J. Robb - Portrait In Death

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Lieutenant Eve Dallas faces a serial killer who offers his victims eternal youth by taking their life…
After a tip from a reporter, Eve Dallas finds the body of a young woman in a Delancey street dumpster. Just hours before, the news station had mysteriously received a portfolio of professional portraits of the woman. The photos seemed to be nothing out of the ordinary for any pretty young woman starting a modeling career. Except that she wasn't a model. And that these photos were taken after she had been murdered.
Now Dallas is on the trail of a killer who's a perfectionist and an artist. He carefully observes and records his victim's every move. And he has a mission: to own every beautiful young woman's innocence, to capture her youth and vitality-in one fateful shot…

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"And that you're surely not."

Roarke lifted a brow when he heard the Irish in her voice. He could see it in her face, as well. The soft white skin, the pug nose and rounded cheeks. She wore her dark blonde hair in a short wedge to frame them. Her eyes, he noted, were misty blue and clever. The sort that warned him she would see what she intended to see and keep her thoughts to herself.

"Roarke, this is Moira O'Bannion, our head crisis counselor. You two have something in common. Moira's originally from Dublin, too."

"Yes," Roarke said easily. "So I can hear."

"It does stick with you, doesn't it?" Moira offered a hand. "I've lived in America for thirty years, and never have shaken it.Dia dhuit. Conas ta tu? "

"Maith, go raibh maith agat."

"So, you do speak the old tongue," she noted.

"A bit."

"I said hello, and asked how he was," Moira told Louise. "Tell me, Roarke, have you family yet in Ireland?"

"No."

If she noticed the flat, and very cool tone of the single syllable, she gave no sign. "Ah well. New York 's your home now, isn't it? I moved here with my husband, he's a Yank himself, when I was twenty-six, so I suppose it's mine as well."

"We're lucky it is." Louise touched her arm as she turned to Roarke. "I stole Moira for us from Carnegie Health Center. Their loss is very much our gain."

"I think it was the right choice, all around," Moira commented. "This is a fine thing you've done with this place, Roarke. It's the finest of its kind I've seen, and I'm pleased to be a part of it."

"High praise from Moira," Louise said with a laugh. "She's a very tough sell."

"No point in saying what you don't mean. Have you seen the roof garden as yet?"

"I was hoping I'd have time to take him up." Wincing, Louise glanced at her wrist unit. "But I'm running behind. You really should take a look before you go, Roarke."

"I'd be pleased to show you," Moira said. "Would you mind if we use the elevator? There are a number of groups and classes in session on the upper levels. The sight of you might make some of the residents uneasy."

"That's fine."

"You're in good and capable hands." Louise rose to her toes to kiss Roarke's cheek. "Give my best to Dallas. I'll drop by and see Summerset the very first chance I get."

"He'll look forward to it."

"Thanks, Moira. I'll see you in a few days. If you need anything-"

"Yes, yes, go on now. Not to worry." She shooed Louise, then gestured. "She never walks when she can run," Moira added as Louise dashed toward the doors. "A bundle of energy and dedication, all wrapped up in brains and heart. Thirty minutes with her, and I was agreeing to resigning my position at the center and taking one here-and at quite a significant cut in salary."

"A difficult woman to resist."

"Oh aye. And you're married to one I'm told." She led the way through another living area and to a narrow elevator. "A woman of energy and dedication."

"I am."

"I've seen the two of you on the news reports, from time to time. Or read of you." She stepped inside. "Roof please," she ordered. "Do you get back to Dublin often?"

"Occasionally." He knew when he was being studied and measured, and so studied and measured in turn. "I have some business interests there."

"And no personal ones?"

He met those eyes, those clever eyes, straight on. He also knew when he was being pumped. "A friend or two. But I've a friend or two in a number of places, and no more ties to Dublin than anywhere else."

"My father was a solicitor there, and my mother a doctor. Both still are, come to that. But life gets so busy, I'm lucky to get back every second year for a few weeks. It's come back well from the Urban Wars."

"For the most part." He had a flash of the tenements where he'd grown up. The war hadn't been kind to them.

"And here we are." She stepped out when the doors opened. "Isn't this something? A little bit of country, high up here in the middle of the city."

He saw the dwarf trees, the flowering beds, the tidy squares of vegetables with straight paths lined between. A faint mist from the perpetual sprinkler system kept everything lush and watered in the blazing heat.

"It's something they could plant and that they can maintain themselves. For pleasure, for practicality, for beauty." There was a quietness about her now, as if the gardens brought her peace. "We work here early mornings and evenings when it's a bit cooler. I like to get my hands in the dirt, always did. Still, I swear to you, all these years, I've never got used to the bloody heat of this place."

"Louise mentioned something about a garden." Impressed, intrigued, he walked through. "I had no idea she meant something like this. It's beautiful. And it says something, doesn't it?"

"What does it say?"

He ran his fingers over the glossy leaves of some flowering vine. "You beat the hell out of me, you kicked me down. But I got back up, didn't I? I got back up and I planted flowers. So bugger you," he murmured, then shook himself back. "Sorry."

"No need." A faint smile ghosted around her mouth. "I thought pretty much the same myself. I think Louise might be right about you, with all her praise."

"She's prejudiced. I give her a great deal of money. I appreciate you showing me this, Ms. O'Bannion. I hate to leave it, but I've other appointments."

"You must be the busiest of men. Not what I expected altogether, to see the powerful Roarke charmed by a rooftop garden. A plot of wax beans and turnips."

"I'm impressed by resilience. It was good to meet you, Ms. O'Bannion." He offered his hand, and she took it. Held it.

"I knew your mother."

Because she was watching, very closely, she saw his eyes go to chips of blue ice before he drew his hand free. "Did you? That's more than I can say myself."

"You don't remember her then? Well, why should you? I met you before, in Dublin. You weren't much more than six months old."

"My memory doesn't stretch quite that far." There was nothing of the simple pleasure of the rooftop garden in his tone now, but the edge of the Dublin alley. "What do you want?"

"Not your money, or some favor, or whatever it is people must try to wheedle out of you. Not every blessed soul's on the take, you know," she said with some impatience. "But I'd like a few minutes of your time." She mopped at her face. "Out of this bloody heat. In my office? We could be private there, and I think you'll have an interest in what I have to tell you."

"If it's about her, I've no interest whatsoever." He called for the elevator, fully intending to go all the way down, and straight outside. "I don't give a damn where she is, how she is, who she is."

"That's a hard line, and from an Irishman, too. The Irish men, they love their mam."

He flashed her a look that had her taking a full step back before she realized it. "I've managed fine without one since she walked out the door. I've neither the time nor inclination to discuss her, or any personal business with you. Louise may believe you're a valuable asset to this facility, but push the wrong button, and you'll be out on your ear."

She lifted her chin. She squared her shoulders. "Ten minutes in my office, and if you're so inclined, I'll resign. I feel I have a debt to pay, and I begin to think I've left the paying too long. I don't want anything from you, lad, but a bit of your time."

"Ten minutes." He snapped it out.

She led the way to an office, past a series of session rooms and a small library. It was cool inside, and orderly, with a trim little desk, a small sofa, two comfortable chairs.

Without asking, she went to a small friggie and took out two bottles of lemonade.

"I worked on a crisis line in Dublin," she began. "I was fresh out of university, working on my advanced degree, and thought I knew everything I needed to know. I intended to go into private practice as a counselor, and make myself a tidy pile of money. The hours on the crisis line were part of my training."

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