Jeffrey Ford - The Girl in the Glass

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The critically acclaimed author of
and the
Notable Book
returns with a spellbinding new masterwork -- a dark and haunting literary thriller that dazzles with originality and sheer storytelling energy as it brilliantly confounds all expectations.
The Girl in the Glass The Great Depression has bound a nation in despair -- and only a privileged few have risen above it: the exorbitantly wealthy ... and the hucksters who feed upon them.
Diego, a seventeen-year-old illegal Mexican immigrant rescued from the depths of poverty, owes his salvation to Thomas Schell, spiritual medium and master grifter. At the knee of his loving -- and beloved -- surrogate father, Diego has learned the most honored tricks of the trade. Along with Schell's gruff and powerful partner, Antony Cleopatra, the three have sailed comfortably, so far, through hard times, scamming New York's grieving rich with elaborate, ingeniously staged séances. And with no lack of well-heeled true believers at their disposal, it appears the gravy train will chug along indefinitely -- until an impossible occurrence in a grand mansion on Long Island's elegant Gold Coast changes everything.
While "communing with spirits" in the opulent home of George Parks, Schell sees an image of a young girl in a pane of glass -- the missing daughter of one of Parks's millionaire neighbors -- silently entreating the con man to help. Though well aware that his otherworldly "powers" are a sham, Schell inexplicably offers his services, and those of his partners, to help find the lost child. He draws Diego and Antony into a tangled maze of deadly secrets, terrible experimentation, and dark hungers among the very wealthy and obscenely powerful. As each cardinal rule dividing the grift from the real is unceremoniously broken, Diego's education is advanced into areas he never considered before. And the mentor's sudden vulnerable humanity forces the student into the role of master to confront an abomination that will ultimately spawn the nightmare of the century.
At once a hypnotically compelling mystery, a rich and vivid circus of complex, eccentric, and unforgettable characters and events, and a stunningly evocative portrait of Depression-era New York, Jeffrey Ford's
is yet another masterly literary adventure from a writer of exemplary vision and skill.

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I made my way over to it, and as I approached, I called Miss Hush's name, a little more quietly than before. I heard nothing but silence. I stepped up on the cracked, moss-covered concrete block at the entrance. Anxiety was building in my chest. I reached out and pulled the crooked door back, and the leather hinge just sort of crumbled and broke. The door fell away, almost clipping my shoulder, and hit the ground with a crash. What meager daylight was left, rushed in, lessening the gloom. As the light poured in, a smell came out-a horrid stench of mildew and bad meat. There was a buzz and flutter as flies and moths rose from something lying on the floor.

I knew it was her before I could even focus on the pale form at my feet. There was the Barnes child, maggots in her curly hair, naked, and white as Lydia, a small square of material with a bizarre circular design on it covering her from waist to midthigh. She was staring hard with rotting eyes, and the sight of her made my knees buckle. Suddenly, the smell registered with full force, and my stomach heaved. I turned away from the door, tripped on the concrete block, and hit the cold hard ground with hands outstretched. I vomited, supporting myself on all fours. I don't know how long I stayed like that, but all I could hear above the buzzing in my ears was the wind in the trees, the sound of the leaves blowing along the ground.

The next thing I knew, I was being lifted bodily onto my feet and it was night. Antony whispered to me, "Take a deep breath, kid." He let go of me, and I knew he was going to look in the shack. From behind me, I heard him give a giant sigh, and then say, "Jesus fucking Christ." An instant later he was beside me, arm around my shoulders. "Let's get out of here," he said.

"What about Miss Hush?" I asked.

"Forget her. This could be a setup," he said. "Come on, kid, you've got to run." He gave me a push. "Move your ass."

I did. Once I located the trail, I broke into a sprint, running as if to escape the vision of the girl's corpse. Behind me, I heard Antony lumbering along, wheezing with the exertion.

We made it back to the car in only a couple of minutes, got in, and Antony started it up. He pulled away, tires screeching, without turning on the headlights. Rain started to hit the windshield. About a mile down the road, once we'd caught our breath, he turned on the lights and slowed down.

"You okay, kid?" he asked.

"No," I said. I tore the turban off my head and flung it in the backseat. There were tears in my eyes.

"I know what you mean," he said. He drove on for a few more seconds and then added, "This shit just got about a mile deeper."

SHARDS OF EVIL

Upon arriving home, I went immediately to the couch in the living room and curled up in the corner, my head on a pillow and my knees pulled nearly to my chest. Only then did I realize I was trembling. I still felt faintly nauseated, and every time I'd focus on that indelible image of Charlotte Barnes in death, the sensation would intensify. Even though my eyes were closed, I could feel Schell's presence enter the room. Then I heard Antony address him.

"Boss, we found the Barnes kid," the big man said in a voice so weary it came out a whisper.

"Bad?" asked Schell, and I could hear him sitting down in the chair next to the couch.

"Real bad," said Antony. "She's dead."

Schell made no reply. I heard Antony slump into the chair directly across the coffee table from where I lay.

"Lydia Hush?" Schell finally asked.

"Sort of," said Antony.

"Tell me everything," said Schell, and Antony did, beginning with when we pulled over next to the woods late in the afternoon. I listened, reliving the entire scenario, and as I drew closer to the shack in the retelling, I began to sweat. When it was over, I breathed deeply and opened my eyes.

"She led you to the body," said Schell.

"Yeah, and then vanished," said Antony. "Once Diego found the girl, I thought it was best to run. I was afraid it might be a setup-the cops are tipped off and just happen to show when the two of us are standing over the body."

"It was good thinking," said Schell.

"One thing," I said. "Antony said the girl was naked. She was, mostly, but there was some kind of cloth draped over her lap."

"That's right," said Antony. "The kid's right."

"There was a design on it too."

"Of?" asked Schell.

"I didn't catch it," said Antony.

"A symbol," I said. "I've never seen it before and can't quite remember it. A circle was part of it and there were other things involved, but…"

"Well, not right now," said Schell. "But later on, try to remember the image."

I nodded.

"What kind of shape was the body in?" asked Schell.

"I don't know, Boss," said Antony. "The poor kid was dead. I didn't look that closely. All I can tell you is the place stunk of death, and my guess was that she'd been there for a couple of days."

"Any marks? Wounds? Bruises?" asked Schell.

"Nothing," I said. "Just white, and her eyes, flies and moths, maggots…" I gagged, unable to finish.

Schell reached across the arm of the couch and put his hand on the top of my head. "Okay," he said.

"I guess we just call the cops and let them take it from here, right?" said Antony.

Schell lifted his hand off me and leaned back. "Wrong," he said.

"Tommy, forget it. It was a mistake to get hooked up in this to start with," said Antony.

"There was a point at which I could have backed out but not now. That little girl's come to life in my mind. Something stinks about the entire mess."

"Yeah, something stinks," said Antony. "A kid's been murdered, probably by some lunatic. Let the cops find him."

"What about Lydia Hush?" said Schell.

"What about her?" asked Antony.

"She obviously knew where the body was. What else do you think she knows?" asked Schell.

"Maybe she's really got the gift," said Antony.

"Bullshit," said Schell. "If you feel that way, then why did you suspect a setup?"

"Kid?" said Antony.

"I don't know," I said. "Her method of finding the girl seemed pretty suspicious. But she did lead us to Charlotte. There was something about her…"

"You two are wifty. I'm going to find her, then I'm going to find out what happened."

"All right," said Antony, "Whatever you say, Boss."

Schell looked over at me. I nodded. "I have to know," I said.

"Our first order of business is for me to anonymously tip off the police to where the body is. Then I'll call Barnes and tell him we found her. I'm going to beg him not to tell the cops that we were involved. That way we can hopefully avoid trouble and stay in his confidence. We're going to need to talk to him again, I'm sure." Schell stood up and took a deep breath. "This'll be rough," he said.

"Don't forget, you've only got a couple minutes before they can trace the call," said Antony.

"Yeah, I know," said Schell. "Come with me. I need you to give me the directions to the body."

Antony stood and headed out of the room. He stopped midway to the hall entrance, turned, and said, "Sorry you had to find her, kid."

"I'm better," I said.

After they left, I didn't want to be alone and thought of following, but a great weariness came over me. I thought, I'll just rest my eyes for a second and then go listen in. I woke hours later, surprised in a dream by the appearance of Charlotte Barnes. The room was dark. I heard a voice.

"Are you okay?" asked Schell.

"Just had a dream," I said.

My eyes adjusted, and I saw him sitting by my feet at the end of the couch. I wondered how long he'd been there.

"Did you talk to Barnes?" I asked.

"Yes."

"What happened?"

"He wept," said Schell and patted my shin. "Go back to sleep. It's late. Everything's fine."

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