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Barry Eisler: Hard Rain

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Barry Eisler Hard Rain

Hard Rain: краткое содержание, описание и аннотация

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‘I insist on only a few questions. Is the target a man? I don't work against women or children. Have you retained anyone else to solve this problem? Is the target a principal? I am no longer samurai, either… I am a realist now’ John Rain, jazz fan, single malt connoisseur and honorable assassin, is dragged out of retirement first by blackmail and then by revenge. Featuring many of the characters so vividly brought to life in Rain Fall, Barry Eisler takes us on another journey into a world of spooks, double-crosses and elaborately executed ‘terminations’. Stylish, page-turning and authentic, Barry Eisler is in the front rank of thriller writing

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I eased the pepper spray back into a pocket and slowly extended the baton to its full length, tugging at the end to ensure that the components were locked in position, gripping it in my right hand. I watched the smoke rising from in front of me and timed the inhalations and exhalations. I waited until I knew he was inhaling, when his attention would be somewhat distracted by the pleasure of sucking in all that tasty nicotine. In, out. In, out. In…

I leaped out from where I was crouching and shot forward, the baton arm curled past my neck as though I was trying to scratch my opposite shoulder, my free hand up, defending my face and head. I covered the distance in an instant and saw the man as soon as I cleared the edge of the garbage containers just behind him. It was one of Murakami’s bodyguards, wearing a black waist-length leather jacket, with shades and a wool watch cap for light disguise. He’d heard the sudden sound of my approach and was in the midst of turning his head toward me when I burst into his position.

His mouth started to drop open, the cigarette dangling uselessly from his lips. His right hand went for one of the coat pockets. I saw everything slowly, clearly.

I stepped in with my right foot and whipped the baton into the side of his face. His head ricocheted left from the force of the blow. The shades flew off. The cigarette shot out of his mouth, tumbling like a spent rifle cartridge, followed by an explosion of teeth and blood. He staggered back into the building and started to slide down the wall. I stepped in close and brought the butt end of the baton up under his chin, arresting his descent.

“Where’s Murakami?” I asked.

He coughed up a mass of blood and dental matter.

I patted him down while he gagged and tried to collect himself. I found a Kershaw knife like Murakami’s in his coat and a cell phone in a belt clip. I pocketed both.

I pressed hard with the baton. “Where is he?” I asked again.

He coughed and spat. “ Naka da ,” he said, the words deformed by his injuries. Inside.

“Where’s your other man?”

He groaned and tried to reach for his face. I shoved the baton up into his neck. He grimaced and lowered his arms.

“Where’s your other man?” I asked again.

He sucked and wheezed. “ Omote da .” In front.

Made sense. That’s the coverage I would have used.

I brought the baton down and jabbed its tip into his solar plexus. He doubled over with a grunt. I stepped behind him, brought the baton across his windpipe, and jammed a knee into his spine. I arched back, pulling him backward with the baton and pushing forward with my knee. His hands flew to the steel to relieve the pressure but it was already too late. His larynx was crushed. He struggled silently for another half-minute and then sagged back into me.

I eased him down to the ground and looked around. All quiet. I pulled off his cap and coat and slipped them on. I hunted around on the ground for the shades-there they were. I pulled them on, too.

I dragged the body as deeply as I could into the shadows, then picked up his still-lit cigarette and stuck it in my mouth. I slammed the baton onto the pavement to close it, slipped it in one of the coat pockets, and palmed the pepper spray.

Unlike the back of the building, the front offered no perpendicular streets and thus fewer vantage points. There was really only one good spot there, I knew: the alley alongside the building directly across the street.

I walked around to the front of the building, the shades and hat on, the cigarette burning. I kept my head down and my eyes forward, the same posture these guys would have been using to avoid witnesses and cameras.

I saw him across the street as soon as I rounded the corner. He was dressed like his recently deceased partner. I made my way directly to his position, moving fast, confidently. The shades we were wearing were great for light disguise, but were hell on night vision. He thought I was his partner. He stepped out of the shadows as though to greet me, perhaps unsure of why I had abandoned my post.

When I was three meters away I saw him purse his lips in confusion. At two meters his jaw started to drop open as he realized something was definitely wrong. At one meter all his questions were answered with a mouthful of pepper spray.

His hands flew to his face and he staggered backward. I spat out the cigarette, dropped the canister into a jacket pocket, and withdrew the baton. I snapped it open, stepped behind him, and whipped it across his windpipe the way I had done to his buddy, this time with a stronger cross grip that crushed the carotids along with the larynx. His fingers clawed at the metal and his feet scrabbled for purchase for a few seconds as I dragged him back into the alley, but by the time we had reached the shadows he was dead. I patted him down and found another knife and another cell phone. I left the knife. The cell phone I took.

I collapsed and pocketed the baton and made my way to the end of the street, where I found a pay phone. I didn’t know if Naomi had caller ID and didn’t want to take a chance on trying her from one of the cell phones I had just acquired.

I called her. She picked up on the third ring, her voice a little uncertain. “Hello?”

“Hey, it’s me.”

A pause. “Where are you?”

“I’m not going to be able to make it tonight. I’m sorry.”

Another pause. “That’s okay. It’s fine.” She sounded relieved.

“I just wanted to let you know. I’ll be in touch soon, okay?”

“Okay.”

I hung up and returned to the back of her building. I eased into the shadows next to the body I had left there.

One of the cell phones I was carrying started to vibrate. I pulled it out and opened it.

Hai ,” I said.

I heard Murakami’s signature growl and felt adrenaline dump into my system. “He’s not coming tonight,” he said. “I’ll be down in a minute. Call Yagi-san and be ready to move.”

I guessed Yagi was one of the guys I’d taken out. “ Hai ,” I said.

He clicked off.

I dropped the cell phone back in the coat pocket. I took out the baton and kept it retracted in my right hand. I held the pepper spray in my left. My heart was thudding steadily in my chest. I took in a deep breath through my nose, held it, and let it out.

The back entrance was the less obvious, less trafficked choice. Also, it lacked a security camera. I knew he’d come out there, just like I had.

I stayed at the edge of the diffused light from a nearby streetlamp, where Murakami would see me but where my appearance would be obscured by shadows. I needed him to come as close as possible, to maximize the element of surprise. Surprise might be the only advantage I would have over him.

Two minutes later he emerged from the rear door. I hung back just inside the shadows, the shades on, the hat pulled low.

There was a dog with him, straining on a leash. It took me a second to recognize it without the muzzle. The white pit bull, the one that had been in the car after my fight with Adonis.

Oh fuck .

I almost turned and ran for it. But a dog’s most atavistic instincts are triggered by flight, and there was too great a chance that the thing would have caught me and brought me down from behind. I’d have to play this out.

At least Murakami’s attention was partly engaged by the animal. He saw me and lifted his head in curt acknowledgment, then looked down at the dog, which had begun to growl.

Nice doggy , I thought. Nice fucking doggy .

They came closer. Murakami looked up at me again, then back to the dog. The damn thing was really growling now, staccato killing sounds that rumbled up from deep in its chest.

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