James Patterson - Cat & Mouse

Soneji moved on. He was starting to feel a little pressure. The police knew he was using disguises. Only not what he might look like on a given day. Yesterday, he was a dark-haired Spanish-looking man in his mid-forties. Today, he was blond, bearded, and fit right in at Tatou. Tomorrow, who knew? He could make a dumb mistake, though. He could be picked up and everything would end.

He met an advertising art director, creative director in a large ad factory on Lexington Avenue. Jean Summerhill was originally from Atlanta, she told him. She was small and very slim, with blond hair, lots of it. She wore a single trendy braid down one side, and he could tell she was full of herself. In an odd way, she reminded him of his Meredith, his Missy. Jean Summerhill had her own place, a condo. She lived alone, in the Seventies.

She was too pretty to be in here alone, looking for company in all the wrong places, Soneji understood why once they’d talked: Jean Summerhill was too smart, too strong and individualistic for most men. She scared men off without meaning to, or even knowing that she had.

She didn’t scare him, though. They talked easily, the way strangers sometimes do at a bar. Nothing to lose, nothing to risk. She was very down-to-earth. A woman with a need to be seen as “nice”; unlucky in love, though. He told her that and, since it was what she wanted to hear, Jean Summerhill seemed to believe him.

“You’re easy to talk to,” she said over their third or fourth drink. “You’re very calm. Centered, right?”

“Yeah, I am a little boring,” Soneji said. He knew he was anything but that. “Maybe that’s why my wife left me. Missy fell for a rich man, her boss on Wall Street. We both cried the night that she told me. Now she lives in a big apartment over on Beekman Place. Real fancy digs.” He smiled. “We’re still friends. I just saw Missy recently.”

Jean looked into his eyes. There was something sad about the look. “You know what I like about you.” she said, “it’s that you’re not afraid of me.”

Gary Soneji smiled. “No, I guess I’m not.”

“And I’m not afraid of you either,” Jean Summerhill whispered.

“That’s the way it should be,” Soneji said. “Just don’t lose your head over me. Promise?”

“I’ll do my best.”

The two of them left Tatou and went to her condo together.

I STOOD all alone on Forty-second Street in Manhattan, anxiously waiting for Carmine Groza to show. The homicide detective finally picked me up at the front entrance of the Marriott. I jumped into his car and we headed to Brooklyn. Something good had finally happened on the case, something promising.

Shareef Thomas had been spotted at a crackhouse in the Bedford-Stuyvesant section of Brooklyn. Did Gary Soneji know where Thomas was, too? How much, if anything, had he learned from Manning Goldman’s computer files?

At seven on Saturday morning, traffic in the city was a joy to behold. We raced west to east across Manhattan in less than ten minutes. We crossed the East River on the Brooklyn Bridge. The sun was just coming up over a group of tall apartment buildings. It was a blinding yellow fireball that gave me an instant headache.

We arrived in Bed-Stuy a little before seven-thirty. I’d heard of the Brooklyn neighborhood and its tough reputation. It was mostly deserted at that time of the morning. Racist cops in D.C. have a nasty way of describing this kind of inner-city area. They call them “self-cleaning ovens.” You just close the door and let it clean itself. Let it burn. Nana Mama has another word for America ’s mostly neglectful social programs for the inner cities: genocide.

The local bodega had a handpainted sign scrawled in red letters on yellow: FIRST STREET DELI AND TOBACCO, OPEN 24 HOURS. The store was closed. So much for the sign.

Parked in front of the deserted deli was a maroon-and-tan van. The vehicle had silver-tinted windows and a “moonlight over Miami ” scene painted on the side panels. A lone female addict slogged along in a knock-kneed swaying walk. She was the only person on the street when we arrived.

The building that Shareef Thomas was in turned out to be two-storied, with faded gray shingles and some broken windows. It looked as if it had been condemned a long time ago. Thomas was still inside the crackhouse. Groza and I settled in to wait. We were hoping Gary Soneji might show up.

I slid down into a corner of the front seat. In the distance, I could see a peeling billboard high above a red-brick building: COP SHOT $10,000 REWARD. Not a good omen, but a fair warning.

The neighborhood began to wake up and show its character around nine or so. A couple of elderly women in blousy white dresses walked hand in hand toward the Pentecostal church up the street. They made me think of Nana and her buddies back in D.C. Made me miss being home for the weekend, too.

A girl of six or seven was playing jump rope down the street. I noticed she was using salvaged electrical wire. She moved in a kind of listless trance.

It made me sad to watch the little sweetheart play. I wondered what would become of her? What chance did she have to make it out of here? I thought of Jannie and Damon and how they were probably “disappointed” in me for being away on Saturday morning. Saturday is our day off, Daddy. We only have Saturdays and Sundays to be together.

Time passed slowly. It almost always does on surveillance. I had a thought about the neighborhood-tragedy can be addictive, too. A couple of suspicious-looking guys in sleeveless T-shirts and cutoff shorts pulled up in an unmarked black truck around ten-thirty. They set up shop, selling watermelons, corn on the cob, tomatoes, and collard greens on the street. The melons were piled high in the scummy gutter.

It was almost eleven o’clock now and I was worried. Our information might be wrong. Paranoia was starting to run a little wild in my head. Maybe Gary Soneji had already visited the crackhouse. He was good at disguises. He might even be in there now.

I opened the car door and got out. The heat rushed at me and I felt as if I were stepping into a blast oven. Still, it was good to be out of the car, the cramped quarters.

“What are you doing?” Groza asked. He seemed prepared to sit in the car all day, playing everything by the book, waiting for Soneji to show.

“Trust me,” I said.

I TOOK OFF my white shirt and tied it loosely around my waist. I narrowed my eyes, let them go in and out of focus.

Groza called out: “Alex.” I ignored him and I began to shuffle toward the dilapidated crackhouse. I figured I looked the street-junkie part okay. It wasn’t too hard. God knows I’d seen it played enough times in my own neighborhood. My older brother was a junkie before he died.

The crackhouse was being operated out of an abandoned building on a dead-end corner. It was pretty much standard operating procedure in all big cities I have visited: D.C., Baltimore, Philly, Miami, New York. Makes you wonder.

As I opened the graffiti-painted front door, I saw that the place was definitely bottom of the barrel, even for crackhouses. This was end-of-the-line time. Shareef Thomas had the Virus, too.

Debris was scattered everywhere across the grimy, stained floor. Empty soda cans and beer bottles. Fast-food wrappers from Wendy’s and Roy’s and Kentucky Fried. Crack vials. Hanger wires used to clean out crack pipes. Hot time, summer in the city.

I figured that a down-and-out dump like this would be run by a single “clerk.” You pay the guy two or three dollars for a space on the floor. You can also buy syringes, pipes, papers, butane lighters, and maybe even a soda pop or cerveza.

“Fuck it” and “AIDS” and “Junkies of the World” were scrawled across the walls. There was also a thick, smoky fog that seemed allergic to the sunlight. The stink was fetid, worse than walking around in a city dump.