Sue Grafton - P is for Peril

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From Publishers Weekly
PI Kinsey Millhone's trademark dry sense of humor is largely absent in the first half of the 15th book in this justifiably popular series, though it resurfaces as the suspense finally begins to build in the second half. In the bleak November of 1986, Kinsey looks into the disappearance of Dr. Dowan Purcell, who's been missing for nine weeks. Dr. Purcell is an elderly physician who runs a nursing home that's being investigated for Medicare fraud. His ex-wife, Fiona, hires Kinsey when it seems as though the police have given up on the search. Fiona thinks that he could be simply hiding out somewhere, especially since he's pulled a disappearance stunt twice before. However, Purcell's current wife, Crystal, believes that he may be dead. Kinsey is dubious about finding any new leads after so much time has elapsed. She's also worried about having to move out of the office space she now occupies in the suite owned by her lawyer, and between her interviews with suspects she tries to rent a new office from a pair of brothers whose mysterious background begins to make her suspicious. Grafton's Santa Teresa seems more like Ross Macdonald's town of the same name than ever before, with dysfunctional families everywhere jostling for the private eye's attention. The novel has a hard-edged, wintry ambience, echoed in Fiona Purcell's obsession with angular art deco furniture and architecture. Unfortunately, Grafton's evocation of the noir crime novels and styles of the 1940s, although atmospheric, doesn't make up for a lack of suspense and lackluster characters. (June 4)Forecast: With a 600,000-copy first printing and a national author tour, this Literary Guild Main Selection is sure to shoot well up the bestseller lists.

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"All this talk of his past disappearances," I said.

Odessa waved that aside. "Air and sunshine. She says he's gone off before. Maybe so, maybe not. I'm not entirely clear about her motive."

"According to her, she wants results."

"Sure, but who doesn't? We're cops, not magicians. We don't perform miracles."

"Did you believe the story she told?"

"I believe he left her. Whether he was having problems with the current Mrs. P. is anybody's guess." He paused. "Have you met Crystal yet?"

I shook my head.

Odessa lifted his brows and shook his hand as though he'd burned it. "She's a beautiful woman. Hard to picture anyone walking out on her."

"You have a theory?"

"Not me. From our perspective-so far-this is not a criminal matter. You got no crime, then there's no Miranda and no need for search warrants, which makes our job a hell of a lot easier. We're just a bunch of good guys trying to do the family a favor. Personally, I think things look bad, but I ain't gonna say that to anyone else, including you," he said.

I indicated the file. "Mind if I take a look?"

"Wish I could, but this is Paglia's case and he's hell on confidentiality. He doesn't mind us passing on the gist of it when it seems appropriate. The point is to find the guy, which means we cooperate when we can."

"He won't care if I go back and talk to some of these people?"

"You're free to do anything you want."

When he walked me out to the front, he said, "If you find him, let us know. He can stay gone if he wants, but I'd hate to keep putting in the hours if he's off in Las Vegas with a snootful of coke."

"You don't believe that."

"No, I don't. Nor do you."

On the way back to the office, I did a two-block detour and made a stop at the bank. I filled out a deposit slip, endorsed Fiona's check, and waited my turn in line. When I reached the window, I pointed to the account number printed on the face. "Could you verify the balance in this account? I want to be sure the check's good before I make the deposit." Another lesson learned the hard way: I don't start work until a check has cleared.

The teller, Barbara, was one I'd been dealing with for years. I watched while she typed in the account number on her computer keyboard and then studied the screen. She hit the Enter key once. Tap. Again. Tap. I watched as her eyes traced the lines of print.

She looked back at my deposit slip and made a face. "This is covered, but it's close. Want the cash instead?"

"The deposit's fine, but let's do it before another check comes in and leaves her short."

Chapter 3

I returned to the office to find that Jill and Ida Ruth had left a note on my door: "Kinsey-Below is an itemized record of Jeniffer's tardy days, screwups, and unexplained absences. Please add any other incidents you know of, sign this, and leave it on my desk. We think it's best if we present a unified front. We mean business! Ida Ruth."

I dropped the list in my trash and put a call through to Crystal Purcell at the house in Horton Ravine. The housekeeper informed me she'd left for the beach house, where she'd be spending the weekend, one gave me the number, which I dialed as soon as we'd hung up. I hoped the woman who answered would be Crystal, but when I asked or her by name, I was put on hold until a second woman picked up. "This is Crystal," she said.

A identified myself by name and occupation, hoping she wouldn't be annoyed by the idea of yet another detective. According to the newspapers, she'd already talked to investigators from the Santa Teresa Police Department. I told her I'd met with Fiona that morning and that she'd asked me to look into Dr. Purcell's disappearance. "I know you've gone over the subject repeatedly, but I'd appreciate hearing the story from you, if you can bear telling it again."

There was a momentary pause wherein I could have sworn she was practicing her Zen deep breathing. "This is very hard."

"I'm aware of that and I'm sorry."

"How soon?"

"That's entirely up to you. The sooner the better."

There was another pause. "How much are you charging?"

"Fiona? Fifty an hour, which is on the low end of the scale. A big-city private eye is paid twice that." Briefly I wondered why I sounded so apologetic. Maybe she'd prefer to chat with someone whose services were worth more.

"Stop by at five. I'm on Paloma Lane." She gave me the number. "Do you know where that is?"

"I can find it. I'll try not to take too much of your time."

"Take all you want. Fiona's the one paying."

I left the office at four o'clock, stopping by my apartment on my way to Crystal's beach house. The accumulating cloud cover had generated an artificial twilight, and the smell of gathering rain had infused the air. I'd left windows open in the loft and I wanted to get the place buttoned down properly against the coming storm. I parked the car out in front and pushed through the gate with its reassuring whine and squeak. I followed the narrow concrete walk around the side of the building to the backyard.

My apartment was formerly a single-car garage converted into living quarters. My studio consists of a small living room, with a sofa bed for guests tucked into a bay window, a built-in desk, a kitchenette, a stacking washer-dryer combination, and a bathroom downstairs.

Above, accessible by a tiny spiral staircase, I have a sleeping loft with a platform bed and a second bathroom. The interior resembles a sturdy little seagoing vessel, complete with a porthole in the front door, teak-paneled walls, and sufficient nooks and crannies, cubbyholes, and niches to accommodate my small store of possessions. The best part of all is the good soul who makes this possible, my landlord, Henry Pitts. He's eighty-six years old, handsome, thrifty, energetic, and competent. He worked as a commercial baker for most of his professional life and even in retirement, can't quite give up his addiction to breads, pies, and cakes. He not only produces a steady stream of baked goods, but he caters luncheons and high teas for all the old ladies in the neighborhood. In addition, he trades his fresh breads and dinner rolls for meals at the corner tavern, where he eats three to four nights a week.

At the head of the driveway, I could see Henry's garage door standing open, though both vehicles were in place. As I turned left onto the patio, I spotted him on a ladder outside his bedroom, putting up the last of his storm windows. He wore shorts and a tank top, his long legs looking knotty, his tan all but faded now that "winter" was here. The Santa Teresa temperatures never drop much below fifty, but he's originally from Michigan, and despite the fact he's been in Southern California more than forty years, his lingering attachment to the seasons dictates the installation of window screens in late spring and storm windows in late fall. The weather itself is immaterial to him.

The patio was still littered with cleaning supplies: the garden hose, wads of crumpled newspaper, a wire brush, a bucket of water mixed with vinegar, and numerous sponges gray with soot. Henry waved from his perch and then eased carefully down the ladder, whistling tunelessly to himself. I paused to help him clean up, tossing dingy water in the bushes while he rewound the hose into a terra-cotta pot. "You're home early," he remarked.

I thought I better close my windows before the rain, assuming we'll actually have some," I said. Henry'd often complained that the rain in California lacked the bluster and theatrics of a good Midwestern storm. Many times the promised rain failed to materialize at all or arrived in a form barely sufficient to wet the pavement. We're seldom treated to the displays of thunder and lightning he remembers with such enthusiasm from his Michigan youth.

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