Stuart Woods - Imperfect Strangers

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From Publishers Weekly
Though Woods's (Heat) latest caper provides all the credibility of a soap opera, the novel also offers some of the guilty pleasures attendant to that TV format. When wine merchant Sandy Kinsolving meets art dealer Peter Martindale on a flight from London to NYC (the novel's primary locations), they are inspired by watching Alfred Hitchcock's Strangers on a Train to hatch their own version of that classic plot-in which two strangers each agree to commit murder for the other. It seems that both men have "troublesome" wives, so why doesn't Sandy kill Peter's spouse and Peter return the favor? After one lady is duly offed, however, events careen out of control. In fact, so many subsequent episodes occur (many of them preposterous and too tidily handled) that the murder pact gets lost. As often happens in the world of soaps, a glossy veneer lends an air of sophistication-a corner suite at London's Connaught Hotel, a cashier's check for $28 million-and, also, of unreality. (Even the dialogue begins to smack of Noel Coward.) Enjoyable for a time, the tony tinsel is overtaken by a blandness that ultimately undercuts the novel's would-be dramatic and psychological aspects. BOMC, QPB alternates; Harper Audio.

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Then it came to him. This was the pistol that Martindale had given him to kill his wife. Sandy had fired two of the shots, himself, into a stack of cardboard boxes. He had saved his own life.

Now a loudspeaker barked at him. "Mr. Kinsolving!" the voice boomed.

Sandy struggled to his feet and looked over the parapet. That deputy-Wheeler-was holding a shotgun and speaking to him.

"Are you hurt?" he asked, and his voice echoed around the prison's walls.

Sandy shook his head. Wheeler was pointing back toward the tower.

"Go that way!" he said.

Sandy turned and walked back toward the tower, where Wembly was waiting for him.

"Are you all right, sir?" Wembly asked.

"I think I am," Sandy said, handing him the pistol. "In fact, I'm very sure of it."

• • •

Sandy spent the rest of the day at Alcatraz, talking to the San Francisco police and the FBI. Tony Wheeler was very helpful in filling in the background of what had occurred. It was simple, he told his law-enforcment colleagues: trouble between two men over a woman and a lawsuit; one of them took it hard and got a gun. He had been investigating.

As dark approached, Bert, the pilot, walked over to where Sandy and Tony stood. "Tony, I want to get back to Napa while I've got light to get out of here," he said. He had landed the helicopter in the prison yard.

"Mister Kinsolving," Tony said, "can you give me a lift back to Napa?"

"Of course, deputy," Sandy replied.

"You go ahead, Bert; I'll be along," Tony said.

It began to rain during the drive back to Napa.

"Deputy, I'm very grateful for what you did this afternoon," Sandy said.

"No problem," Tony replied. "Mr. Kinsolving," the deputy said, "will you tell me exactly what the hell has been going on?"

"It was just as you told the police and the FBI," Sandy said. "Jealousy over a woman, pique over a lawsuit. Martindale took it hard."

"Somehow, I think there's more to it," Tony said.

"Believe me, that's the whole story," Sandy lied.

CHAPTER 60

Sandy sat at his desk above the wine shop, countersigning purchase orders for French wines. He had been back in New York for a week now, feeling relaxed and happy, except for his conscience. The phone buzzed.

"Yes?"

"He's here, Mr. Kinsolving."

"Please send him in." He watched as Detective Alain Duvivier walked alone into the room. The two men shook hands perfunctorily, and Sandy offered the man a seat.

"Why did you want to see me, Mr. Kinsolving? And why without my partner?"

Sandy looked at his watch. "Are you off duty now?"

"More or less. Officially, I'm never off duty."

"Then let me offer you a glass of wine."

Duvivier blinked. "All right," he said.

Sandy opened a bottle of red on his desk and poured them both a glass, then he sat down. "This is a particularly nice burgundy that I import," he said, raising his glass and taking a sip. "A Clos de Vougeot, 1978, from the shippers, Bouchard, Pere et Fils."

Duvivier sipped from his glass. "It's excellent," he said. "But why did you want to see me?" He smiled a little. "Are you ready to confess?"

"As a matter of fact," Sandy said, "I am."

Duvivier's mouth fell open.

When Sandy had finished his story, and the two of them had finished the bottle, Duvivier finally spoke. "Do you feel better now?"

"I feel very much better," Sandy said. "You can arrest me, if you like."

"For what?" Duvivier asked. "About the most I could charge you with would be obstruction of justice-concealing the facts of a murder-but I doubt if it would stick. After all, you acted under duress."

Sandy shrugged.

"Anyway, I didn't read you your rights, so your confession would be inadmissible in court."

Sandy smiled. "I rather thought that might be the case. I just wanted to tell you; somehow, I felt you had a right to know the truth."

"Thank you. If you'd told me the facts at the beginning, it might have saved you a great deal of pain."

"I've thought about that, and you're right, I suppose, but there's no changing what's past. I'll just have to learn to live with the consequences of my actions."

Duvivier stood up. "Well, I'd better be getting home; my wife will have dinner ready."

Sandy stood up and took another bottle of the wine from his desk. "Take this with my compliments-and, my apologies."

"Is this a bribe?" Duvivier asked.

"Probably."

"Don't worry, your story won't go any further. And my wife will enjoy the wine very much."

"I hope she does."

Duvivier stuck out his hand. "You know, you and your wife are very lucky. It could have ended differently."

"I know," Sandy said. "My wife and I are very, very lucky."

***
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