Jeffrey Ford - The Girl in the Glass

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The critically acclaimed author of
and the
Notable Book
returns with a spellbinding new masterwork -- a dark and haunting literary thriller that dazzles with originality and sheer storytelling energy as it brilliantly confounds all expectations.
The Girl in the Glass The Great Depression has bound a nation in despair -- and only a privileged few have risen above it: the exorbitantly wealthy ... and the hucksters who feed upon them.
Diego, a seventeen-year-old illegal Mexican immigrant rescued from the depths of poverty, owes his salvation to Thomas Schell, spiritual medium and master grifter. At the knee of his loving -- and beloved -- surrogate father, Diego has learned the most honored tricks of the trade. Along with Schell's gruff and powerful partner, Antony Cleopatra, the three have sailed comfortably, so far, through hard times, scamming New York's grieving rich with elaborate, ingeniously staged séances. And with no lack of well-heeled true believers at their disposal, it appears the gravy train will chug along indefinitely -- until an impossible occurrence in a grand mansion on Long Island's elegant Gold Coast changes everything.
While "communing with spirits" in the opulent home of George Parks, Schell sees an image of a young girl in a pane of glass -- the missing daughter of one of Parks's millionaire neighbors -- silently entreating the con man to help. Though well aware that his otherworldly "powers" are a sham, Schell inexplicably offers his services, and those of his partners, to help find the lost child. He draws Diego and Antony into a tangled maze of deadly secrets, terrible experimentation, and dark hungers among the very wealthy and obscenely powerful. As each cardinal rule dividing the grift from the real is unceremoniously broken, Diego's education is advanced into areas he never considered before. And the mentor's sudden vulnerable humanity forces the student into the role of master to confront an abomination that will ultimately spawn the nightmare of the century.
At once a hypnotically compelling mystery, a rich and vivid circus of complex, eccentric, and unforgettable characters and events, and a stunningly evocative portrait of Depression-era New York, Jeffrey Ford's
is yet another masterly literary adventure from a writer of exemplary vision and skill.

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"We're coming to get you," I said. "The hell with her, she's been nothing but trouble. You don't know the whole story on her."

"Don't," he repeated. "You're not chained to this deal. I don't want you to lift a pinky to help me."

"It's going to be smooth," I told him. "Just like McLaren and the red balloon."

"Smooth," said Agarias's voice. I knew he'd be listening in.

"That wasn't thirty seconds," I said.

"You've got one hour to get here," he said. "Get ready to write down the directions."

I prayed the directions he gave would be to the place we'd staked out. If not, all would be lost. As he recited them, I was so nervous I missed the first part, but then the words Fort Solanga sounded, and after that the turns and street names fell into place.

When Agarias finished, I told him, "I want to be able to see Schell the entire time. An even exchange. I'll bring Morgan out of the car, you bring Schell to meet me."

"Of course," he said. "But you'd better hurry, because if you're a minute late, I'll start the transfusion, and I don't think Mr. Schell is in any shape to receive the pure blood of Merlin."

I hung up. Antony was standing in the doorway.

"We're on," I said.

"Did you talk to Schell?" he asked.

"He told me he's got a pin he can use as a key on whatever chains they have him in," I said.

I meant to get up then, but my determined cool broke like a dam, and I started to cry. My memory filled to bursting with thoughts of Schell, a swirl of scenes from my years with him. I owed him my life, and now his was in my hands. It took quite a few minutes for me to regain control of myself, and I was surprised that Antony didn't say a word. When I was done, I dried my eyes and stood up.

The big man put his hand on my shoulder. "Okay, you ready?" he asked.

"Yeah," I said.

"Let's go plug these fucks," he said.

Marge, who'd already risked life and limb for us and was going to stay behind and man the fort, grabbed me and gave me a spine-bending hug as we stepped out into the living room. "Break a leg, hon," she said.

I took Morgan's shoulders, Antony took her legs, and we lifted her bound, gagged, and squirming form off the floor. We followed Hal, who was dressed for battle in a baggy old suit and packing Peewee's derringer, as he led the way out to the car. Bringing up the rear was Captain Pierce, who was nearly knocked over as the rug covering the doorway fell back after we passed through.

"She's sure making a racket," said Hal as Antony and I laid her across his and the Captain's legs in the backseat.

"At least she's not singing," I said.

THAT SOFT ECLIPSE

It was so dark on the road past Fort Solanga that we nearly missed the turnoff for the dirt path that led to Agarias's compound. My heart started thumping as the Cord's headlamps illuminated the wall, the open gates, and, beyond them, the dim outline of the house.

"Everybody ready?" asked Antony.

My mouth was too dry to answer.

"Ready," said the Captain.

"Let me check my pants," said Hal.

I saw a guard with a machine gun just inside the walls as we passed through the entrance. Antony drove in about halfway to the house and stopped, cutting the engine but leaving the headlamps on. Directly in front of us, in the pool of light, was Agarias, standing on the porch next to Schell, who was in handcuffs. His head was down, and he looked unsteady on his feet. Agarias held a pistol, the end of the barrel resting against Schell's left cheek. Two black-clad men stood in front of the porch, one with a machine gun and one holding a pistol. Off to the right, the black Model A was parked where it had been the day before. Looking around, I saw two more of our friends in black suits, one off to the right side of the yard near the tree line and one off to the left.

Antony and I opened our doors and got out. He stood close to the car behind the open door, and I stepped clear of my door so that Agarias could see me.

"Where's Morgan?" asked Agarias.

"Right here," I said. I gave the sign to Hal and Pierce, and with no small degree of grunting effort, they carried Morgan's writhing form out of the car and laid her on the ground a few yards to the side of it. Her hair, her face, and arms were luminescent in the night. She twisted and turned, struggling against the ropes, crying against the gag. The two men who had been standing in front of the porch advanced as Agarias and Schell followed. Hal and the Captain each took two steps back.

When Agarias's men reached Morgan, the one with the pistol stuck his weapon in its shoulder holster and kneeled down to lift her. No sooner had he placed his hand under her shoulder than he said, "Wait a second…" That first indication of suspicion was the agreed-upon signal for Hal to yank on the length of fishing line that we'd attached to the chest of our Morgan. He did, and it ripped her wide open. The man with the machine gun lifted his weapon, and the other fellow stood, reeling backward, reaching for the handgun he'd just put away. A storm of pigeons, the squirming life and gagged voice of the effigy we'd made, rushed up out of the papier-mвchй shell into their faces. The two instinctively stepped back, each bringing a hand up to cover his eyes.

Hal took the derringer out of his pocket, walked forward two steps, aimed, and shot the man with the machine gun in the face. He fell forward onto the dummy. His partner recovered, brought his pistol up to return Hal's fire, but stopped before pulling the trigger because he found his fingers no longer worked. There was a knife sticking through his wrist. He screamed, but that cry didn't last long, cut short by another knife that had just entered his throat and severed his spinal column.

Before the second man had hit the ground, Antony had already spun around, taken the Mauser from its holster, and squeezed off a volley of shots at the guard standing near the gate behind us. I peered through the shadows and saw his body jerk twice before going down. And that's when the Model A blew up, sending a roiling fireball into the sky, knocking Schell, Agarias, and me to the ground. Antony, Hal, and Pierce had already ducked for cover.

Shattered glass and chunks of hot metal rained down all around us. As soon as the shock wave of the explosion diminished, Agarias's men on either side of the yard started firing their pistols indiscriminately in the direction of the Cord. I could hear the slugs slamming through the car's chassis, and one or two kicked up dirt only inches from where I lay. Antony took down the gunman nearest him with the Mauser.

I could see the man on the right side of the yard in the light given off from the burning Ford as he backed in among the trees and continued firing. Hal gave a yelp, and a moment later called out in an anguished voice that he'd been hit in the leg. Two more shots rang out, one shattering a side window of the Cord and the other blowing out a back tire. Then the firing stopped. I waited what seemed an eternity for another shot, but none came. A few moments later a small shadow moved across the yard from the direction the man had been firing from. It was Jack Bunting, stumping along on his knuckles. When I could see him clearly, he said, "That cat's finished. I dropped out of the tree and slit his throat." Then I noticed a straight razor sticking out of his shirt pocket.

As we got to our feet, the first of the gasoline bombs crashed through the windows of the house, spreading their liquid fire. Flames and smoke leaped from the windows. Another crashed onto the porch and set it ablaze. As I scrabbled to my feet, I saw Antony stand up on the other side of the car. I called back to Hal, and the Captain, a veteran of battlefield surgery, said he had the situation under control. "God help me," said Hal.

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