Joe Lansdale - Sunset and Sawdust

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He has been called "hilarious… refreshing… a terrifically gifted storyteller with a sharp country-boy wit" (Washington Post Book World), and praised for his "folklorist's eye for telling detail and [his] front-porch raconteur's sense of pace" (New York Times Book Review). Now, Joe R. Landsdale gives us a fast-moving, electrifying new novel: a murder mystery set in a steamy backwater of Depression-era East Texas.
It begins with an explosion: Sunset Jones kills her husband with a bullet to the brain. Never mind that he was raping her. Pete Jones was constable of the small sawmill town of Camp Rapture (" Camp Rupture " to the local blacks), where no woman, least of all Pete's, refuses her husband what he wants.
So most everyone is surprised and angry when, thanks to the unexpected understanding of her mother-in-law-three-quarter owner of the mill-Sunset is named the new constable. And they're even more surprised when she dares to take the job seriously: beginning an investigation into the murder of a woman and an unborn baby whose oil-drenched bodies are discovered buried on land belonging to the only black landowner in town. Yet no one is more surprised than Sunset herself when the murders lead her-through a labyrinth of greed, corruption, and unspeakable malice-not only to the shocking conclusion of the case, but to a well of inner strength she never knew she had.
Landsdale brings the thick backwoods and swamps of East Texas vividly to life, and he paints a powerfully evocative picture of a time when Jim Crow and the Klan ruled virtually unopposed, when the oil boom was rolling into and over Texas, when any woman who didn't know herplace was considered a threat and a target. In Sunset, he gives us a woman who defies all expectations, wrestling a different place for herself with spirit and spit, cunning and courage. And in Sunset and Sawdust he gives us a wildly energetic novel-galvanizing from first to last.

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“Then get on out while you got brains in your head to remember with.”

“I’m gonna get ice over here. It’s too warm for the body. I’ll get ice sent over.”

“That’ll be okay. Now go. And don’t you bring it. You get one of the fellas to bring it.”

Jones gave her a look she had seen before. Right before a beating he was going to give her. But this time it wasn’t going to happen. She felt strange. Good. Powerful. She had not felt this strong since she was a girl.

“Don’t think to come back here,” she said. “I’ll be listening for you. And I won’t say a word next time. I’ll just shoot. And I want you to know I hate you. I hate everything about you, and have for some time. And today I hate you more than ever.”

Jones went out and slammed the door.

Marilyn followed him out, yelled at him as he went down the steps and into the moonlight. “You leave that truck,” she said. “I’m gonna need that truck.”

He didn’t look back at her, just kept walking.

Marilyn went out to the truck, got the keys out of the ignition, brought them inside the house with her.

They had seldom locked their doors here in the camp, but now Marilyn used the house key hanging on a nail beside the door.

As soon as she locked it, she remembered he had a key, so she put a chair under the knob. Tomorrow she’d have to find the camp locksmith, get the locks changed. She bolted all the windows down, locked up the back screen door, pulled the solid door to and put a chair under its knob as well.

She pulled the string on the light, dragged up a chair and sat in the darkness by Pete’s body with the shotgun in her lap. She sat there and listened to june bugs beat against the window screen close to her. She could hear them beating even with the window closed. Now that the light was out, she wondered if they would soon stop. As long as she had lived in East Texas, she felt she should know the answer to that, but she couldn’t seem to remember anything about june bugs at all.

They finally ceased. The house without the windows open grew warm. Sweat ran down Marilyn’s face, into her nightclothes, made her underarms sticky. The house was quiet. In the back room she could hear the grandfather clock ticking.

She wondered where Sunset and Karen were. She hoped they were okay. Then it struck her.

She was hoping the woman who had killed her son was fine.

5

As the sun rose, pink and oozing through the woods like a leaky blood blister, Sunset discovered she too was bleeding. Not only from the wounds Pete had given her, but also from the fresh ones she’d gotten from her daughter, scratches and bites, additional damage from mosquitoes and ants. Sleeping on the ground had gotten dirt in the wounds and made them itch. Her side and stomach hurt, and she didn’t even remember being hit there. Maybe had, maybe hadn’t, might have just rolled on something, a root or rock.

She was sitting on the bank of Sawmill Creek, where she and Karen had spent the night beneath a big elm tree. She was sitting there feeling the morning sun, looking at her daughter, lying where she had finally cried herself to sleep, angry and confused, her hands clenched, her face squeezed up like a fist, damp leaves mashed against her cheeks and overalls.

Sunset turned away from Karen, studied the creek, watched as black button-sized bugs skirted over the water and some long-legged spider things ran over its surface as if imitating Jesus in a hurry.

The water was clay red from the storm, looked like blood, and it was flowing fast and loud along the new lines of the bank. The tornado had knocked all manner of stuff ass-over-heels, torn up trees, caused the old high line of the embankment to break up. When the warm wind blew, Sunset could smell fish rotting.

She tried to concentrate on the water and not think about Pete, but she couldn’t do it. She repeated the events over and over in her mind, trying to find a place where she might have done something different. Kept thinking she’d wake up and it would be a bad dream. But that didn’t happen. She was wide awake, sitting on the bank of Sawmill Creek sticky with sweat.

She lifted her hand to wipe her face, discovered she was still holding the gun. She had held it while she was telling her daughter what happened, held it while her daughter, in a moment of savage confusion, had hit her with her fists, clawed her with her nails, and bit her.

When Karen wore out, fell to the ground crying, Sunset tried to comfort her, tried to explain, but Karen put her hands over her ears and made a noise so she wouldn’t have to hear it.

Finally, Karen fell asleep to hide from Sunset and the world, and Sunset lay down and slept a little, her finger off the trigger, but the gun still in her hand, the smell of the powder still in her nose, the sound of the shot still in her head.

She put the pistol in the pocket of her mother-in-law’s loose housedress, and having it out of her hand, even if it was close, made her nervous.

She was suddenly glad she hadn’t had it with her the day she fought Pete’s girlfriend, Jimmie Jo French. She found out Pete was running around on her and blamed it on Jimmie Jo. Confronted her out front of the company store at Camp Rapture, went at her like a tiger. If she’d had the pistol with her then, the undertaker might have been wiping Jimmie Jo’s ass and that wouldn’t have been something she could have lived with, killing Jimmie Jo in a fit of jealousy.

She realized now Jimmie Jo was no more to blame than Pete. What she had been really angry about at the time was she had heard rumor Pete bought Jimmie Jo nice things. Clothes, even jewelry. Pete never bought her anything. She thought for a while she might not be good in bed, and had done her all to fix the problem, thinking she’d make it so he’d like how he was getting it at home and get over Jimmie Jo, but that hadn’t changed things. He stayed angry all the time, slapping her, punching her, forcing her legs apart while he rammed her like he was trying to poke a hole through a concrete wall, and if he liked it, she couldn’t tell, it was just a thing he did, finishing up, getting off her like he was disgusted.

And he hadn’t given up Jimmie Jo. Sometimes he came in smelling of her, not even bothering to clean the smell off before coming home, not caring if she knew, maybe happy she did. Sunset could never figure for what crime she was being punished.

Sunset wondered where Jimmie Jo was now. If she’d heard about Pete being killed, and how she felt about it. “Howdy.”

Sunset looked up. A man was standing nearby. Sunset stood, felt like wires were being pulled inside of her and the wires had hooks and the hooks were hitched to her vitals.

She studied him. He didn’t look like trouble. They never look like trouble, she thought. Pete hadn’t looked like trouble when he started courting her when she was sixteen. He seemed fine enough and a good choice when they first married, until two weeks later, the night she had a cold and didn’t want to bed him and he made her, and made her many times thereafter.

She put her hand in her pocket. She was glad she had the gun.

“You two hoboing?” the man said. “Don’t see many women on the road.”

Sunset said, “We’re not on the road.”

“That’s good. You’re a good bit away from the rails.”

“So are you,” she said.

“Guess I am.”

The man wore a crumpled wool hat. It looked too big for him. He took it off and smiled at her. She noted he was nice-looking and maybe not as young as he first appeared. He had a little sack tied to his belt. Over one eye was a small black bruise.

“I’m looking for work. Some bo’s told me there was a sawmill hiring.”

“I don’t know if they’re hiring,” Sunset said, “but you follow the creek west a ways, and you’ll see it.”

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