Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"Dr. Sheridan." The clerk's voice had lost its jocular tone.

"Yes." Jean realized she was gripping the phone. Something's wrong, she thought. Something's wrong .

"The maid went into Ms. Wilcox's room. The bed hasn't been slept in. Her clothes are still in the closet, but the maid did notice that some of her toiletries that were on the vanity are gone. Do you think there's a problem?"

"Oh, if she took some things with her, I would say not. Thank you."

That's all Laura would need, Jean thought, for me to be asking questions about her if she went off with somebody. She pushed the button on the cell phone to end the call and snapped the cover closed. But who would she have been with? she wondered. If Gordon was to be believed, he had brushed her off. He said that she'd been flirting with Jack Emerson, but she certainly hadn't neglected Mark or Robby or Carter, either. Yesterday at lunch she was joking with Mark about how successful his show was and saying that maybe she should go into therapy with him. I heard her telling Carter she'd love to do a Broadway show, and later she was in the bar with Robby for a nightcap.

"Dr. Sheridan, may I have a word with you?"

Startled, Jean spun around. She'd forgotten about Jake Perkins. "I'm sorry to bother you," he said unapologetically, "but I wonder if you can tell me if Ms. Wilcox is planning to show up here today."

"I don't know her plans," Jean said, smiling dismissively. "Now I really must get back to the table."

Laura probably got friendly with one of the guys at the dinner last night and went to his place with him, she thought. If she hasn't checked out, she's bound to show up at the hotel later.

***

Jake Perkins studied Jean's expression as she passed him. She's worried, he thought. Could it be because Laura Wilcox didn't show up? My God, is it possible that she's missing? He pulled out his own cell phone, dialed the Glen-Ridge House, and asked for the front desk. "I have a flower delivery for Ms. Laura Wilcox," he said, "but I was asked to make sure that she hadn't checked out."

"No, she hasn't checked out," the clerk told him, "but she didn't stay here last night, so I'm not sure when she'll be back to pick up her bags."

"Was she planning to stay through the weekend?" Jake asked, trying to sound indifferent.

"She was supposed to check out by two. She ordered a car to take her to the airport at two-fifteen, so I don't know what to tell you about your flowers, sonny."

"I guess I'll check with my customer. Thanks."

Jake turned off his cell phone and slipped it back into his pocket. I know exactly where I'm going to be at two o'clock, he thought-I'll be in the lobby of the Glen-Ridge, waiting to see if Laura Wilcox is there to check out.

He started to walk back down the corridor to the auditorium. Suppose she never does show up, he thought. Suppose she just disappears. If she does… He felt a thrill of nervous anticipation shoot through him. He understood what it was-a newsman's nose for a hot story. It's too big for the Stonecroft Academy Gazette , Jake thought. But the New York Post would love it. I'll get the lunch table picture enlarged and have it ready to run with the story. He could see the headline: "Hard Luck Class Claims Another Victim." Pretty good.

Or maybe even, "And Then There Was One." Even better!

I took a couple of really good pictures of Dr. Sheridan, he thought. I'll have them ready to show the Post as well.

As he opened the door of the auditorium, the first lines of the school song were being sung by the assembled guests. "We hail thee, dear Stonecroft; the place of our dreams…"

The reunion of the twentieth-anniversary graduates was over at last.

28

"I guess this is good-bye, Jean. It's been good to see you again." Mark Fleischman was holding his card in his hand. "I'll give you mine if you'll give me yours," he said, smiling.

"Of course." Jean dug into her bag and pulled a card out of her wallet. "I'm glad you were able to make the brunch after all."

"I am, too. When do you leave?"

"I'm staying at the hotel for a few days more. A little research project." Jean tried to sound casual.

"I tape some shows in Boston tomorrow. Otherwise I'd stay and ask you to join me for a quiet dinner tonight." He hesitated, then bent down and kissed her cheek. "Again, as people say, it's been good to see you."

"Good-bye, Mark." Jean caught herself before adding, "Give me a call if you plan to be in Washington." For an instant their hands lingered together, then he was gone.

Carter Stewart and Gordon Amory were standing together, saying final good-byes to the dispersing classmates. Jean walked over to them. Before she could speak, Gordon asked, "Have you heard from Laura?"

"Not yet."

"Laura's unreliable. That's another reason her career has tanked.

She has a history of keeping people waiting, but Alison had been moving heaven and earth to get her a job. Too bad that Laura couldn't remember that today."

"Well…" Jean decided not to agree or disagree. She turned to Carter Stewart. "Are you heading back to New York, Carter?"

"As a matter of fact, I'm not. I'm checking out of the Glen-Ridge and into the Hudson Valley Hotel across town. Pierce Ellison is directing my new play. He lives only ten minutes away in Highland Falls. We need to go over the script together, and he suggested we could work quietly at his place if I stayed over a few days. I'm not staying at the Glen-Ridge, though. They haven't spent a nickel on improvements at that place in fifty years."

"I can vouch for that," Amory agreed. "I have too many memories of being a busboy and then a room-service waiter there. I'm heading over to the country club. Some of my people are coming in. We're looking for a corporate headquarters in this area."

"Talk to Jack Emerson," Stewart said sarcastically.

"Anyone but him. My people have lined up some places for me to see."

"Then this may not be good-bye," Jean said. "We may be bumping into one another in town. Whether or not, it's been good to be with you."

She did not see Robby Brent or Jack Emerson, but didn't want to wait any longer. She had agreed to meet Sam Deegan at Alice Sommers' home at two o'clock, and it was nearly that time now.

With a final smile and a murmured good-bye to the classmates she passed on the way out, she walked quickly to the parking lot. As she got into her car, she looked across the school grounds to the cemetery. The unreality of Alison's death hit her again. It seemed so strange to leave her here on this cold, wet day. I used to tell Alison that she should have been born in California, Jean thought as she turned the key in the ignition. She hated the cold. Her idea of heaven was to get out of bed in the morning, open the door, and go for a swim.

That was what Alison was doing the morning she died.

It was the thought that accompanied Jean as she drove to Alice Sommers' home.

29

Carter Stewart had reserved a suite at the new Hudson Valley Hotel near Storm King State Park. Perched on the side of the mountain overlooking the Hudson, with its center building and twin towers, it reminded him of an eagle with outstretched wings.

The eagle, symbol of life and light and power and majesty.

The tentative title for his new play was The Eagle and the Owl .

The owl. Symbol of darkness and death. Bird of prey. Pierce Ellison, his director, liked the title. I'm not sure, Stewart thought, as he pulled up at the entrance of the hotel and stepped out of the car. I'm just not sure.

Is it too obvious? Symbols are meant to be noted by the profound thinker, not served on a platter to the Wednesday matinee bridge club. Not that that group rushed to buy tickets to his plays.

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