KATHY REICHS - DEJA DEAD

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Deja Dead is the first novel by Kathy Reichs starring Temperance Brennan. It won the 1997 Arthur Ellis Award for Best First Novel.The novel is set in Montreal, Quebec where a series of women are found brutally murdered.They are brutally hit on the head and their dead bodies are packed in plastic bags and buried.

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?Anything else??

?What do you mean?? The worm withdrew.

?Did you find anything besides bones??

?Yeah. That?s what don?t seem right.? He spread his arms wide, indicating a dimension with his hands. ?There?s a big plastic sack around all this stuff, and . . .? He shrugged, turning his palms up and leaving the sentence unfinished.

?And?? My uneasiness was escalating.

? Une ventouse .? He said it quickly, embarrassed and excited at the same time. Gil was traveling with me, his apprehension matching mine. His eyes had left the ground and were roving in double time.

?A what?? I asked, thinking perhaps I?d misunderstood the word.

? Une ventouse . A plunger. For the bathroom.? He imitated its use, his body thrust forward, hands wrapped around an invisible handle, arms driving upward and downward. The macabre little pantomime was so out of context it was jarring.

Gil let out a ? Sacr #233; . . .? and locked his eyes back on to the earth. I just stared at him. This wasn?t right. I finished my notes and closed the spiral.

?Is it wet down there?? I didn?t really want to wear the boots and coveralls unless it was necessary.

?Nah,? he said, again looking to Gil for confirmation. Gil shook his head, eyes never leaving the dirt at his feet.

?Okay,? I said. ?Let?s go.? I hoped that I appeared calmer than I felt.

Ponytail led the way across the grass and into the woods. We descended gradually into a small ravine, the trees and brush growing thicker as we approached the bottom. I followed into the thicket, taking the larger branches in my right hand as he bent them back for me, then handing them off to Gil. Still small branches tugged at my hair. The place smelled of damp earth, grass, and rotting leaves. Sunlight penetrated the foliage unevenly, dappling the ground with puzzle piece splotches. Here and there a beam found an opening and sliced straight through to the ground. Dust particles danced in the slanted shafts. Flying insects swarmed around my face and whined in my ears, and creepers grabbed my ankles.

At the bottom of the trench the worker stopped to get his bearings, then turned to the right. I followed, slapping at mosquitoes, handing off vegetation, squinting through clouds of gnats around my eyes, and the occasional loner that went straight for the cornea. Sweat beaded my lip and dampened my hair, plastering the escapee strands to my forehead and neck. I needn?t have worried about my dress or coiffure.

Fifteen yards from the corpse I no longer needed a guide. Blending with the loamy scent of woods and sunlight I detected the unmistakable smell of death. The odor of decomposing flesh is like no other, and it hung there in the warm afternoon air, faint but undeniable. Step by step, the sweet, fetid stench grew stronger, building in intensity like the whine of a locust, until it ceased blending, and overpowered all other smells. The aromas of moss and humus and pine and sky deferred to the rankness of rotting flesh.

Gil stopped and hung back at a discreet distance. The smell was enough. He didn?t need another look. Ten feet farther the younger man halted, turned, and wordlessly pointed to a small heap partially covered by leaves and debris. Flies buzzed and circled around it, like academics at a free buffet.

At the sight my stomach went into a tuck, and the voice in my head started in on ?I told you so.? With growing dread, I placed my pack at the base of a tree, withdrew a pair of surgical gloves, and picked my way gingerly through the foliage. When I neared the mound I could see where the men had raked away the vegetation. What I saw confirmed my fears.

Protruding from the leaves and soil was an arcade of ribs, their ends curving upward like the framework of an embryonic boat. I bent down for a closer look. Flies whined in protest, the sun iridescent on their blue-green bodies. When I cleared more debris I could see that the ribs were held in place by a segment of spinal column.

Taking a deep breath, I eased on the latex gloves and began to remove handfuls of dead leaves and pine needles. As I exposed the backbone to the sunlight, a knot of startled beetles flew apart. The bugs disentangled themselves and scuttled outward, disappearing one by one over the vertebral edges.

Ignoring the insects, I continued to remove sediment. Slowly, carefully, I cleared an area approximately three feet square. In less than ten minutes I could see what Gil and his partner had discovered. Brushing hair from my face with a latexed hand, I leaned back on my heels and surveyed the emerging picture.

I looked at a partially skeletonized torso, the rib cage, backbone, and pelvis still connected by dried muscle and ligament. While connective tissue is stubborn, refusing to yield its hold on the joints for months or years, the brain and internal organs are not so tenacious. With the aid of bacteria and insects, they decompose quickly, sometimes in a matter of weeks.

I could see remnants of brown and desiccated tissue clinging to the thoracic and abdominal surfaces of the bones. As I squatted there, the flies buzzing and the sunlight dappling the woods around me, I knew two things with certainty. The torso was human, and it hadn?t been there long.

I knew also that its arrival in that place wasn?t by chance. The victim had been killed and dumped. The remains lay on a plastic bag, the common kitchen variety used for garbage. It was ripped open now, but I guessed the bag had been used to transport the torso. The head and limbs were missing, and I could see no personal effects or objects close by. Except one.

The bones of the pelvis encircled a bathroom plunger, its long wooden handle projecting upward like an inverted Popsicle stick, its red rubber cup pressed hard against the pelvic outlet. Its position suggested deliberate placement. Gruesome as the idea was, I didn?t believe the association was spurious.

I stood and looked around, my knees protesting the change to upright posture. I knew from experience that scavenging animals can drag body parts impressive distances. Dogs often hide them in areas of low brush, and burrowing animals drag small bones and teeth into underground holes. I brushed dirt from my hands and scanned the immediate vicinity, looking for likely routes.

Flies buzzed and a horn blared a million miles away on Sherbrooke. Memories of other woods, other graves, other bones skittered through my mind, like disconnected images from old movies. I stood absolutely still, searching, wholly alert. Finally, I sensed, more than saw, an irregularity in my surroundings. Like a sunbeam glinting off a mirror, it was gone before my neurons could form an image. An almost imperceptible flicker caused me to turn my head. Nothing. I held myself rigid, unsure if I?d really seen anything. I brushed the insects from my eyes and noticed that it was growing cooler.

Shit. I continued looking. A slight breeze lifted the damp curls around my face and stirred the leaves. Then I sensed it again. A suggestion of sunlight skipping off something. I took a few steps, unsure of the source, and stopped, every cell of my being intent on sunlight and shadows. Nothing. Of course not, stupid. There can?t be anything over there. No flies.

Then I spotted it. The wind puffed gently, flicking over a shiny surface and causing a momentary ripple in the afternoon light. Not much, but it caught my eye. Hardly breathing, I went closer and looked down. I wasn?t surprised at what I saw. Here we go, I thought.

Peeking from a hollow in the roots of a yellow poplar was the corner of another plastic bag. A spray of buttercups ringed both the poplar and the bag, tiptoeing off in slender tendrils to disappear into the surrounding weeds. The bright yellow flowers looked like escapees from a Beatrix Potter illustration, the freshness of the blooms in stark contrast to what I knew lay hidden in the bag.

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