Linda Fairstein - Lethal Legacy

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When Assistant District Attorney Alex Cooper is summoned to Tina Barr's apartment on Manhattan 's Upper East Side, she finds a neighbor convinced that the young woman was assaulted. But the terrified victim, a conservator of rare books and maps, refuses to cooperate with investigators. Then another woman is found murdered in that same apartment with an extremely valuable book, believed to have been stolen.
Alex discovers that the apartment belongs to a member of the wealthy Hunt family, longtime benefactors of the New York Public Library. As Alex, Mike, and Mercer meet each member of the eccentric family, they like them less and less. But does that mean they could be capable of murder? The search for the answer leads them to forgotten underground vaults in lower Manhattan where the Hunt patriarch took his greatest secrets to the grave – literally.
In this beguiling mix of history and suspense, the New York Times bestselling author of Killer Heat truly outdoes herself as she takes readers on a breathtaking ride through the valuable first editions, lost atlases, and secret rooms and tunnels of the great New York Public Library.

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My privileged upbringing in Westchester County, along with my education at Wellesley College and the University of Virginia School of Law, had been made possible by the loving encouragement of my mother and father, Maude and Benjamin Cooper. In addition to her long legs and green eyes, I’d inherited a fraction of the extraordinary compassion Maude exhibited as a nurse. My father and his partner’s great contribution to cardiac surgery-a small plastic invention called the Cooper-Hoffman valve-had endowed me with more tangible assets. Despite the enormous differences in our backgrounds, I had never made better friends than Mike Chapman and Mercer Wallace.

“Fortunately,” I said, “it’s way too late tonight to ask what you think my other problems are.”

I pushed the soup bowl away and concentrated on my scotch. The image of Karla Vastasi’s crushed head would be with me all through the night.

“There’ll be no more picking on you for now,” Mercer said. “Soon as Mike finishes his dinner, I’ll drop you at home.”

My feelings about Mike had grown more complicated over time. His teasing and humor got me through the worst situations imaginable-some devastatingly traumatic to witness, like the one this evening, and others actually life-threatening moments in which he and I had faced off against deranged killers. Occasionally I questioned whether my concern for maintaining our productive professional relationship stopped me from exploring the attraction I felt for him.

“I’ve got the autopsy in the morning,” Mike said. It was part of his duties to attend the medical examiner’s procedure. “You’ll call me when you finish up with Battaglia?”

“Will do,” I said, getting up from the table.

“I hope they’ve got good insurance at the morgue,” Mike said, taking a last slug of his drink. “Between that murder weapon and the little psalm book, there’s enough burglary bait there to tempt the dead.”

NINE

I was surprised to hear voices when I approached the door to Battaglia’s suite. I had assumed that I would beat him to his office, even though he told me to be there at eight a.m. Rose Malone wasn’t at her desk yet, so I turned the corner to present myself.

The district attorney stopped midsentence, a cigar gripped between the knuckles of two fingers. “C’mon in, Alexandra. Figure out how to get that damn coffeepot working and then we’ll get started. Jill, I’d like you to meet Alex Cooper.”

“Hello, Alex. I’m Jill Gibson.”

I walked behind the conference table at which the pair were seated, measured the coffee, and started the machine, reminded of how much Rose had spoiled Battaglia.

“Good to meet you,” Jill said.

The tabloids were spread out in front of Battaglia. I had picked up copies on my way downtown and seen that the item about Karla Vastasi’s murder was buried in a single paragraph near the end of the news section. The difference in status between the housekeeper and the heiress had put this story on the back burner and given us breathing room to work on the case without a media frenzy.

“Jill’s an old friend, Alex. Came here two years ago from Yale, where she ran the Beinecke Rare Books Library,” he said. “She’s the deputy chief executive at our NYPL now-the number three job-and the first woman in that position.”

“That’s impressive.”

There was a quiet elegance about Jill Gibson. She was probably in her mid-fifties, with frosted hair and an easy smile.

“I want you to describe what happened last night,” Battaglia said, planting the unlit cigar in his mouth. “It’s okay, Alex. I’ve already told Jill the little I know.”

The DA had caught my momentary hesitation. It was unlike him to debrief me about a pending case in the presence of an outsider. It was clear that Jill Gibson had his confidence and might even be the person who alerted him to the situation earlier in the week about Tina Barr.

I described the events from the time Mercer, Mike, and I had arrived uptown to wait for Barr to get home. Battaglia double-tasked, making notes in the margin of a wiretap application that one of my colleagues from the Frauds Bureau had submitted for his signature. He didn’t look up until I mentioned Minerva Hunt’s name.

Then he asked Jill, “Do you know Minerva?”

“No, I don’t. I’ve seen her around from time to time, but we’ve never been introduced.”

“She’s not involved with the library?”

“Not in any major way. Her father’s still on the board, and she’s called in occasionally on matters that concern him. He was chair at one time, as you probably know. Jasper Hunt the Third. A hugely powerful force there for quite a while, in the 1980s and ’90s. And Tally, her brother, is also on the board. From what I understand, Minerva has other interests.”

The super rich have plenty of avenues for charitable giving, whether for causes about which they are passionate or for structuring the tax benefits of their estates. Art, ancient or avant-garde; dance, classical or modern; museums, paintings or extinct animals, cultures or ethnic heritage; and poverty, local or global, are among the competing enterprises that attract major donors.

“I think she’s disease,” Battaglia said, pointing at the coffeepot. “Used to be ballet, but I’m pretty sure Minerva Hunt is running the capital campaign for one of the hospitals.”

Naming opportunities at medical centers for pavilions and wings and research facilities were fast becoming ways for baby boomers to insure a jump to the head of the line when a family member needed a heart transplant or an experimental drug for an aggressive illness.

“Ms. Hunt told me her father was very ill,” I said. “Do you know what’s wrong?”

“He’s a recluse,” Gibson said. “Old and frail. That’s what I’ve been told.”

“I haven’t seen Jasper Hunt out and about for the better part of two years now,” Battaglia said, putting down the sheaf of papers. “Go back to the murder scene. Tell me exactly what went on. How did Minerva react when she arrived?”

I took Battaglia through the details of the entire evening, including the way Karla Vastasi and Minerva Hunt were dressed. I described the conversation at the squad with Mike and Mercer as I got up to pour coffee for the three of us.

There was only one thing I left out of the conversation. I didn’t mention the Bay Psalm Book. I didn’t know Jill Gibson or the reason the district attorney trusted her enough to include her in this meeting. The little jeweled treasure was a crucial piece of evidence, and I needed to figure out its connection to the institution where Gibson worked before I leaked its existence.

“Does Chapman have a hunch?” Mike had made arrests in some of the most high-profile murder cases in Manhattan, and Battaglia respected his unerring street sense.

“Nothing he was ready to let me in on, Paul. There was some discussion with Minerva about things that might have been in the apartment. I know Mike vouchered some property to be analyzed at the lab. At least one book, I’m pretty sure.”

Jill Gibson seemed more interested in that fact than did Battaglia.

“But no sign of the young woman who lived there?” he asked.

“Nothing. She’s a librarian, Jill. Her name is Tina Barr. I thought perhaps you might know her,” I said.

“No, I’m afraid I don’t,” she said, seemingly uninterested in the missing girl. “What kind of books did the detectives find?”

This was a no-win situation for me. If I withheld information that Battaglia wanted Jill Gibson to know, he would be furious with me. But if I disclosed something that was not going to be made public at this point in time, who knew what Gibson would do with the information?

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