Lawrence Block - Hit List

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Hit List: краткое содержание, описание и аннотация

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Keller is a regular guy, a solid citizen. He goes to the movies, watches the tube, browses the art galleries, and works diligently on his stamp collection. But every now and then a call from the breezily efficient Dot sends him off to kill a total stranger. He takes a plane, rents a car, finds a hotel room, and gets back before the body is cold.
He's a real pro, cool and dispassionate and very good at what he does. Until one day when Dot breaks her own rule and books him for a hit in New York, his home base. She sends him to an art gallery opening, and the girl he gets lucky with steers him to an astrologer.
Then the jobs start to go wrong. Targets die before he can draw a bead on them. The realization is slow in coming, but there's no getting around it: Somebody out there is trying to hit the hit man. Keller, God help him has found his way onto somebody else's hit list.

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“Even so.”

“Even so,” she said. “What I did, I took to keeping the radio going all the time. Just to have the sound of a human voice. Does that sound strange to you?”

“Not at all.”

“But I’ll tell you what’s the trouble with radio. You can’t mute the commercials.”

“I had the same thought myself not long ago. You can, by turning it off, but you don’t know when to turn it back on again.”

“TV spoils you. Somebody starts yammering at you, telling you their flashlight batteries keep going and going and going…”

“I kind of like that rabbit, though.”

“So do I, but I don’t want to hear about it. Watching it’s another matter. I tried NPR, but it’s not just commercials, it’s all the other crap you don’t want to hear. Traffic, weather, and please-send-us-money-so-we-won’t-have-to-keep-asking-you-for-money. So I started playing the TV all the time, muting it whenever it got on my nerves, and the commercials aren’t so bad when you can’t hear what they’re saying. Some of them, with the sound off you can’t even tell what they’re selling.”

“But you’ve got it mute all the time, Dot.”

“What I found out,” she said, “is that damn near everything on television is better with the sound off. And that way it doesn’t interfere with the rest of your life. You can read the paper or talk on the phone and the TV doesn’t distract you. If you don’t look at it, you get so that you forget it’s on.”

“Then why not turn it off?”

“Because it gives me the illusion that I’m not all alone in a big old barn of a house waiting for my arteries to harden. Keller, do you suppose we could change the channel? Not on the TV, on this conversation. Will you do me a big favor and change the subject?”

“Sure,” he said. “Dot, have you ever noticed anything odd about my thumb?”

“Your thumb?”

“This one. Does it look strange to you?”

“You know,” she said, “I’ve got to hand it to you, Keller. That’s the most complete change of subject I’ve ever encountered in my life. I’d be hard put to remember what we were talking about before we started talking about your thumb.”

“Well?”

“Don’t tell me you’re serious? Let me see. I’d have to say it looks like a plain old thumb to me, but you know what they say. You’ve seen one thumb…”

“But look, Dot. That’s the whole point, that they’re not identical. See how this one goes?”

“Oh, right. It’s got that little…”

“Uh-huh.”

“Are mine both the same? Like two peas in a pod, as far as I can make out. This one’s got a little scar at the base, but don’t ask me how I got it because I can’t remember. Keller, you made your point. You’ve got an unusual thumb.”

“Do you believe in destiny, Dot?”

“Whoa! Keller, you just switched channels again. I thought we were discussing thumbs.”

“I was thinking about Louisville.”

“I’m going to take the remote control away from you, Keller. It’s not safe in your hands. Louisville?”

“You remember when I went there.”

“Vividly. Kids playing basketball, guy in a garage, and, if I remember correctly, the subtle magic of carbon monoxide.”

“Right.”

“So?”

“Remember how I had a bad feeling about it, and then a couple got killed in my old room, and-“

“I remember the whole business, Keller. What about it?”

“I guess I’ve just been wondering how much of life is destined and preordained. How much choice do people really have?”

“If we had a choice,” she said, “we could be having some other conversation.”

“I never set out to be what I’ve become. It’s not like I took an aptitude test in high school and my guidance counselor took me aside and recommended a career as a killer for hire.”

“You drifted into it, didn’t you?”

“That’s what I always thought. That’s certainly what it felt like. But suppose I was just fulfilling my destiny?”

“I don’t know,” she said, cocking her head. “Shouldn’t there be music playing in the background? There always is when they have conversations like this in one of my soap operas.”

“Dot, I’ve got a murderer’s thumb.”

“Oh, for the love of God, we’re back to your thumb. How did you manage that, and what in the hell are you talking about?”

“Palmistry,” he said. “In palmistry, a thumb like mine is called a murderer’s thumb.”

“In palmistry.”

“Right.”

“I grant you it’s an unusual-looking thumb,” she said, “although I never noticed it in all the years I’ve known you, and never would have noticed it if you hadn’t pointed it out. But where does the murderer part come in? What do you do, kill people by running your thumb across their life line?”

“I don’t think you actually do anything with your thumb.”

“I don’t see what you could do, aside from hitching a ride. Or making a rude gesture.”

“All I know,” he said, “is I had a murderer’s thumb and I grew up to be a murderer.”

“ ‘His Thumb Made Him Do It.’ “

“Or was it the other way around? Maybe my thumb was normal at birth, and it changed as my character changed.”

“That sounds crazy,” she said, “but you ought to be able to clear it up, because you’ve been carrying that thumb around all your life. Was it always like that?”

“How do I know? I never paid much attention to it.”

“Keller, it’s your thumb.”

“But did I notice it was different from other thumbs? I don’t know, Dot. Maybe I should see somebody.”

“That’s not necessarily a bad idea,” she said, “but I’d think twice before I let them put me on any medication.”

“That’s not what I mean,” he said.

The astrologer was not what he’d expected.

Hard to say just what he’d been expecting. Someone with a lot of eye makeup, say, and long hair bound up in a scarf, and big hoop earrings-some sort of cross between a Gypsy fortune-teller and a hippie chick. What he got in Louise Carpenter was a pleasant woman in her forties who had long since thrown in the towel in the battle to maintain her figure. She had big blue-green eyes and a low-maintenance haircut, and she lived in an apartment on West End Avenue full of comfortable furniture, and she wore loose clothing and read romance novels and ate chocolate, all of which seemed to agree with her.

“It would help,” she told Keller, “if we knew the precise time of your birth.”

“I don’t think there’s any way to find out.”

“Your mother has passed?”

Passed. It might be more accurate, he thought, to say that she’d failed. He said, “She died a long time ago.”

“And your father…”

“Died before I was born,” Keller said, wondering if it was true. “You asked me over the phone if there was anyone who might remember. I’m the only one who’s still around, and I don’t remember a thing.”

“There are ways to recover a lot of early memory,” she said, and popped a chocolate into her mouth. “All the way back to birth, in some instances, and I’ve known people who claim they can remember their own conception. But I don’t know how much to credit all of that. Is it memory or is it Memorex? Besides, you probably weren’t wearing a watch at the time.”

“I’ve been thinking,” he said. “I don’t know the doctor’s name, and he might be dead himself by this time, but I’ve got a copy of my birth certificate. It doesn’t have the time of birth, just the date, but do you suppose the Bureau of Vital Statistics would have the information on file somewhere?”

“Possibly,” she said, “but don’t worry about it. I can check it.”

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