Sue Grafton - P is for Peril

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From Publishers Weekly
PI Kinsey Millhone's trademark dry sense of humor is largely absent in the first half of the 15th book in this justifiably popular series, though it resurfaces as the suspense finally begins to build in the second half. In the bleak November of 1986, Kinsey looks into the disappearance of Dr. Dowan Purcell, who's been missing for nine weeks. Dr. Purcell is an elderly physician who runs a nursing home that's being investigated for Medicare fraud. His ex-wife, Fiona, hires Kinsey when it seems as though the police have given up on the search. Fiona thinks that he could be simply hiding out somewhere, especially since he's pulled a disappearance stunt twice before. However, Purcell's current wife, Crystal, believes that he may be dead. Kinsey is dubious about finding any new leads after so much time has elapsed. She's also worried about having to move out of the office space she now occupies in the suite owned by her lawyer, and between her interviews with suspects she tries to rent a new office from a pair of brothers whose mysterious background begins to make her suspicious. Grafton's Santa Teresa seems more like Ross Macdonald's town of the same name than ever before, with dysfunctional families everywhere jostling for the private eye's attention. The novel has a hard-edged, wintry ambience, echoed in Fiona Purcell's obsession with angular art deco furniture and architecture. Unfortunately, Grafton's evocation of the noir crime novels and styles of the 1940s, although atmospheric, doesn't make up for a lack of suspense and lackluster characters. (June 4)Forecast: With a 600,000-copy first printing and a national author tour, this Literary Guild Main Selection is sure to shoot well up the bestseller lists.

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Odessa touched my sleeve. "You two go ahead. I'll be right back."

I watched him cross to the diver, whom he engaged in conversation out of earshot of those nearby. I turned my attention to Detective Paglia, whose gaze had settled unrelentingly on mine. I pegged him as ex-military, a man who'd seen death and dying at close range, possibly administering a fair amount of it himself. His manner suggested friendliness without the irksome encumbrance of any underlying warmth. If he was personable, it was a trait he'd acquired by meticulous application of the "personable behavior" rules he'd observed in the world around him. If he was pleasant, it was because pleasantries usually got him what he wanted, which in this case was aid, information, cooperation, and respect. If I were a career criminal, I'd be wary of this man. As it was-given my past tendencies toward lying, breaking and entering, and petty theft-I made certain to frame my explanation with care. While I didn't imagine he suspected me of anything, I wanted to appear honest and artless-not difficult since (in this one rare instance) what I had to offer was the truth. "I'm not sure how to describe the process. I was up at Lloyd's. He's Crystal's ex-husband."

"Leila's stepdad."

"Right. This morning, she left boarding school without permission and Crystal figured she was headed for his place. I told Crystal I'd see if I could track her down, so I began cruising the area there at Little Pony Road and the 101. She must have hitchhiked because I spotted her walking on the berm. I talked her into letting me drive her up to Lloyd's. He was gone when we got there, so she let us into the house. His is that A-frame," I said, and pointed to the far side of the lake. Under the weight of Paglia's gaze, my tone sounded false and I found myself adding a few extraneous details. "Well, it's actually not his. He's house-sitting for a friend who went to Florida. Anyway, I was just messing around while we waited for him to show. Leila was watching TV and I went up to the loft. I saw the telescope and thought it'd be interesting to take a peek. I was surprised to see where I was. I hadn't realized that section of Gramercy put him directly across the reservoir from Fiona."

"You think there's a connection?"

"Between Lloyd and Fiona? I don't know, but I doubt it. I've never heard anything to that effect."

He took out an Altoids box. He opened the lid and deposited the dead butt. I could see he'd filled the bottom of the tin with ash, his way of avoiding contamination at the scene. He returned the box to his raincoat pocket and his gray eyes met mine. I said, "Do you consider this a crime scene?"

"Suicide's a crime," he said. "Go on with your story." His lower teeth were buckled together in the center and rimmed with stains. It was the only thing about him that seemed out of control.

"When I looked through the telescope I saw the dog-this is a German shepherd named Trudy. I'd seen her up here on my two visits to Fiona's house and she was always over in this area, barking her head off."

Paglia said, "Dogs can smell a body even under water." This was the first piece of information he'd offered me.

"Really. I didn't know that. I could see she was excited, but I had no idea why. Aside from Trudy, I could see some scarring on that boulder halfway up the slope." Again, I pointed like a fifth-grader giving an oral report. "There was also damage to the vegetation, saplings snapped off. At first I figured somebody must have backed a trailer down to launch a boat, but then I caught sight of the posted warning and I remembered that swimming and boating were forbidden."

He seemed to study me, his expression one of calculated kindness. "I still don't understand how you made the connection."

"The idea just suddenly made sense. Dr. Purcell was last seen at the clinic. I'd heard he was on his way up here to see Fiona so I-"

"Who told you that?"

"A friend of Purcell's, a fellow named Jacob Trigg. Dow told him he had a meeting scheduled with her that night."

"You talk to her about this?"

"Well, I asked her. Why not? I was pissed. I work for her. She should have given me the information the moment I hired on."

"What'd she say?"

"She claims he didn't show, called it a 'miscommunication.' I assumed he stood her up and she was too embarrassed to admit it."

"Too bad she didn't mention it to us. We could have canvassed up here. Somebody might've heard the car. Nine plus weeks later, who's going to remember?"

Behind him, I heard the high whine of the gear, the rumble as the cable was wound around the drum, dragging the Mercedes from the lake. Water gushed from the open windows, from the underside, from the wheel mounts. Nearby, the coroner's van was parked in the grass, its rear doors open. The coroner's assistant and a uniformed officer were removing a long metal trunk, which I recognized as the stainless steel tank in which a floater could be sealed. Paglia said, "Kinsey." I turned my gaze back to his. I felt cold. "The diver says there's someone in the front seat." The Mercedes was now suspended in a forward tilt, front end down, three of the four windows opened. Lake water poured from every crack and crevice, draining through the floorboards, splashing onto ground already soaked by days of rain. I watched, my responses suspended as the vehicle was hauled partway up the slope, gushing like a tank that had sprung a sudden leak. The window on the driver's side had been shattered, the bottom half still a maze of crazed glass, the upper portion gone. In the front seat, I caught a glimpse of a vaguely human shape, amorphous, all bloat and slime, face turned toward the window gap as if peeking at the view. After weeks in the water, the once-living flesh was bloodless, bleached a pearly white. He still wore his suit coat, but that was all I could see of him from where I stood. I turned my head abruptly and made an involuntary sound. The glue holding his bones together had loosened and given way so that he seemed flaccid, indifferent, his eye sockets swimming with a pale gelatin. His mouth was open, his jaw relaxed. His lips had widened in a final expression of joy or surprise-a howl of rage perhaps. "I'll be in the car," I said.

Paglia didn't hear me. He was heading for the Mercedes. The morgue crew stood back. Peripherally, I saw flashes as the police photographer began to document her work. I couldn't watch any longer. I couldn't be in that place. These people were schooled in the sight of death, tutored by its odors, by its poses, by the peculiar posture of bodies caught in their final bow to life. Ordinarily at such a scene, after the first jolt of revulsion, I can become detached. Here, I couldn't manage it, couldn't shake off the feeling that I was in the presence of something evil. Purcell-assuming the body was his-had either killed himself or been killed. There was no way he could have driven up that hill and down into the lake by accident.

Chapter 16

By the time I returned to my apartment, it was after ten o'clock. The crime scene technicians were still busy at the reservoir, though I couldn't imagine what remained to be done. I'd hung around for a while and then decided to head home. I'd never eaten dinner. In fact, as nearly as I remembered, I hadn't eaten lunch. Hunger had asserted itself and then faded at least twice during the evening, and now had dissipated altogether, leaving a nagging headache in its wake. I was both wired and exhausted, a curious mix.

Mercifully, the rain had moved on and the temperature had warmed. The streets seemed to smoke, vapor rising in drifts. The sidewalks were still wet, water dripping from the tree limbs as silently as snow. The gutters gurgled merrily, miniature rivers diverted by debris as the runoff traveled downstream into sewers to the sea. A fog began to accumulate, making the world seem hushed and dense. My neighborhood looked unfamiliar, a landscape made alien by mist. Depths were flattened to two dimensions, bare branches no more than ink lines bleeding onto a page. My apartment was dark. I'd left home at ten A.M., nearly twelve hours earlier, and it hadn't occurred to me to leave lights on for myself. I paused in the process of unlocking my door. Henry's kitchen window was aglow, a small square of yellow in the hovering mist. I tucked the keys in my pocket and crossed the flagstone patio.

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