Denise Mina - Slip of the Knife

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Paddy Meehan is home alone when there's a knock at the door. It's the police and they have bad news. Former boyfriend Terry Patterson's naked body has been found in a ditch. He's been tortured, hooded, then shot through the head: all hallmarks of an IRA assassination.
Paddy is devastated: Terry was her first lover; the sort of journalist she's always aspired to be. But why have the police come to her? Although she and Terry have had an on/off affair since they first worked together, she hasn't seen him for over a year.
She is therefore horrified to find that not only has Terry named her next of kin, but he has left her a huge Georgian house in Ayrshire and several suitcases full of notes.
What was Terry trying to tell her? As Paddy begins her investigation into his death, she realizes that if the secret he was about to expose was worth killing for, she is next in line.

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They carried the stuff around the back and Dub tried the kitchen door. It was locked so he used a penknife to pick around the lock and the wood crumbled away easily. Chipping at it, he managed to expose the lock and push it out of its nest. He swung the door open.

The sweet-sour smell of mildew hung in the air and a frantic scuttling marked the exit of a brood of mice into the other room. Callum didn’t mind but Dub looked around distastefully at the buckled lino floor and the mouse droppings on the worktop. He was quite meticulous in their house, wouldn’t use the bath unless it had been cleaned and was always throwing things out of the fridge because they had reached their sell-by date.

The room was empty of personal effects, but otherwise it looked as if someone had just walked out. Ten years of gray dust encrusted the elaborate Victorian cast-iron range in the inglenook, the oven doors all firmly shut, lids down on the cook plates. The black stovepipe at the back had collapsed and slouched crazily against the inside of the chimney. She had seen the pine dresser through the window during the day but not the feet swollen and rotting with moisture. A Formica table was pushed back against a wall, a matching chair on either side, backs to the wall. The sink under the window was basic, a white ceramic Belfast box with a shelf on the right-hand side, serving as a draining board. The cottage looked as if the family had spent their savings a generation ago, and this was the dwindled remains of a poorly managed natural advantage.

Dub stood stiffly by the door, his eyes flickering around the room, finding a thousand things to complain about but saying nothing. Callum asked his permission to go and look in the front room, which they both thought was weird but neither of them said so.

“Sure,” said Dub and Callum went off through the door, stepping carefully over the wobbly floor. He shouted back to them that it was darker in there, the mice were in the skirting, he could see a baby mouse. Dub shuddered.

She put the barbecue on top of the range, put four firestarter bricks in the bottom and coals on the top, touched a match to the greasy bit of white peeking out of the coals. Orange light filled the room, highlighting all its shortcomings, and Dub made a frightened face.

Paddy smiled at him. “If you can’t handle it we can sleep in the car.”

“Nope. I’m fine. It’s fine.”

She wanted to touch him again. Callum was in the other room so she slid over to him. “There’s only two sleeping bags. We’ll have to share. Is that OK?”

He looked around the floor. “But where?”

No part of the floor was any cleaner than anywhere else. She suggested seeing if they could find a broom and he liked that.

They found Callum in the front room, lifting the lid on the sloping piano. He tried a key but found it dead, tried the next and the next and the next until a faint twang came from inside the piano’s belly.

Seen from the inside, the room was a good size. There was no fireplace but a fat potbellied stove sat at an angle in the corner. One of its thin legs had sunk into the carpet, ripping a hole and pulling the chimney pipe from its shoring in the wall behind.

Dub held back at the door to the kitchen. “Smells revolting in here.”

Paddy wanted to point out that it was pretty though, the windows were nice, and then she wondered why she was trying to sell it to him. It didn’t matter if he liked it or not. They were only staying a night.

The other rooms were in no better state. A rudimentary bathroom had a blue plastic toilet with a horribly stained dry bowl. The window was broken and leaves had gathered on the floor and in the bath, mulching through the years. Ragged spiderwebs coated the break in the window.

Two bedrooms, both small, one with a fireplace and a dead bird in the grate. There was no broom.

It was a relief to get back to the civilized kitchen, where the smell of damp was tempered by the warmth of the barbecue fire.

Dub said he didn’t think he would be able to sleep at all in here because it was so dirty. Callum took the cardboard box down from the dresser, shook it to make sure nothing was hiding in there, flattened it, and used the edge to brush part of the floor clean for Dub’s head.

Paddy watched him, bent double in the flickering light, scratching at the floor to clear a space for someone he barely knew, enjoying the roughness of everything, adapting to his new life and not at all bitter, and she found herself thinking that if Pete had lived through what Callum had and was like this on the other side, she’d be quite proud of him.

Dub thanked him.

Callum unfurled the sleeping bags and sat down in his, zipping it up to his neck, expertly rolling his jumper into a small cylinder to make a pillow. He lay down with his hands behind his head, shut his eyes, and became still almost immediately.

Dub and Paddy sat up, drinking a can of juice in silence to let Callum sleep, passing it back and forth. Paddy lit a cigarette and Dub gave her a look that suggested she was adding to the smell in the kitchen.

“I like them,” she whispered.

Callum’s leg stirred in the dark. He wasn’t asleep at all. She looked over and saw that he was smiling in the dark. He’d misheard her. He thought she’d said, “I like him.” And she was glad.

Fully clothed, they stood up and tried to negotiate two people in one sleeping bag. They unzipped it and laid it out on the floor, putting the opening in the space Callum had cleared for them. Paddy lay down, Dub lay next to her, and they had to cling to each other to do the zip up.

She looked up at the warm orange light rippling across the ceiling, felt Dub’s heart racing beneath her hand, and fell asleep smiling.

TWENTY-EIGHT. THE DARKNESS IN SUBURBIA

Martin McBree looked back up to the dark windows of Paddy’s flat in Lansdowne Crescent. It hadn’t been hard to get the door open; it was only propped shut and when he got in he realized why: ransacked, the beds pissed on. No one was coming back here tonight. She was lost to him.

Back in the car, he lit a cigarette and started the engine. There was nothing for it but to go to option two. The nasty option. He had a grandson that age.

He pulled out of the crescent and made his way to the broad Great Western Road. It was three in the morning and very quiet. Taxis and the odd night bus sped along the straight road, making use of the clear stretch ahead of them.

He parked carefully in the street, reversing neatly into a space between two cars, nudging tentatively backwards and forwards until he was equidistant between the two. The first rule of a lightning strike: attract no attention.

He opened the car door and threw his cigarette end into the street, stepping out after it, the toe of his shoe crushing the scarlet tip against the tarmac. A double-decker night bus sailed past him, speeding down the incline of the hill. In the cold white cabin light the lone passenger’s pasty face looked drained and ill, staring blindly out into the dark, seeing nothing but his own reflection in the glass.

McBree hated Glasgow. He hated the plump women with their rasping accents, the aggressive undertone of the men in bars, the chatty shopkeepers who asked personal questions. New York wasn’t like that. In New York they told you about themselves, the women were handsome, the accent exotic and mellifluous. He smiled at the thought of New York, recalled the warm evenings and the smell of car fumes mingling with street food, being able to drink in bars without a soul raising the subject of politics.

In New York he changed how he dressed. Val asked him about it when he came home, said he looked cheap in his print shirts and loafers. She hated change. If she had her way they’d take the kids and go and live in the parish house with the gnarly old priests, but Martin had seen another life out there, a life devoid of the Church or the struggle, where a man could just be.

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