggested that despite his buttoned-down appearance he was ready to go to work for his constituents. It was the sort of softfocus image that would probably show up later in one of his commercials. The thrust of his campaign was shamelessly orchestrated: babies and old folk and the American flag waving over patriotic music. His opponents were portrayed in grainy black-and-white, overlaid with tabloid-type headlines decrying their perfidy. Mentally, I slapped myself around some for being such a cynic. Mark's wife, Laddie, and his son, Malcolm, were standing a few feet away, chatting with another couple.

Laddie was the exemplary political mate: mild, compassionate, so subtle in her affect that most people never guessed the power she held. Her eyes were a cool hazel, her dark hair streaked blond, probably to disguise any early hints of gray. Her nose was slightly too prominent, which saved her from perfection and thus endeared her to some extent. Never compelled to work, she'd devoted her time to a number of worthy causes, the symphony, the humane society, the arts council, and numerous charities. As hers was one of the few familiar faces present, I considered crossing the room and engaging her in conversation. I knew she'd at least pretend to be attentive, even if she couldn't quite remember who I was.

Malcolm, in another five years, was going to be a knockout. Even now, he was graced with a certain boy beauty: dark-haired and dark-eyed, with a succulent mouth and slouching, lazy posture. I'm a sucker for the type, though I tend to be careful about guys that good-looking as they often turn out to be treacherous. He seemed to have an awareness of the ladies, who were, likewise, more than casually aware of him. He wore desert boots, faded jeans, a pale blue dress shirt, and a navy blazer. He seemed poised, at ease, accustomed to attending parties given by his parents' snooty friends. He looked like a stockbroker in the making, maybe a commodities analyst. He'd end up on financial-channel talk shows, discussing shortfalls, emerging markets, and aggressive growth. Once off the air, the female anchor, ever bullish, would pursue him over drinks and then fuck his baby brains out, strictly noload with no penalty for early withdrawal.

"Excuse me, dear."

I turned. The woman to my right handed me her empty glass, which I took without thinking. While she was clearly speaking in my direction, she managed to address me without direct eye contact. She was a gaunt and gorgeous fifty with a long flawless face and blownabout red hair. She wore a long-sleeved black silk body suit and blue jeans so tight I was surprised she could draw breath. With her flat tummy, tiny waist, and minuscule hips, my guess was she'd had sufficient liposuction to create an entire separate human being. "I need a refill. Gin and tonic. Make it Bombay Sapphire and no ice this round, please."

"Bombay Sapphire. No ice."

She leaned closer. "Darling, where's the nearest loo? I'm about to pee my pants."

"The loo? Let's see." I pointed toward the sliding glass doors that opened into the dining room. "Through those glass doors. Angle left. The first door on your right."

"Thanks ever so.

I set her empty glass in a potted palm, watching as she tottered away on her four-inch heels. She did as directed, passing through the glass doors to the dining room. She angled left to the first door, tilted her head, tapped lightly, turned the knob, and went in. Turned out to be a linen closet, so she walked right out again, looking mildly embarrassed and thoroughly confused. She spotted another door and corrected for her error with a quick look-around to see if anyone had noticed. She knocked and went in, then did an about-face, emerging from a closet filled with stereo equipment. Well, darn. I guess I know as much about the loo as I do about high-priced gins.

I eased my way through the crowd, intercepting Stewart, who was returning with my wine. The next time I saw the woman, she avoided me altogether, but she'd probably drop a hint to Dixie about having me removed. In the meantime, a young woman appeared with another tray of hors d'oeuvres, this time halved new potatoes the size of fifty-cent pieces, topped with a dollop of sour cream and an anthill of black caviar. Within minutes, everybody's breath was going to smell like fish.

Eric's conversation with Mark had come to an end. Across the room, I caught Mark's attention and he moved in my direction, pausing to shake a few hands en route. By the time he finally reached me, his public expression had been replaced by a look of genuine concern. "Kinsey. Terrific. I thought that was you. I've been trying to reach you," he said. "When'd you get here?"

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