Stuart Woods - Under the Lake

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Under the Lake: краткое содержание, описание и аннотация

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From Publishers Weekly
The Edgar Award-winning author of Chiefs (basis of a TV miniseries) and the bestselling Deep Lie now offers a highly readable if somewhat overheated thriller-cum-gothic that includes murder, drug smuggling, faith healing, hallucinations, revenants and incest. A one-time ace reporter rents a cabin in a backwoods Georgia town, then stumbles upon and determines to solve the town mystery, which involves a seemingly affable sheriff, an autocratic town father and an incest-ridden family whose once-prosperous farm now lies under a lake. He joins forces with a plucky female reporter bent on proving that the sheriff is "dirty," and there's never a dull moment as the story surges toward its exciting climax. The conclusion is a little too far-fetchedbut by that time readers have had more than their money's worth. Major ad/promo; Literary Guild and Doubleday Book Club alternates.

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“Well… the cove just makes me nervous, that’s all.”

“Something happen to you here, Benny, in the cove?”

“Yessir,” Benny said with no further hesitation, “you could say I’ve had a couple of experiences around here I wouldn’t want to go through again.”

“Something to do with the O’Coineens?”

Benny looked surprised. “You know about the O’Coineens?”

“Not as much as I’d like to. Tell me about your experiences.”

Benny leaned against the fender of the pickup and pointed out over the lake. “Well, I was out there one night, right out there, fishing, and I seen under the lake.”

“Benny,” Howell said, “I know it’s early, but let me buy you a drink.”

They went into the house and Howell poured them both a generous bourbon. Half an hour later Howell knew that he and Benny Pope had been sharing a vision; only for Benny, it had been the real thing.

“I know you’re sure it was Eric Sutherland’s car, Benny, but are you sure he was driving it?”

Benny screwed his face up tight with the remembering. “Well, now you mention it, I can’t say that I am. It was Mr. Sutherland’s car; I just reckoned it was him driving it.”

Howell leaned forward in his chair. “Now, Benny, what happened after the car drove away? Do you remember that?”

“Well, sir, you understand I was a little bit worse for the wear that night. I’d been at some shine for quite a little while. I used to come up here to the picnic place and have a few some nights.”

“Do you remember anything at all after the car drove away?”

“Just a noise. It was like a loud noise from a long way off. I guess I dozed off after that; I didn’t wake up until after daylight.”

“Did you look at the O’Coineen house again when you woke up?”

“Yessir, I did. Least ways I looked where it used to be. It was under the lake.”

Howell picked up the film at the post office and signed for the package. Then he began to drive south through the town. There were only two people who could tell him what he wanted to know about that night in 1952. One of them had already lied to him about it, he thought; now it was time to go and see the other one.

It would have only caused trouble to approach Eric Sutherland before, but now the Lurton Pitts autobiography was nearly finished; even if Sutherland got mad it couldn’t matter much. It occurred to Howell that if Sutherland had got rid of the O’Coineens, he might feel no compunction about getting rid of a nosy reporter. He felt it might be prudent to tell Sutherland that he had shared his suspicions with people in Atlanta. That would give him some sort of insurance. Confronting Sutherland might be an incautious thing to do, but Howell had the very strong feeling that it was now or never, that he was running out of time.

He pulled into the circular drive of the big house and parked at the front door. The atmosphere was peaceful; the sun shone, and flowers bloomed. Howell wondered whether it would be so peaceful after he had bearded the lion in his den.

He got out of the car and walked to the front door, which was ajar. He pressed the doorbell and heard the chimes clearly from inside. No one came to the door. Where was old Alfred? Off doing the grocery shopping? Wasn’t there a cook, too?

Howell pushed the door open a foot and stuck his head in. “Hello!” he called out. “Anybody home?” He found himself hoping there wouldn’t be. He was still a little afraid of Sutherland. And he would dearly love a few minutes alone in his house.

“Mr. Sutherland?” He pushed the door open further and stepped into the entrance hall. There was a small echo as his heel met the gleaming, mahogany floor. “Hello? Anybody home?” He walked boldly down the hall, straight through to the door opening onto the broad, rear veranda, with its commanding view of the lake. There was no one out back, either. He walked down the back lawn to the little office building he had once broken into. No one there: the door was tightly locked, and he didn’t have a Neiman’s credit card, this time.

He walked quickly back to the house and called out again a couple of times. He was, apparently, alone at the house, for however short a time, and it was tempting. He had already had a thorough look out in Sutherland’s office; he wondered, now, what might be in the study. Making no effort to be quiet, just in case someone was in the house, he walked toward the study door. As he approached it, he could see his own reflection in one glass door of the shotgun case. The other door was open. The next thing he saw was a bare foot.

He stopped in his tracks and regarded it for a moment. It was a large foot, long and narrow, very white. The toes seemed particularly long. The foot of a tall man. It protruded from behind the chesterfield sofa. Howell took another step. The other foot was there, too, resting at an odd angle to its companion. Those, Howell said to himself, are the feet of a tall, white, dead man.

Howell took two more steps into the room and made himself look at the rest. The body, clad in silk pajamas and dressing gown, lay as if it had slipped off the sofa, propped halfway up against the arm. The wall behind the sofa held a smashed hunting print, hanging at a crazy angle, and a substantial portion of Eric Sutherland’s brains. Howell looked back at the body. All that remained of the head was the lower jaw, attached to a partly scooped-out shell that had been the back of the skull. It still had ears.

Howell stood still and tried to breathe normally. He had seen his share of corpses, but never one quite like this. And he had never been the first on the scene. He looked slowly and carefully around the room. A beautifully engraved shotgun lay near the body; alongside it was a yellow pencil. The desk seemed undisturbed. A small safe next to it was closed. Nothing else seemed out of place. Howell stepped to the desk, being careful not to trip over anything or step in anything. He took a ballpoint pen from his pocket, stuck it through the handle of the middle drawer and opened it. He poked around with the pen. Nothing unusual; paper clips, rubber bands, a checkbook. He opened the other drawers: a bundle of bank statements, some stationery, stamps. The sort of stuff he’d expect to find in anybody’s desk.

Howell inserted the tip of the pen under the desk blotter and lifted it. Nothing. Eric Sutherland didn’t appear to have left a note. Not at the scene, anyway. Howell squatted and looked at the safe next to the desk. He knew nothing about cracking safes, but he knew something about human nature. On his knees, he opened the desk drawers again with his pen and looked underneath each. Nothing. He stood up and pulled out the stenographer’s shelf on the right. There was a piece of paper taped to the shelf containing a list of phone numbers Sutherland called frequently; the sheriffs office, the bank, a couple of banks in Atlanta, Enda McCauliffe. He pushed the shelf back in and pulled out its mate on the left side. The face of the shelf was clean, but Howell spotted a piece of cellophane tape on the edge of the shelf, protruding slightly. He pulled the shelf out to its limit. The combination to the safe was taped to its inner edge.

Howell looked at his watch. He reckoned he had been at the house for less than five minutes, in the study for half that time. He ran to the door and had a look around the front of the house. Still deserted. He ran back to the study and slipped out of his shoes and socks. Quickly, he pulled the socks onto his hands, knelt and started to dial the combination of the safe. It didn’t work. He tried again more carefully, and this time, the handle moved and the door swung open.

The safe was crammed with all sorts of papers. Evidently, Eric Sutherland had been the sort of man who preferred to keep important things locked away, instead of in unlocked desk drawers where people like Howell might find them. Howell flipped quickly through the contents. He was breathing fast, now, terrified that someone would walk in on him. There were a lot of deeds in the safe – the farm land under the lake, Howell suspected; there was a bundle of cash, twenties, fifties, and hundreds; there were some ledgers; no time for any of that stuff. A heavy, bright blue envelope caught his eye. It looked new. He fumbled with the string closure with his stocking fingers and finally got it open.

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