Pierce finally decided on the direct approach. He got out of the BMW, crossed the street and followed the walkway to the front door. There was a button for a doorbell. He pushed it and heard an innocuous chime sound from somewhere inside. He waited.
Nothing.
He pushed the bell again, then knocked on the door.
He waited.
And nothing.
He looked around. The Venetian blinds behind the front windows were closed. He turned and nonchalantly surveyed the homes across the street while he reached a hand behind his back and tried the doorknob. It was locked.
Not wanting the day's journey to end without his getting some piece of new information or revelation, he stepped away from the door and walked over to the driveway, which went down the left side of the house to a single stand-alone garage in the rear yard. A huge Monterey pine that dwarfed the house was buckling the driveway with its roots.
They were headed for the house and Pierce guessed that in another five years there would be structural damage and the question would be whether to save the tree or the house.
The garage door was open. It was made of wood that had been bowed by time and its own weight. It looked like it was permanently fixed in the open position. The garage was empty except for a collection of paint cans lined against the rear wall.
To the right of the garage was a postage-stamp-sized yard that offered privacy because of a tall hedge that ran along the borders. Two lounge chairs sat in the grass. There was a birdbath with no water in it. Pierce looked at the lounge chairs and thought about the tan lines he had seen on Lilly's body in the web page photo.
After hesitating for a moment in the yard, Pierce went to the rear door and knocked again.
The door had a window cut into its upper half. Without waiting to see if someone answered, he cupped his hands against the glass and looked in. It was the kitchen. It appeared neat and clean. There was nothing on the small table pushed against the wall to the left. A newspaper was neatly folded on one of the two chairs.
On the counter next to the toaster was a large bowl filled with dark shapes that Pierce realized were rotten pieces of fruit.
Now he had something. Something that didn't fit, something that showed something wasn't right. He knocked sharply on the door's window, even though he knew no one was inside who could answer. He turned and looked around the yard for something to maybe break the window with. He instinctively grabbed the knob and turned it while he was pivoting.
The door was unlocked.
Pierce wheeled back around. The knob still in his hand, he pushed and the door opened six inches. He waited for an alarm to sound but his intrusion was greeted with only silence. And almost immediately he could smell the sickly sweet stench of the rotten fruit. Or maybe, he thought, it was something else. He took his hand off the knob and pushed the door open wider, leaned in and yelled.
"Lilly? Lilly, it's me, Henry."
He didn't know if he was doing it for the neighbors' sake or his own but he yelled her name two more times, expecting and getting no results. Before entering, he turned around and sat down on the stoop. He considered the decision, whether to go in or not. He thought about Monica's reaction earlier to what he was doing and what she had said: Just call the cops.
Now was the moment to do that. Something was wrong here and he certainly had something to call about. But the truth was he wasn't ready to give this away. Not yet.
Whatever it was, it was his still and he wanted to pursue it. His motivations, he knew, were not only in regard to Lilly Quinlan. They reached further and were entwined with the past. He knew he was trying to trade the present for the past, to do now what he hadn't been able to do back then.
He got up off the back step and opened the door fully. He stepped into the kitchen and closed the door behind him.
There was the low sound of music coming from somewhere in the house. Pierce stood still and scanned the kitchen again and found nothing wrong except for the fruit in the bowl. He opened the refrigerator and saw a carton of orange juice and a plastic bottle of low fat milk. The milk had an August 18 use-by date. The juice's was August 16. It had been well over a month since the contents of each had expired.
Pierce went to the table and slid back the chair. On it was the Los Angeles Times edition from August 1.
There was a hallway running off the left side of the kitchen to the front of the house. As Pierce moved into the hall he saw the pile of mail building below the slot in the front door. But before he got to the front of the house he explored the three doorways that broke up the hallway. One was to a bathroom, where he found every horizontal surface crowded with perfumes and female beauty aids, all of it waiting under a fine layer of dust. He chose a small green bottle and opened it. He raised it to his nose and smelled the scent of lilac perfume. It was the same stuff Nicole used; he had recognized the bottle.
After a moment he closed and returned the bottle to its place and then stepped back into the hallway.
The other two doors led to bedrooms. One appeared to be the master bedroom. Both closets in this room were open and jammed with clothing on wood hangers. The music was coming from an alarm clock radio located on a night table on the right side. He checked both tables for a phone and possibly an answering machine, but there was none.
The other bedroom appeared to be used as a workout location. There was no bed. There was a stair machine and a rowing machine on a grass mat, a small television in front of them. Pierce opened the only closet and found more clothing on hangers. He was about to close it when he realized something. These clothes were different. Almost two feet of hanger space was devoted to small things -negligees and leotards. He saw something familiar and reached in for the hanger. It was the black fishnet negligee she had posed in for the website photo.
This reminded him of something. He put the hanger back in its place and went back into the other bedroom. It was the wrong bed. Not the brass railings of the photo. In that moment he realized what was wrong, what had bothered him about the Venice address.
Her ad copy. Lilly had said she met clients at a clean and safe townhouse on the Westside. This was no townhouse and that was the wrong bed. It meant there was still another address connected to Lilly Quinlan that he still had to find.
Pierce froze when he heard a noise from the front of the house. He realized as an amateur break-in artist he had made a mistake. He should have quickly scanned the whole house to make sure it was empty instead of starting at the back and moving slowly toward the front.
He waited but there was no other sound. It had been a singular banging sound followed by what sounded like something being rolled across the wood floor. He slowly moved toward the door of the bedroom and then looked down the hall. Just the pile of mail on the floor at the front door.
He stepped to the side of the hallway, where he felt the wood was probably less likely to creak, and made his way slowly to the front of the house. The hallway opened to a living room on the left and a dining room on the right. There was no one in either room. He saw nothing that would explain the sound he had heard.
The living room was kept neat. It was filled with Craftsman-style furniture that was in keeping with the house. What wasn't was the double rack of high-end electronics below the plasma television hanging on the wall. Lilly Quinlan had a home entertainment station that had probably run her twenty-five grand -a tweakhead's wet dream. It seemed out of character with everything else he had seen so far.
Pierce stepped over to the door and squatted by the pile of mail. He started looking through it. Most of it was junk mail addressed to "current resident." There were two envelopes from All American Mail -the late notices. There were credit card bills and bank statements. There was a large envelope from the University of Southern California.
Читать дальше