Mary Clark - Nighttime Is My Time

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The definition of an owl had always pleased him: a night bird of prey…sharp talons and soft plumage which permits noiseless flight…applied figuratively to a person of nocturnal habits. 'I am The Owl', he would whisper to himself after he had selected his prey, 'and nighttime is my time.'"
Jean Sheridan, a college dean and prominent historian, sets out to her hometown to attend the twenty-year reunion of Stonecroft Academy alumni, where she is to be honored along with six other members of her class. There is something uneasy in the air: one woman in the group about to be feted, Alison Kendall, a beautiful, high-powered Hollywood agent, drowned in her pool during an early-morning swim. Alison is the fifth woman in the class whose life has come to a sudden, mysterious end.
Adding to Jean's sense of unease is a taunting, anonymous fax she received, referring to her daughter – a child she had given up for adoption twenty years ago.
At the award dinner, Jean is introduced to Sam Deegan, a detective obsessed by the unsolved murder of a young woman who may hold the key to the identity of the Stonecroft killer. Jean does not suspect that among the distinguished people she is greeting is The Owl, a murderer nearing the countdown on his mission of vengeance against the Stonecroft women who had mocked and humiliated him, with Jean as his final victim.
From The Washington Post
As pointed out in Book World's May 2 Summer Forecast, readers hardly need to be reminded that Mary Higgins Clark's latest spring offering is here. Nighttime Is My Time brings to 29 the number of novels to bear her name, novels that have routinely graced bestseller lists and earned her numerous awards and the title Queen of Suspense. It is equally significant that Clark, an icon in the mystery field, has been generous with her time and attention to numerous younger writers, as evidenced by an award she and her publisher have sponsored since 2001 to recognize new talented authors, including Barbara D'Amato, Judith Kelman, Rose Conners and M.K. Preston, who follow the vein of suspense Clark has so expertly mined.
In a recent interview, Clark attributed her popularity to readers' ability to "walk in the shoes of the character." In the guidelines for eligibility to win the award that bears her name, Clark spells out the makings of a good suspense novel: "A very nice young woman, 27-38 or so, whose life is suddenly invaded. She is not looking for trouble – she is doing exactly what she should be doing. She solves her problem by her own courage and intelligence. She's in an interesting job. She's self-made – independent – has primarily good family relationships. No on-scene violence. No four-letter words or explicit sex scenes."
Nighttime Is My Time hews to this formula by creating an admirable protagonist, Jean Sheridan, a historian and author of a well-received book on Abigail Adams, then adds other elements to which virtually every reader can relate. Jean is returning to her hometown to be honored at the 20-year reunion of her class at Stonecroft Academy, a private school in upstate New York. But one of the six other honorees won't be attending the festivities. Hollywood agent Alison Kendall has been murdered in the book's opening pages by a man who had the resources to travel repeatedly to Los Angeles to stalk her before he drowned her in her own swimming pool.
Alison's death strikes Jean hard. The two had been friends and part of a group of girls known for lunching together, their good looks and their cruelty to boys in the school. Typical high school behavior perhaps, but, like the boys of Columbine, Alison's killer has nursed a grudge over how the girls taunted him, most specifically for taking advantage of his stage fright when he played an owl in a school play. This murderer's vengeance, planned and implemented over two decades, calls for killing each lunch-table girl, and other unrelated women, and leaving no "signature" to alert law enforcement, save the little pewter owls he places undetected near their bodies, a "silent reminder of his visit, a calling card that everybody always missed." And although he readily admits to himself that Jean was the only girl who was kind to him, in fact had enough family problems of her own to have been ridiculed herself, our serial killer (who calls himself, unsurprisingly, The Owl) has decided she too must die.
A reunion saddened by the tragic loss of a friend, a loss readers know is murder; the resourceful, successful heroine who has risen to the heights of her profession but must struggle to save herself and her daughter from the killer; the disappearance of actress Laura Wilcox, another honoree, before the reunion is over; a stalking serial killer who sits among the unsuspecting as a classmate and friend – Clark enlists these and other trademark devices to ratchet up the empathy and suspense.
While her fans may be delighted as the red herrings and misdirections pile up in chapters so short that their white space consumes a hefty percentage of the novel's pages, for this reader so much exposure to the killer's habits, thoughts and actions undermines the novel's plausibility. While he may call himself The Owl and wear a frightening feathered headdress, it's unlikely that the kidnapped Laura wouldn't allow herself to say his name, even to herself, regardless of his admonitions not to speak it aloud. Implausible, too, is Sam Deegan, an about-to-retire veteran investigator in the D.A.'s office, whose inability to link past and present crimes is troubling. So is his tendency to share information with suspects and people unassociated with the case, including a nosy reporter for the high school paper whose sole purpose seems to be to move the plot along when the action gets sluggish.
Clark 's successful contributions to the genre clearly indicate that she knows, and has done, better work. And while diehard fans may not object as Nighttime Is My Time wends it way to its inexorable conclusion, others who wish for more sizzle in their suspense or more spine-tingling entertainments may want to wait for Clark's next novel or try D'Amato, Kelman or the others whom she has so graciously encouraged.

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"Oh, I don't think I'm in the market for a home in Cornwall," she told Jack Emerson.

"Maybe not now, Jeannie," he said, his eyes twinkling, "but I bet that someday soon I'll find a place for you to stay. In fact, I'm sure of it."

21

At these dinners the honorees are usually introduced in increasing order of importance, The Owl thought sardonically as Laura's name was called. She was the first to receive her medal, jointly presented by the mayor of Cornwall and the president of Stonecroft.

Laura's garment bag and small suitcase were in his car. He'd sneaked them down the backstairs, out the service entrance, and into the trunk without being observed. As a precaution he'd broken the light over the service entrance and worn a cap and jacket that could vaguely have passed for a uniform if anyone happened to see him, even from a distance.

Predictably, Laura looked beautiful. She was wearing a gold dinner gown that, as the well-worn saying went, "left nothing to the imagination." Her makeup was flawless. Her diamond necklace was probably fake but looked good. Her diamond earrings might be genuine. They were probably the last, or near the last, of the jewelry she'd received from her second husband. A little talent, helped by her spectacular good looks, had given Laura her fifteen minutes of fame. And, face it, she had an engaging personality-that is, if you weren't on the receiving end of her trashing.

Now she was thanking the mayor, the president of Stonecroft, and the dinner guests. " Cornwall-on-Hudson was a wonderful place to grow up," she gushed. "And the four years at Stonecroft were the happiest of my life."

With a thrill of anticipation, he imagined the moment when they got to the house, when he closed the door behind her and saw the terror begin to come into her eyes, the moment when she understood that she was trapped.

They were applauding Laura's speech, and then the mayor was announcing the next honoree.

Finally it was over, and they could get up to leave. He sensed that Laura was looking at him, but he did not meet her glance. They had agreed that they would mingle for a little while, then go to their rooms separately while everyone was saying good night. Then she would meet him at the car.

The others would be checking out in the morning and driving in their own cars to the memorial service at Alison's grave, and then on to the farewell brunch. Laura wouldn't be missed until then, and the supposition might easily be that she'd simply had enough of the reunion and had headed home early.

"Congratulations are in order, I suppose," Jean said, resting her hand a few inches above his wrist. She had touched the deepest and most ragged of the dog bites. The Owl felt a spurt of blood from the wound dampen his jacket and realized that the sleeve of Jean's royal blue dinner gown was in contact with it.

With a tremendous effort he managed not to give any hint of the pain that shot through his arm. Obviously Jean did not realize what had happened, and she turned to greet a couple in their early sixties who were approaching her.

For an instant, The Owl thought of the blood that had dripped onto the street when the dog bit him. DNA. It concerned him that it was the first time he'd ever left physical evidence behind-except, of course, for his symbol, but over the years everyone everywhere had missed that. In a way he'd been disappointed by their stupidity, but in another way he'd been glad. If the deaths of all those women were linked, it would make it harder for him to continue. If he chose to continue after Laura and Jean.

Even if Jean realized the spot on her sleeve was blood, she wouldn't have any idea where it had come from and how she had come in contact with it. Besides, no detective, not even Sherlock Holmes, would connect a spot on the sleeve of an honoree of Stonecroft Academy with blood found in the street twenty miles away.

Never in a million years, The Owl thought, dismissing the idea as absurd.

22

From the moment she met Sam Deegan, Jean understood why Alice had spoken so highly of him. She liked his looks: a strong face enhanced by clear dark blue eyes. She also liked the warmth of his smile and his firm handshake.

"I told Sam about Lily and about the fax you received yesterday," Alice said, her voice low.

"There's been another one," Jean whispered. " Alice, I'm so frightened for Lily. I almost couldn't make myself come down to dinner. It's been so hard to try to make conversation when I don't know what may be happening to her."

Before Alice could reply, Jean felt a tug on her sleeve as a cheery voice cried, "Jean Sheridan. My, how happy I am to see you! You used to baby-sit for my kids when you were thirteen."

Jean managed a smile. "Oh, Mrs. Rhodeen, it's so good to see you again."

"Jean, people want to talk to you," Sam said. "Alice and I will go over and get a table in the cocktail lounge. Join us as soon as you can."

It was fifteen minutes before she could break away from the local people who had attended the dinner and who remembered her growing up or who had read her books and wanted to talk to her about them. But at last she was with Alice and Sam at a corner table where they could speak without being overheard.

As they sipped the champagne Sam had ordered, she told them about the flower and note she had found in the cemetery. "The rose couldn't have been there long," she said nervously. "It almost has to have been put there by someone in the reunion group who knew I was going to West Point and was sure I'd stop at Reed's grave. But why is he or she playing this game? Why these vague threats? Why not come out with the reason for being in touch with me now?"

"May I be in touch with you now?" Mark Fleischman asked pleasantly. He was standing at the empty chair beside her, a glass in his hand.

"I was looking to ask you to have a nightcap, Jean," he explained. "I couldn't find you, then I spotted you over here."

He saw the hesitation on the faces of the people at the table, and acknowledged to himself that he had expected it. He had been perfectly aware that they were in a serious discussion, but he wanted to know whom Jean was with and what they were talking about.

"Of course, join us," Jean said, trying to sound welcoming. How much did he overhear? she wondered as she introduced him to Alice and Sam.

"Mark Fleischman," Sam said. " Dr . Mark Fleischman. I've seen your program and like it very much. You give darn good advice. I especially admire the way you handle teenagers. When they're your guests, you have a way of letting them vent their feelings and feel comfortable about doing it. If more kids opened up and got decent advice, they would realize they were not alone and their problems wouldn't seem so overwhelming."

Jean watched as Mark Fleischman's face brightened with a pleased smile at the obvious sincerity of Sam Deegan's praise.

He was so quiet as a kid, she thought. He was always so shy. I never would have guessed that he'd end up a television personality. Was Gordon right that Mark became a psychiatrist specializing in adolescents because of his own problem after his brother's death?

"I know you grew up here, Mark. Do you still have family in town?" Alice Sommers asked.

"My father. He's never moved from the old homestead. Retired, but does a lot of traveling, I gather."

Jean was startled. "At dinner, Gordon and I were talking about the fact that none of us has roots here anymore."

"I don't have roots here, Jean," Mark said quietly. "I haven't been in touch with my father in years. Although he clearly must realize from all the publicity about this reunion and the fact that I'm here as one of the honorees, I haven't heard from him."

He caught the note of bitterness that had crept into his voice, and was ashamed of it. What made me open up like that to two perfect strangers and to Jeannie Sheridan? he wondered. I'm supposed to be the listener. "Tall, lanky, cheerful, funny, and wise, Dr. Mark Fleischman" was how they introduced him on TV.

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