Sue Grafton - H is for Homicide

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Kinsey Millhone, twice-divorced ex-cop, ever dauntless, ever vulnerable ("A" is for Alibi, etc., etc.), now investigating claims for California Fidelity, is assigned a seemingly routine claim from the files of deceased co-worker Parnell Perkins – robbed and shot dead. The case leads Kinsey to elusive, beautiful Bibianna Diaz and to a late-night restaurant meal interrupted by an attempt to kidnap Bibianna that ends with the shooting death of Chago Maldonado – killed by Bibianna's escort Jimmy Tate – an ex-cop and old pal of Kinsey's. Tate lands in the hospital; Bibianna and Kinsey in jail – to be greeted on release by Chago's brother and Bibianna's ex-lover, Raymond – a tense hood racked by the involuntary spasms of Tourette's Syndrome and by his obsession to marry a frightened Bibianna, who thought she'd escaped him. His plan to take her back to his Los Angeles barrio apartment is reinforced by gun-toting henchman Luis. Bibianna clings to new-found friend Kinsey, who goes along, knowing she's onto a mega-insurance scam and, possibly, Parnell's killer. Days later it's all over – a densely textured adventure heavy with unflagging menace lightened by wisps of humor; a three-dimensional villain; a surprise twist, and a heroine to have in your comer. First-class work from an author whose range grows steadily deeper and richer.

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The funeral home was housed in an extravagant Victorian mansion, one of the rare remaining structures from the early grandeur of Los Angeles. The onetime single-family residence was three stories tall, the roofline broken up by towers and chimneys. The face of it was smoke-darkened stone and brown shingle, ancient tattered palms and cedars overpowering the lot, which was flanked on either side by squat concrete office buildings. The facade jarred my sense of reality, placing me for a split second in the year 1887, past and future trading places briefly.

The interior was a cavernous collection of hushed rooms with high ceilings, dark varnished woodwork, textured wallpaper, and indirect lighting. The muted chords of an organ were barely audible, creating a subliminal mood of sorrow and solemnity. The furniture was Victorian, damask and ornately carved wood, except for the metal folding chairs that had been arranged around the "parlor," where Chago had been laid out. The pearly gray coffin rested in a bay at the far end of the room, half lid open to reveal a white satin interior and a portion of his profile. The bier was surrounded by big sprays of white gladioli and wreaths of white carnations, white rosebuds, baby's breath. Raymond had apparently spared no expense.

Luis, Bibianna, and I lingered discreetly near the entranceway while Raymond approached the coffin, bearing his bundle like an offering. I gathered this was the first time he'd seen Chago since his death on Tuesday night. He bowed his head, staring into the coffin, his expression not visible from where we stood. After a moment, he crossed himself. I saw him unfold the white satin scarf and lean close to Chago's body, but it was hard to tell what he was doing. Moments later, he backed away from the coffin and crossed himself again. He took out a handkerchief and blew his nose. He mopped at his eyes and tucked the handkerchief away, then turned and walked the length of the room in our direction. When he reached us, Luis put out a hand and clasped him by the shoulder, giving him a consoling pat. "Hey, man. It's rough," he said his voice barely audible.

Bibianna moved away from us. She approached the coffin reluctantly, her apprehension apparent. She looked at the body briefly, then crossed herself. She went over and took a seat, fumbling in her handbag for a Kleenex.

"You want to see him?" Raymond asked. His eyes were clouded by a pleading impossible to resist. It seemed like an intimate moment, observing the dead, and since I hadn't known the man, it seemed inappropriate that I'd join his friends and family at the head of his coffin. On the other hand, it seemed insulting to refuse.

Raymond picked up on my indecision, smiling sweetly. "No, come on. It's okay. He looks good."

That was a matter of opinion, of course. I'd actually seen Chago twice: once on Tuesday at the CF offices when he bumped into me in the hall, and again that night at the Bourbon Street restaurant when he'd abducted Bibianna at gunpoint. He'd seemed like a big man then, but death had pressed him flat. He looked like a Ken doll on display in an oversize carrying case. He was probably four or five years younger than Raymond, with the same good looks. His face was smooth and unlined, chin and cheekbones prominent. His hair had been blown into a dark glossy pompadour that made his head seem too large for the width of his shoulders. Raymond's satin-wrapped packet had apparently contained religious items. An oversize Bible, bound in textured white, had been clumsily propped up against the chalky pink of Chago's folded hands. A rosary had been laid across his fingers and a framed photograph of him as a small boy placed on the small white pillow on which he lay. The pillow was satin and looked like the sort women use when they don't want to mess up an expensive salon hairdo. Luis and I studied Chago as attentively as one watches an infant in the company of a proud parent.

At seven, some of the homeboys I'd seen at the apartment began to arrive. They seemed ill at ease in Raymond's presence, unaccustomed to seeing him in a sport coat and tie. Chago's buddies had all donned specially made up black T-shirts with "In Loving Memory of Chago – R.I.P." on the back and their own names on the front.

I sat down beside Bibianna, the two of us saying little. Occasionally someone would make eye contact, but no one talked to me. Most of the conversations taking place around me were in Spanish anyway, so I couldn't even eavesdrop decently.

The crowd was swelling. There was no sign of either of Raymond's brothers, but I did see three women I took to be his older sisters. They seemed remarkably similar with their large dark eyes, full mouths, perfect skin. They sat in a cluster, beautiful women in their forties, heavy and dark, looking like nuns with their black mantillas and their rosaries. They would exchange occasional comments, but not a word to Raymond, who was making an elaborate show of not giving a damn. In an unguarded moment, I saw him flick a look in their direction. I understood then that Bibianna was just another version of his sisters, exquisite and rejecting just as his mother must have been. Poor Raymond. No matter how many versions of the story he managed to create, he would never win her love and he'd never make it come out happily.

A cluster of three mourners approached Bibianna, Chicanas in their twenties, one with a baby on her hip. I got up and eased toward the door, wondering if there was any way I could get to a telephone. Before I reached the doorway, Luis appeared at my side and took my arm. I leaned close. "Do you think there's a ladies' room upstairs?"

"You're not going anywhere."

"Oh. Well, I guess it doesn't matter then if there's one upstairs or not."

I sat back in my chair and glanced at my watch. It was ten after eight. I was hungry. I was bored. I was restless. I was scared. I'd been living for too long with high doses of fight-or-flight anxiety and it was making my head pound and my stomach churn. Luis stuck to me like a burr. For the next fifty minutes, I squirmed on my folding chair, crossing and uncrossing my legs, fiddling with my hair. To amuse myself, I memorized faces, just in case later I'd have to identify someone on the witness stand. Finally, at nine-twenty the dark-suited staff person assigned to our viewing room made an appearance and glanced pointedly at his watch. Raymond got the message and began to circle the room, saying good night to the last of the visitors.

On the way home, we dropped Luis off at his place. As soon as we reached the apartment, Raymond disappeared into the bedroom while Bibianna and I began to tidy up the place. It's not like either of us cared much, but it was something to do. In the background, without being fully conscious of it, we could hear the rattle of change on the wooden chest of drawers as Raymond emptied his pockets. We tossed empty beer cans in a plastic garbage bag, dumped out laden ashtrays. Raymond emerged from the bedroom and moved into the bathroom usually designated for my use. Moments later, I heard the squeak of the faucets. Pipes began to thunder and water splashed against the shower tiles like a sudden autumn rain.

I glanced over at Bibianna. "How come he's showering in my bathroom?"

"It'll give him a chance to…" She made a gesture toward the crook of her left arm.

"He's shooting up?"

It dawned on me first, the significance of the rattle of metal in the bedroom. I felt my head come up. Luis wasn't here. There was no dog at the threshold. She caught my sharp intake of breath and looked over at me.

I said, "Jesus, what's wrong with us?" I moved swiftly into the bedroom and grabbed the car keys off the top of the dresser where he'd dumped them. I hesitated and then jerked open the drawer with the handguns in it. The box was where I remembered it, miscellaneous ID's under it. I lifted the lid. The SIG-Sauer was still there, along with the Mauser and the cartridges. I tucked the SIG-Sauer in my waistband. To hell with being unarmed. I'd just as soon walk naked through an airport terminal. I was back seconds later with the keys, which I tossed to her. The shower had been turned off. Deftly, I transferred the gun to my handbag. We heard the bathroom door open. "Bibianna?"

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