James Patterson - Beach Road

When MC scampers off, all the gloom of this dreadful day floods into the space she’s left behind.

I steady myself against one yellow-wallpapered wall and wait my turn, trying to will myself into invisibility. It’s not a skill I’ve mastered over the years. Then there’s an alarming tap on my shoulder.

I turn. It’s Tom.

And as soon as I see him, I realize he is the land mine I was hoping Mary Catherine would protect me from.

Before I can say a word, he moves in for a tentative hug that I don’t reciprocate. “It’s awful, Kate,” he mumbles. He looks awful too, as if he hasn’t slept in about ten days.

“Terrible” is what I manage to say. No more than that. Tom doesn’t deserve more. Ten years ago he broke my heart, blew it apart, and didn’t even seem to care that much. I’d heard the rumor that he was running around on me and partying hard. I hadn’t believed the rumor. But in the end I sure did.

“It’s still good to see you, Kate.”

“Spare me, Tom.”

I see the hurt in his face and now I feel bad. Mary, mother of God! What is it with me? After five years together, he breaks up with me ON THE PHONE, and now I feel bad.

The whole thing has me so contorted, I want to run out into the street and scream like a crazy person.

But of course I don’t. Not good girl Kate Costello. I stand there with a dim-witted little smile plastered on my face, as if we have been enjoying innocuous pleasantries, and finally, he turns away.

Then I take a deep breath, give myself a stern talking-to about the need to get over myself, and wait my turn to offer some consoling words to the thousand-times-more-wretched Mary Walco.

One strange and disturbing thing: I hear virtually the same line half a dozen times while I’m standing there waiting to see Mary- Somebody’s got to get those bastards for this.

I OFFER WALCO’S mom the little that I can, and then I cast about the room for a red-haired toddler in a black velvet dress.

I see MC in the corner, still with her mom, and then spot my precious pal Macklin Mullen and his handsome grandson Jack over by the makeshift bar. Jack, a lawyer like myself, wanders off as I approach. Okay, fine. I was going to congratulate him on getting married, but whatever.

Mack is sipping a whiskey and leaning heavily on a gnarled black-thorn shillelagh, but when we throw ourselves into each other’s arms, his embrace is as warm and vigorous as ever.

“I was fervently hoping that would never end, Katie,” he says when we finally release each other.

“For God’s sake, Macklin, cheer me up.”

“I was about to ask you to do the same thing, darling girl. Three boys dead-tragic, pointless, and mystifying. Where you been keeping yourself all this time? I know about your many accomplishments, of course, but I’ve been waiting to toast you in person. Actually, I’ve been waiting to get you drunk! Why in Christ have you been such a stranger?”

“The standard explanation includes long hours, parents in Sarasota, and brothers scattered with the wind. The pathetic truth, I’m afraid, is I didn’t want to run into Tom Dunleavy. Who, by the way, I just ran into.”

“The truth is always pathetic, isn’t it? That’s why I avoid it like the plague myself. In any case, now that you’ve gotten over the dreaded encounter with Dunleavy, why don’t you come out here and put the little shit out of business? Not that it would be much of an accomplishment. I hear he bills about a hundred hours a year.”

“Better yet, why don’t I just forgive him and move on? It’s been almost a decade.”

“Forgive? Move on? Kate Costello, have you forgotten that you’re Irish?”

“Macklin, you’ve made me laugh,” I say, and just then, none other than Mary Catherine wobbles across the room and flings herself at my legs.

“Drivel aside, Mack, this is the true problem for me and Montauk. Of my two favorite people, one is twenty months old, the other eighty-four.”

“But, Kate, we’re both just hitting our strides. This shillelagh nonsense is nothing but a corny piece of atmosphere.”

THE NEXT DAY, to sweat out the funeral, I head to the beach, my four-legged personal trainer, Wingo, nipping at my heels. It’s the first Monday after Labor Day, the unofficial start of townie summer, and most of the insufferable New Yorkers are gone.

On a cool, brilliantly sunny day, the greatest stretch of beach in North America is empty.

Running on the damp, packed sand close to the water is no more difficult than running on the track behind the high school. To punish myself, though, I stay on the soft stuff that sucks at your feet with every step.

In five minutes, everything that’s attached to me hurts-legs, lungs, back, head-so I pick up the pace.

In another five minutes, I can smell the whiskey from last night as the sweat pours off my face. Five minutes after that, my hangover has nearly vanished.

Later that afternoon, Wingo and I are recovering from our midday workout, me on the couch and Wingo asleep at my feet, when a knock on the front door rouses us. It’s about four, still plenty of light outside, and a black sedan is parked on the gravel driveway.

At the door is young master Van Buren, the detective who ran the show on the beach the other night.

Barely thirty, he made detective early this summer. Considering his age, it was quite a coup. He leapfrogged half a dozen pretty decent cops with more seniority, including Belnap, and it didn’t win him any friends in the station house. So guess what Barney’s nickname is?

“Tom, I don’t need to tell you why I’m here,” he says.

“I’m surprised it took this long.”

Still dehydrated from my run, I grab a beer and offer him something, just to hear him say no.

“Why don’t we sit outside while we still can,” I say, and then because of the force with which he rejected my first offer, or because I’m acting like a prick for no good reason, I repeat it. “Sure I can’t get you that beer? It’s almost five.”

Van Buren ignores me and takes out a brand-new orange notebook he must have just bought for the occasion at the stationery store in Montauk.

“Tom, people say you did a good job getting that kid to put down his gun the other day. What confuses me is why you didn’t call the police.”

I can tell Van Buren doesn’t expect an answer. He’s simply letting me know that he can be a prick too.

“Obviously, I should have, but I could tell the kid had no intention of using it.”

“That’s not what I heard.”

“I was closer. Believe me, he was more scared than Feif.”

“You know what kind of gun it was?”

“I don’t know guns, Barney.”

“Can you describe it?”

“I barely looked at it. In fact, I made it a point not to. I tried to pretend that me and Walker were just two people having a conversation. Ignoring the gun made that a lot easier.”

“You know any reason Michael Walker or Dante Halleyville might want to kill Feifer, Walco, or Roche?”

“No. There isn’t any.”

“Why’s that, Tom?”

“They barely knew each other.”

The young detective pursed his lips and shook his head. “No one’s seen them since the murder.”

“Really.”

“Plus, we got reason to think Dante and Walker were at the scene that night.”

I start shaking my head a little at the news. “That makes no sense. There’s no way they’d go back there after what happened that afternoon.”

“Not if they were smart,” says Van Buren. “But, Tom, these boys weren’t smart. They could be killers.”