Jeffrey Ford - The Girl in the Glass

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The Girl in the Glass: краткое содержание, описание и аннотация

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The critically acclaimed author of
and the
Notable Book
returns with a spellbinding new masterwork -- a dark and haunting literary thriller that dazzles with originality and sheer storytelling energy as it brilliantly confounds all expectations.
The Girl in the Glass The Great Depression has bound a nation in despair -- and only a privileged few have risen above it: the exorbitantly wealthy ... and the hucksters who feed upon them.
Diego, a seventeen-year-old illegal Mexican immigrant rescued from the depths of poverty, owes his salvation to Thomas Schell, spiritual medium and master grifter. At the knee of his loving -- and beloved -- surrogate father, Diego has learned the most honored tricks of the trade. Along with Schell's gruff and powerful partner, Antony Cleopatra, the three have sailed comfortably, so far, through hard times, scamming New York's grieving rich with elaborate, ingeniously staged séances. And with no lack of well-heeled true believers at their disposal, it appears the gravy train will chug along indefinitely -- until an impossible occurrence in a grand mansion on Long Island's elegant Gold Coast changes everything.
While "communing with spirits" in the opulent home of George Parks, Schell sees an image of a young girl in a pane of glass -- the missing daughter of one of Parks's millionaire neighbors -- silently entreating the con man to help. Though well aware that his otherworldly "powers" are a sham, Schell inexplicably offers his services, and those of his partners, to help find the lost child. He draws Diego and Antony into a tangled maze of deadly secrets, terrible experimentation, and dark hungers among the very wealthy and obscenely powerful. As each cardinal rule dividing the grift from the real is unceremoniously broken, Diego's education is advanced into areas he never considered before. And the mentor's sudden vulnerable humanity forces the student into the role of master to confront an abomination that will ultimately spawn the nightmare of the century.
At once a hypnotically compelling mystery, a rich and vivid circus of complex, eccentric, and unforgettable characters and events, and a stunningly evocative portrait of Depression-era New York, Jeffrey Ford's
is yet another masterly literary adventure from a writer of exemplary vision and skill.

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"You've got to get naked," said Antony.

Hal howled. "This is going to be better than I thought," he said and proceeded to take off his coat and start unbuttoning his shirt.

"I should have put a tarp down on the backseat," the big man said.

"Fuck you, Henry," said Hal. "Diego, do I have any lines, or do you just want me to act doglike?"

"All dog," I said.

"My specialty," he said.

We drove for a while, and as Hal put the collar on I explained my plan. After we crossed the Cold Spring Harbor town line, Antony asked, "What's this street we're looking for?"

I looked down at the directions Stintson had given me. "Bungtown Road," I told him. "It should be the third left up here."

It was late afternoon by the time we drove slowly past the ERO. It was a good-size building set back from the road, at the end of a straight path that led right to the front door. I couldn't help but think that it was trying to hide itself among the surrounding trees while its "researchers" did their nefarious work. I directed Antony to drive to the end of the block and park. There was a field and some woods behind the building, and it was my plan to approach the place from the back.

"This could take some time," I told Antony. "Once Hal gets back to the car, drive around for a while and then pull up on Bungtown a little ways down the street but facing the building so you can see me when I come out. We may have to move quickly."

"No sweat," he said.

"Okay, let's go," I said to Hal.

"See you later, Henry," he said and slipped into his overcoat.

"Spread some fleas around in that joint," said Antony.

Hal laughed, but the second he stepped out of the car, his entire demeanor changed. He was now a sullen mishap of nature, escaped from who knew where, as evidenced by the leash dangling from the collar around his neck. His expression had gone completely dull, and a glimmering string of drool hung from the corner of his mouth. When I started walking, he shuffled along beside me like a mindless animal. The transformation astonished me. Hal Izzle was a pro.

We crossed the field and made our way carefully through the woods at the back of the building, making sure no one was watching us from inside. After stashing his coat in the woods, we dashed out from under the cover of the trees over to the left side of the building, scurrying close to the ground, below window level. When we reached the front, I took a little paper bag from inside my pocket and handed it to Hal. He opened it, put his head back, and brought it to his mouth, letting some of the white powder sift in between his lips. He chewed on the baking soda and worked up some spit, and before long he was frothing at the mouth.

"Okay," I whispered, "you're good."

I stayed put with my back to the side wall of the building, trying to imagine the plan unfolding. Hal, for his part, was to enter the foyer and stumble around, as if disoriented. Then he was to drop to all fours, growl, whimper, and eventually just lie down and curl up on the floor until the guard got out of his chair. The idea was to get the guy to follow him outside and distract him long enough for me to slip in behind them.

The wait was torture, and I started to worry that the guard might have a gun and, being spooked by the sight of Hal, draw it. Somehow twilight had arrived without my noticing its approach, and the impending darkness turned my thoughts gloomy. When I was about ready to come out of hiding and go to Hal's rescue, I heard the door open. I peered around the corner and saw the dog man on all fours, swaying back and forth. The door had closed behind him, though, and the guard had obviously stayed inside. Hal growled and barked, clawing the glass of the door, but to no avail. I realized then that if I was the guard, I might not be too anxious to get too close to this creature either, and I feared I'd miscalculated the situation.

Another minute passed and I was sure the jig was up, but then, in what could only be described as a stroke of genius, the dog man suddenly turned sideways to the door, lifted his leg, and started peeing on it. Before he even finished, he started crawling on all fours toward the other corner of the front of the building. The door swung open, and from my hiding place, I saw the guard emerge, dressed in his blue hat and uniform, holding a billy club.

"Get out of here, you filthy mutt," he yelled. Hal got to his feet and shuffled off around the other side of the building. "Jesus Christ," said the guard. He took two steps, as if to follow, but then stopped. I started to make my move as quietly as possible, walking on tiptoe. The guard was only about eight feet from the entrance, though. I'd have definitely been caught, but just as I was about to open the door, Hal stuck his big dog head around the corner again and let loose a string of vicious barking. The man jumped a little, then lifted his club and gave chase. After that I didn't see what happened. I was inside, moving through the foyer and down a hall to the left, as Stintson had instructed.

SPEAKING OF MUTATION

As I'd hoped, due to the late hour, the halls were deserted. Around the next corner, I found the office Stintson's instructions pointed to. The door was unlocked, and when I opened it, though the lights were already on, the place was empty. I went in and locked the door behind me. Three of the room's walls were lined with wooden filing cabinets and the last held a tall bookcase. There was a chair at a desk with a lamp on it, and opposite that a small couch with one window behind it.

I set to tracing the last names on the cabinets. Stintson's notes had put me in the general area of Agarias's archive, and the specific drawers holding his files were not hard to find. The first drawer I tried was locked though. Pulling out Schell's skeleton key, I went to work. A few seconds later, there came a faint click from within the baffle. The long drawer slid out with one pull on the handle, and I saw it was choked with folders, each crammed with paper.

I didn't know where to start. There were three more drawers similarly stuffed. It's going to take forever, I thought and felt a sense of panic begin to spark to life in my chest.

I took a deep breath and, realizing there was nothing else to do, reached in and pulled out a huge stack of files, about a quarter of what was in the top drawer. Carrying them to the desk, I laid them carefully to one side. I took off my jacket and draped it over the back of the chair, rolled up my sleeves, grabbed the top file, and sat down.

At first, nothing made any sense. There was a lot of scientific jargon concerning blood types, equations, formulas, and testimony concerning individuals who'd been studied. The best I could do was scan as much as I could and keep a lookout for something that rang a bell or that made things clearer.

Somewhere well into the second half hour, I started skipping files, simply glancing down whole sheets without actually reading, jumping around from file to file until the stack beside me on the desk became two stacks and then three and then just a mess of folders. Just when I thought that perhaps my trip to the ERO, calling Hal in from Brooklyn, the whole elaborate con was going to go to waste, I finally picked up on the thread of something that seemed familiar. I recalled Stintson mentioning Agarias's experiment with twins, and from the look of the text I was then scanning, I had blundered my way into the middle of that research.

I did some backtracking, found the origin of the research in question, and then moved forward. Even though my eyes were weary by then, and my back hurt from leaning over the desk, I was infused with a new energy and clarity of vision. And then I caught sight of the name Shaw. I read on at a rapid rate as it became clear to me that I had before me certain pieces of the puzzle.

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