Kate Atkinson - One Good Turn

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As the saying goes, one good turn deserves another. The title of Kate Atkinson’s novel, One Good Turn, could describe the way that one character’s Good Samaritan behavior leads to him being robbed, mistakenly identified as a murder victim, and more. His is only one of several plot threads this novel, which is a suspenseful journey through the underworld of Edinburgh. One Good Turn certainly deserves the attention of readers looking for a novel that’s superbly-crafted and beautifully-written.

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“I’m sorry,” Martin said. “It’s very good of you to do this.”

Jackson didn’t mind, it had all the trappings of a job, and he was doing something rather than just hanging around (although it felt very like hanging around). Close-up and personal wasn’t really his thing, but he had done bodyguard detail in his time, knew the drill.

“Nothing’s going to happen to you on my watch, Martin,” he reassured him. Moviespeak that seemed to make Martin happy.

Jackson wondered what “crime” Martin had committed. Parking in a bus bay? Writing crap novels?

Martin was doing well, politely signing and smiling. Jackson gave him a thumbs-up sign of encouragement. Then he turned around, and there she was, standing next to him.

“Jesus Christ,” he muttered. “Would you not do that?”

He looked for the knife, just because he couldn’t see it didn’t mean that she didn’t have it. In a previous life, under a previous regime, he expected she would have been a spy (or, indeed, an assassin). Maybe she still was.

“So, crazy Russian girl,” he said, “how’s it going?”

She ignored him and, without any preamble, handed him a photograph. The photograph showed a girl standing against a sea-wall somewhere. “Day trip to St. Andrews,” the crazy Russian girl said. He couldn’t keep on calling her that. She had said-what had she said? “Ask for Jojo.” That sounded pretty unlikely. A working girl’s name. “What’s your real name?” he said to her. Real names had always seemed important to Jackson. “My name’s Jackson Brodie.”

She shrugged and said, “Tatiana. Is not secret.”

“Tatiana?” Jackson wondered if that was like “Titania.” He had seen production photographs of Julia playing the queen of the fairies in a drama-school production of A Midsummer Night’s Dream , barefoot, almost naked, her astonishing hair let loose and garlanded with flowers. A wild girl. He wished he had known her then.

“Yes, Tatiana.”

“And the girl in the photograph?”

“Lena. She is twenty-five.” It was sunny in the photograph and the wind was blowing the girl’s hair around, tiny crucifixes just visible in her ears. His mermaid. She looked remarkably like Ta-tiana, except that her eyes were kinder. “Everyone says we look like sisters,”Tatiana said.

Tatiana had no grasp of the past tense, Jackson realized. It kept the dead girl in a present she no longer had a place in. He thought of all the other photographs of dead girls he had looked at in his time and felt the leaden weight of melancholy drop again. Josie had album after album of photographs documenting Marlee’s existence from the moment of her birth. One day they would all be dust, or perhaps someone would find one in a flea market or a garage sale or whatever they would have in the future and feel the same sadness for an unknown, forgotten life. Tatiana nudged him in his bruised ribs with a sharp elbow and hissed, “Pay attention.”

“What’s with the crucifixes?” he asked.

“She bought them in jewelers, in St. James Center. Pair for her, pair for me-gift. She’s religious. Good person. Meets bad peo-ple.” She lit a cigarette and stared into the distance, as if she were looking at something that wasn’t quite visible. “Very good person.”

At the sight of the cigarette, a boy in a Book Festival T-shirt came running toward her. She stopped him at twenty paces with a look.

“I found her,” Jackson said. “I found your friend Lena and then I lost her.”

“I know.” She took the photograph back from him.

“You told me last night to mind my own business,” Jackson pointed out to her. “But now here you are.”

“A girl can’t change mind?”

“I take it that Terence Smith is trying to kill you because you know what happened to your friend Lena? Did he kill her?”

Tatiana threw the cigarette on the grass. The boy in the Book Festival T-shirt, still hovering just beyond the range of her petrifying gaze, darted forward and picked up the burning stub. He looked like the kind of boy who would throw himself on a grenade to stop it from killing other people.

“How did Terence Smith know my name?” Jackson asked.

“He works for bad people, bad people have ways. They have connections.”

That sounded pretty vague to Jackson’s ears. “How do I find him?”

“I tell you already,” she said crossly. “Real Homes for Real Peo-ple.” She leaned closer to him in that rather alarming way that she had, and fixed him with her green eyes. “You’re very stupid, Mr. Brodie.”

“Tell me about it. Did Terence Smith kill Lena?”

“Bye, bye,” she said and waved her hand at him. He hadn’t realized until then that it was possible to wave sarcastically . And then she was gone, slipping away into the eager book-loving crowd.

Jackson managed to wrestle Martin away from E. M. Heller’s ambiguous clutches. “She prefers Betty-May,” Martin confided in a whisper.

“Does she?” Jackson said. He was struck by a thought. “You don’t have a car, do you, Martin?”

Martin’s car was parked on the street outside his house where he had abandoned it the previous morning. Crime-scene tape was strung across the end of his driveway, and an assortment of police, uniform and plainclothes, could be glimpsed coming in and out of the house. Jackson wondered if he had been identified last night on the Meadows, it was unlikely but it still might be best to avoid the long arm of the law. Martin certainly seemed to feel the same, shielding his face like a common criminal with the property news-paper that Jackson had just picked up. If Martin really had been phoned by Richard Mott’s killer, then he was withholding evi-dence, and by extension Jackson was now party to that. He sighed at the thought of how many charges he was stacking up.

He thought of Marijut in her pink uniform. “A maid, a friend, found a man who was murdered in a house we go to.” And this was the house. Favors again. They seemed to spread their tentacles every-where that Jackson went. You say connection, I say connection. What did Martin know about them?

“Nice women,” Martin said, “good cleaners. Wear pink.”

“How did you pay them?”

“Cash in hand to the Housekeeper. I always leave them a tip.”

“None of them…how shall I put this, Martin? None of them ever offered extras?”

“Not really. But there was a nice girl named Anna who offered to defrost the ‘fridge.’ ”

“Right. Shall I drive?” Jackson said, feeling suddenly perky at the idea. Martin’s car was an uninspiring Vectra, but nonetheless it was four wheels and an engine.

“No, no, it’s okay,” Martin said politely, as if he were doing Jackson a favor, for God’s sake, sliding into the driver’s seat and turning on the engine. They set off in a series of kangaroo hops.

“Easy on the clutch there, Martin,” Jackson murmured. He hadn’t actually meant to say that out loud, nobody liked a back-seat (or, in this case, front seat) driver, or so his ex-wife had con-stantly informed him. Men had no purpose on earth whereas women were gods walking unrecognized among them.

“Sorry,” Martin said, nearly skinning a bicycle courier. Jackson considered wrestling the helm off Martin, but it was probably good for the guy to feel he was in control of something, however badly.

“Where are we going, by the way?” Martin asked.

“We’re going to buy a house.”

43

“We’re going to buy a house?”

“Well, we’re going to look at houses,” Jackson said, rifling through the property newspaper. “We’re going to look at new de-velopments. Hatter Homes, you know them?”

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