Sue Grafton - H is for Homicide

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H is for Homicide: краткое содержание, описание и аннотация

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Kinsey Millhone, twice-divorced ex-cop, ever dauntless, ever vulnerable ("A" is for Alibi, etc., etc.), now investigating claims for California Fidelity, is assigned a seemingly routine claim from the files of deceased co-worker Parnell Perkins – robbed and shot dead. The case leads Kinsey to elusive, beautiful Bibianna Diaz and to a late-night restaurant meal interrupted by an attempt to kidnap Bibianna that ends with the shooting death of Chago Maldonado – killed by Bibianna's escort Jimmy Tate – an ex-cop and old pal of Kinsey's. Tate lands in the hospital; Bibianna and Kinsey in jail – to be greeted on release by Chago's brother and Bibianna's ex-lover, Raymond – a tense hood racked by the involuntary spasms of Tourette's Syndrome and by his obsession to marry a frightened Bibianna, who thought she'd escaped him. His plan to take her back to his Los Angeles barrio apartment is reinforced by gun-toting henchman Luis. Bibianna clings to new-found friend Kinsey, who goes along, knowing she's onto a mega-insurance scam and, possibly, Parnell's killer. Days later it's all over – a densely textured adventure heavy with unflagging menace lightened by wisps of humor; a three-dimensional villain; a surprise twist, and a heroine to have in your comer. First-class work from an author whose range grows steadily deeper and richer.

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It was midmorning, and even with a nip still in the air, most of the apartment doors stood open. The interiors I glimpsed were crowded, overfurnished, and dismal. The televisions all seemed to be tuned to the Anglo soaps, while the radios, sitting atop the sets, played Hispanic music, curiously at odds with the gringo images. There were Halloween decorations everywhere, but some had been up so long, the pumpkins were getting soft and the crepe-paper skeletons were powdered with dust.

The four of us clambered up a rear staircase to the second floor, where we turned left, proceeding to an apartment that overlooked the street. "Is this your place we're going to?" I asked Raymond. He was walking with Bibianna, the two of them just ahead of me. Luis was bringing up the rear in case I tried to bolt.

"This is for when we get married," Raymond said with a shy glance at her. He felt in his pocket in a sudden recollection. He pulled out a key on a metal ring with a big plastic M attached, probably for Maldonado. He handed it to Bibianna. My guess was he'd meant it to be a ceremonial moment, but she shoved it in her handbag, barely honoring it with a look. Her face was stony and he seemed embarrassed that she showed no enthusiasm for matters that obviously obsessed him.

The problem with real life is there's no musical score. In movies, you know you're in danger because there's an ominous chord underlining the scene, a dissonant melodic line that warns of sharks in the water and boogermen behind the door. Real life is dead quiet, so you're never quite sure if there's trouble coming up. A possible exception is stepping into a strange apartment full of guys in hairnets. Personally, I've never understood how wearing a hairnet ever came to symbolize the baddest of the bad-asses on the street. There were five of them, all Hispanics in their late teens or early twenties, all wearing heavy wool Pendleton shirts buttoned up to their chins. Three were sitting around the kitchen table, one with his girlfriend on his lap. A second girl sat with her bare legs outstretched, tight skirt hiked up to midthigh. She was smoking a cigarette, practicing smoke rings through pouty lips painted bright red. Two guys lounging against the wall came to attention as Raymond came in the door. On the wall was a large handmade sign with "R.I.P." at the top and Chago's name in caps below, a pair of praying hands and a crucifix drawn in the space between. Someone had tacked several snapshots of Chago on the wall nearby, along with what looked like a testimonial of some kind. Among the piles of papers on the table was a stack of homemade flyers, reproductions of the same neatly hand-lettered prose. From the somber expressions and the number of beer bottles evident, I gathered these were Chago homies and that we'd interrupted an impromptu wake. I checked for Raymond's reaction, but he had none. Did he feel no sorrow for his brother's death?

I willed myself to behave casually, assuming an air of nonchalance. What did I have to fear? After all, I wasn't a prisoner, I was Raymond's guest. I could pick up the information for Lieutenant Dolan and then head on home. Granted, I don't usually hang out on gang turf, but I try to be open-minded. There were cultural differences here that I couldn't even guess at, let alone define. That didn't make anybody bad, right? So why expect the worst? Because you don't know what the hell you're doing, a little voice inside me said.

The air was gray with smoke, some of it marijuana, a substance I haven't abused since I was in high school (except for that brief period when Daniel Wade was in my life). The decor, at a glance, consisted of royal blue shag carpeting and the kind of furniture sold on the roadsides across the border in Mexico. (Also in Orange County on Euclid, south of the Garden Grove Freeway.) It looked like Raymond had made an attempt to upgrade the place, covering the entire large wall to my left with smoky gold mirrored tiles. Unfortunately, the tiles had recently been smashed with a kitchen chair, which had been tossed to one side, its chrome legs askew. Most of the glass had been swept up, but I could see signs of blood on the bare wall behind. It wasn't bright red or dripping, but it was clear something frightful had taken place here not long ago. No one referred to the destruction. Raymond showed no curiosity at the sight, which lent support to the notion that he was responsible. Bibianna took it in at a glance but said nothing. Maybe she knew better than to mention the fact. I tore my gaze away.

On the right, the L of a kitchen was visible, every surface in it piled high with used paper plates, beer bottles, ashtrays, empty cans of Rosarito refrieds. The air smelled of cilantro, corn tortillas, and hot lard. Five brown grocery sacks bulged with refuse, grease showing through in big dark polka dots. On one bag, a quicksilver something disappeared from view.

One of the guys at the metal-topped kitchen table labored over a form he was filling out in pencil. His face was dark with frustration. His handgun rested casually on a stack of completed forms, serving as a paperweight. Fleetingly, I wondered if he was an illegal alien filling out fake INS documents. Behind him, daylight poured through a big picture window that cast him in silhouette. In the event of a drive-by, he'd be picked off like a metal bear in a shooting gallery. I heard Raymond call him Tomas, but I couldn't catch the rest of the conversation.

Of the two fellows leaning against the wall, one was wearing a Sony Walkman, a handgun shoved down in his waistband. The other played a hollow note across the mouth of an empty Dos Equis beer bottle. Both bore a passing resemblance to Raymond, and I wondered if they were related – his brothers or cousins. Apparently they all knew Bibianna, but none made eye contact. The two women seemed uneasy at her arrival, exchanging a guarded look.

I wasn't introduced, but my presence generated a sly interest. I was surveyed by several pairs of male eyes, and somebody made a remark that amused those who heard it. Luis appeared again, a Dos Equis in hand. He took up a squatting position, hunkering against the wall, body thrust forward slightly, his head thrown back, staring down his nose at me. There was something arrogant in his bearing, suggesting the sexual superiority of renegades and outlaws. Whatever his purpose, its effect was to establish his claim on me. The other guys seemed to posture for one another but displayed no plumage.

At the table, an argument broke out among the three who seemed to be speaking some cholo mix of Spanish and fractured English. I couldn't understand a word, but the prevailing tone was quarrelsome. Raymond shouted something I was glad I couldn't translate. The guy with the pencil and paper went back to work with a sulkiness that didn't bode well.

Bibianna, unimpressed with the lot of them, flung her purse in a chair and slipped out of her high-heeled shoes. "I'm taking a shower," she said, and padded out of the room. Raymond moved to the telephone, where he punched in numbers with his back half-turned. "Alfredo, it's me…" He dropped his voice into a range I couldn't hear. From the rear, as he talked, I saw him go through a series of rapid tics, almost like a pantomime or a game of charades.

I thought I'd make myself inconspicuous while I decided what to do next. I looked around for a seat and changed my mind abruptly. Just inside the door, about three feet away, there was a pit bull. I don't know how I'd missed the mutt, but there he was. The dog had a brindle coat with a white chest and white legs. His head was wide and thick, ears uncropped, but tucked in close like a bat's. There was a leather collar around his thick neck with metal spikes sticking out. Was the blood on the wall connected with the dog? A length of slack chain was attached to his collar, extending about three feet, the other end wrapped around the leg of the oversize royal blue couch. The dog emitted a low humming growl while it stared at my throat. Dogs and I don't get along that well in the best of circumstances. I'm hardly ever smitten with a beast that looks like it's prepared to rip out my carotid artery.

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