Lawrence Block - The Burglar in the Library

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What's Bernie Rhodenbarr doing in the country? He is a New York kind of guy, an urbane antiquarian bookseller who moonlights as a buttoned down burglar. Until an impossibly rare Raymond Chandler novel dedicated to Dashiell Hammett lures him and his buddy, Carolyn, from their own turf to the hills of Western Massachusetts. Before they knows it, they're smack in the middle of Agatha Christie country and you know what that means. A classic English country house. A guest list awash in eccentricity. And the snow keeps falling. And the bridge is out. And the phone lines are cut. And, one by one, somebody's killing off the guests. And…shhhh! There's a burglar in the library!

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Someone asked how I knew that.

“Look at the bridge,” I said, and pointed across the gorge, where the thing hung down from its two remaining ropes. “It was covered with snow,” I said, “like everything else in the county, and most of the snow’s spilled into the gorge now. But you can see footprints at one end, where Orris’s weight compacted the snow underfoot. He only got a chance to make two footprints.”

This brought fresh sobs from Earlene Cobbett, whose freckled face was now awash with tears.

“I’m not a forensics expert,” I said, with just the faintest sense of déjà vu. “The police will have someone who can examine those rope ends and determine for certain whether or not they were cut. But it certainly looks to me as though they were, and that just strengthens the argument for leaving Orris’s body where it is. I suppose someone could go down there to inspect him, just to make sure that he’s dead, but I don’t really think there’s much question of that, not with his head at that angle.”

“I say,” the colonel said. “Whole thing’s a bit rum, eh? Someone right here at Cuttleford House set a trap for this man and murdered him.”

“Not exactly,” I said.

“Not exactly? But you just said-”

“Let’s get back to the house,” I said, “before we freeze to death, or somebody puts a foot wrong and winds up in the ditch with Orris. And then I’ll explain.”

CHAPTER Fifteen

“Someone set a trap,” I said. “That much is true. The ropes supporting the bridge were cut through to the point where the slightest stress would finish them. But it wasn’t a trap for Orris.”

We were back inside Cuttleford House, the whole lot of us crowded into the bar and spilling over into the room adjoining it. Nigel Eglantine was pouring drinks and the Cobbett cousins were handing round trays of them, offering us a choice of malt whisky or what we were assured was a fine nutty brown sherry. It wasn’t even noon yet, but nobody was saying no to a drink, and most of us were going straight for the hard stuff.

Rufus Quilp was among us, I was pleased to note, and so was Miss Dinmont, her wheelchair now once again in the capable hands of Miss Hardesty. They had been the only members of the party who had not rushed out to the fallen bridge, and I had not been surprised at their absence. Neither Miss Dinmont’s wheelchair nor Mr. Quilp’s great bulk could have had easy passage through the deep snow. All the same, I was happy to see them again, comforted by the knowledge that neither of them had seized the moment to kill the other, nor had some third party knocked off both of them.

“What do we know about the sabotage of the bridge?” I went on. “First, let’s set a time. We know the bridge was intact when the Littlefields arrived last night. That was around ten or ten-thirty. The snow continued to fall after their arrival, because by this morning their footprints were completely covered.” I paused significantly. “And so were the footprints of the person who sabotaged the bridge. Orris walked through two feet of virgin snow to get to that bridge. Whoever sabotaged it must have done so not long after the Littlefields crossed it.”

“I told you,” Lettice said, gripping her husband’s arm. “We could have been killed.”

“If you’d arrived later,” I said, “or if the killer had gone to the bridge sooner, you might have been on it when the ropes broke. But you weren’t his target, and I don’t think Orris was, either. Not specifically.”

Someone wanted to know what I meant.

“He couldn’t be sure who he’d get. Maybe someone else would arrive from outside. Maybe someone other than Orris would be the first to leave. The more I think about it, the more I’m inclined to believe that the damage he did to the bridge wasn’t designed to kill anybody.”

“Then what was the point of it?”

“To prevent anyone from crossing the bridge. To keep us all here, and keep the rest of the world on the other side of Cuttlebone Creek.”

The colonel was nodding in understanding. “A bridge too far,” he said thoughtfully. “He sabotaged the bridge-when would you say, Rhodenbarr? Before or after he struck down Rathburn?”

“I don’t know.”

“Hard to say until we know who he is and why he did it, eh? But if he just wanted the bridge out, why stop at cutting the ropes halfway through? Why not make a good job of it and drop the bridge into the gorge in one shot?”

“He may have been concerned about how much noise it might make when it fell,” I said. “And worried that someone within earshot might catch him in the act. From what I saw of the rope ends, he didn’t leave a great deal uncut. He may have expected the bridge to fall by itself in a couple of hours, from the weight of the snow that was continuing to fall. If that had happened, Orris would still be with us.”

That last observation tore at the heart of Earlene Cobbett. The poor thing cried out and clutched her hand to her bosom, a task to which one hand was barely equal. The other hand, though, held a tray containing two glasses of sherry, and it wasn’t equal to the task, either; the tray tilted, the glasses tipped, and the sherry wound up spilling onto Gordon Wolpert.

“A little while ago,” I said, “Orris fired up the snowblower. It didn’t start right away, but once he got it running he managed to clear a path ten or twelve feet long. I heard him trying to get it started, though I didn’t pay much attention. I heard it a lot more clearly when it cut out.”

“It made an awful sound,” Miss Dinmont recalled. “As though everything inside was being ground up.”

I turned to ask Nigel if that had ever happened before. He said it seemed to him that the snowblower, while occasionally difficult to start in cold weather (and of no use whatsoever in warm weather), had in all other respects performed perfectly the entire winter.

“Here’s what I think,” I said. “My guess is it was deliberately sabotaged. I don’t know if anyone else noticed, but when we all rushed out of the house there was a faint smell in the air.”

“Gasoline,” Millicent Savage said. “From when Orris was running the snowblower.”

“I noticed it while we were working on the snowman,” her father confirmed. “What about it?”

“There was more to the smell than gasoline.”

He thought about it. “You’re right,” he said. “There was another element to the odor, but I can’t tell you what it was.” And his nose wrinkled, as if to pursue the scent through the corridors of memory. “Millicent,” he asked his daughter, “what was the smell like?”

“When I had the toy stove,” she said. “With the light bulb for heat? And you could bake your own cookies?”

“Not very good cookies,” he remembered.

“Not like Mummy’s,” she said, winning a smile from Leona. “But they weren’t as bad as when I tried to make candy. That’s what it smelled like.”

“Made a mess, too,” Greg Savage said. “Jesus!” He looked at me. “Burnt sugar,” he said.

“That’s what I smelled,” I said.

“Sugar in the gas tank?”

I nodded.

“An old standby,” Colonel Blount-Buller said. “Readily available to any local wog bent on mischief or any malcontent in the ranks. Engine starts up, runs for a bit, then ruins itself entirely. If it’s been sugared, Eglantine, you’ll never get that snowblower working again, not without replacing the engine.”

Nigel just stared. Cissy, who had just come back with a cloth to sponge off Gordon Wolpert, wanted to know why anyone would want to ruin their snowblower. “It does make a racket,” she said, “but it’s ever so useful when it snows.”

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