Sue Grafton - P is for Peril

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From Publishers Weekly
PI Kinsey Millhone's trademark dry sense of humor is largely absent in the first half of the 15th book in this justifiably popular series, though it resurfaces as the suspense finally begins to build in the second half. In the bleak November of 1986, Kinsey looks into the disappearance of Dr. Dowan Purcell, who's been missing for nine weeks. Dr. Purcell is an elderly physician who runs a nursing home that's being investigated for Medicare fraud. His ex-wife, Fiona, hires Kinsey when it seems as though the police have given up on the search. Fiona thinks that he could be simply hiding out somewhere, especially since he's pulled a disappearance stunt twice before. However, Purcell's current wife, Crystal, believes that he may be dead. Kinsey is dubious about finding any new leads after so much time has elapsed. She's also worried about having to move out of the office space she now occupies in the suite owned by her lawyer, and between her interviews with suspects she tries to rent a new office from a pair of brothers whose mysterious background begins to make her suspicious. Grafton's Santa Teresa seems more like Ross Macdonald's town of the same name than ever before, with dysfunctional families everywhere jostling for the private eye's attention. The novel has a hard-edged, wintry ambience, echoed in Fiona Purcell's obsession with angular art deco furniture and architecture. Unfortunately, Grafton's evocation of the noir crime novels and styles of the 1940s, although atmospheric, doesn't make up for a lack of suspense and lackluster characters. (June 4)Forecast: With a 600,000-copy first printing and a national author tour, this Literary Guild Main Selection is sure to shoot well up the bestseller lists.

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The clerk was gone, but she'd left a note on the counter: CLOSED FOR PERSONAL EMERGENCY. SORRY FOR THE INCONVENIENCE. BACK MONDAY. TIFFANY. If she was anything like Jeniffer, the personal emergency consisted of a tanning session and a pedicure. I said, "Yoo hoo" and "Hello" type things to cover my ass while I took the liberty of walking around the counter to inspect the backroom. Not a soul in sight. I returned to the front and stood for a moment, feeling thoroughly annoyed. Anyone could waltz in and steal the office supplies. What if I had a package to ship or a critical need for a notary public?

I crossed to the glass wall and peered into adjoining space: a veritable cellblock of mailboxes, numbered and glass-fronted, floor to head height, with a slot on the far wall for the mailing of letters and small packages. This was the section open twenty-four hours a day. I pushed through the glass door. I followed the numbers in sequence and found box 505-fifth tier over, five down from the top. I leaned over and looked through the tiny beveled glass window. No mail in evidence, but I was treated to a truncated view of the room beyond where I could see a guy moving down the line, distributing letters from a stack in his hand. When he reached my row, I knocked on the window of 505.

The fellow leaned down so his face was even with mine.

I said, "Can I talk to you? I need some help out here."

He pointed to my right. "Go down to the slot."

We both moved in that direction, he on his side of the boxes, me on mine. The slot was at chest height. This time, I leaned close, catching a glimpse of mail piled in the bin beneath. The guy was much taller than I and the difference in our heights forced him not only to bend, but to tilt his head at an unnatural angle. He said, "What's the problem?"

I took out a business card and stuck it through the slot so he could see who I was. "I need information about the party renting box 505."

He took my card and studied it. "What for?"

"It's a murder investigation."

"You have a subpoena?"

"No, I don't have a subpoena. If I did, I wouldn't need to ask."

He pushed the card back at me. "Check with Tiffany. That's her department."

Her department? There were two of them. What was he talking about? "She's gone and the note says she won't be back until Monday."

"You'll have to come back then."

"Can't. I have a court appearance. It won't take half a second," I said. "Please, please, please?"

He seemed vexed. "What do you want?"

"I just need a peek at the rental form to see who's renting it."

"Why?"

"Because the man's widow thinks he might have been receiving pornographic material at this address and I don't think it's true. All I want to know is who filled out the form."

"I'm not supposed to do that."

"Couldn't you make an exception? It could make a really big difference. Think of all the grief she'd be spared."

I could see him staring at the floor. He appeared to be forty, way too old for this line of work. I could well imagine his debate. On one hand, the rules were the rules, though I personally doubted there was any kind of policy to cover my request. He wasn't a federal employee and his job didn't require a security clearance. Executive mail-sorter. He'd be lucky to earn fifty cents an hour over the minimum wage. I I said, "I just talked to the police and told them I'd be doing this and they said it was fine." No response.

"I'll give you twenty bucks."

"Wait right there."

He disappeared for what felt like an interminable length of time. I pulled the twenty from my wallet, folded it lengthwise, bent it, and balanced it on the lip of the slot, thinking he might be morally dainty, shying away from a direct hand-to-hand bribe. While I waited, I kept my back to the wall, my attention fixed on the entrance. I entertained a brief fantasy of Richard Hevener crashing his sports car through the plate glass window, squashing me up against the wall like a dead person. In movies, people were always diving out of the path of runaway trains as they plowed into stations, flinging themselves sideways as jumbo jets smashed into airline terminals, or buses went berserk and jumped the curb. How, in real life, did one prepare for such a leap? "Lady?"

I looked back. The guy had reappeared and the twenty I'd left in the slot was gone. He had the rental form with him, but he held it behind his back, apparently uneasy about letting go of it. I waited until his face was on a plane with mine and tried asking him some easy questions, just to get him in the mood. This is called private-eye foreplay. "How's this done? Someone comes in and pays the fee for the coming year?"

"Something like that. It can also be done by mail. We put a notice in the box when the annual fee comes up."

"They pay in cash?"

"Or personal check. Either way."

"So you might never actually see the person renting the box?"

"Most of them we don't see. We don't care who they are as long as they pay the money when it's due. I notice some renters have fancy stationery done up, acting like this is their corporate office with individual suites. It's a laugh, but it's really all the same to us."

"I'll bet. Can you push the form through the slot so I can see it better? This is a legitimate investigation. I'm really serious about that."

"Nope. I don't want you touching it. You can look for thirty seconds, but that's the best I can do."

"Great." What kind of world is this-you bribe a guy with twenty bucks and he still has scruples?

He held the card up on his side, angled so I could see it. He was checking his watch, counting off the seconds. Big deal. Little did this fellow know that as a kid my prime talent was the game played at birthday parties wherein the mother of the birthday girl put a number of articles on a tray, which she then covered with a towel. All the little partygoers clustered around. Mrs. Mom would lift the towel for thirty seconds, during which we were allowed to look, committing all the items to memory. I always won this game, primarily because it was always the same old stuff. A bobby pin, a spoon, a Q-tip, a cotton ball. I would use my thirty seconds to make note of any new or unexpected object. The only sad part of this contest was the prize itself, usually a plastic jar full of bubble syrup with the blower inside.

The rental form was a no-brainer and I assimilated the information in the first two seconds. The signature on the bottom line appeared to be Dow's, but he hadn't written in the data on the lines above. The printing was Leila's, complete with the angled t's and puffy i's. Well, well, well.

I said, "One more tiny thing. Would you spit on your finger and run it across the signature?"

"Why?"

This guy was worse than a four-year-old. "Because I'm wondering if it was done with a pen or a copier."

Frowning, he licked his index finger and rubbed the signature. No ink smear. He said, "Hnh."

"What's your name?"

"Ed."

"Well, Ed. I appreciate your help. Thanks so much."

I returned to my car and sat for a minute, considering the implications. Working backward, I had to conclude that Leila'd intercepted the rental renewal notice when it arrived with its request for the annual fee. Crystal had told me the Mid-City Bank statements were routed to the P.O. box. Very likely Leila had notified the bank, perhaps typing the request on a sheet of Pacific Meadows letterhead, forging Purcell's signature or affixing a photocopy, and asking that the statements for that account be mailed to 505. I let my gaze stray across the store front, thinking how easily she could have stopped by the Mail More when she was up from school.

I started my car, backed out of the parking place, and headed for the exit. When I reached the street, I realized the Laguna Plaza branch of the Mid-City Bank was located on the opposite corner. Even from this distance, I could see the ATM she'd used to drain the account. All she really needed was the bank card and pin number for the account, which Dow probably left in his desk at home.

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