Barry Eisler - The Last Assassin

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Barry Eisler has been compared to Forsyth, Ludlum, le Carré, Ian Fleming and Graham Green. But his latest thriller brings Eisler into a league of his own. When Japanese/American contract killer John Rain learns that his former lover, Midori, has been raising their child in New York, he senses a chance for reconciliation, perhaps even for redemption. But Midori is being watched by Rain’s enemies, and his sudden appearance puts mother and child in terrible danger. To save them, Rain is forced to use the same deadly talents he had been hoping to leave behind. With the help of Tatsu, his friendly nemesis in the Japanese FBI, and Dox, the ex-marine sniper whose good ol’ boy persona masks a killer as deadly as Rain himself, Rain races against time to bring his enemies into the open and eliminate them forever. But to finish the job, he’ll need one more ally: Israeli intelligence agent Delilah, a woman who represents an altogether different kind of threat…

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'Well, I'm partial to the HK PSG/1 I employed in our little Hong Kong adventure. That's 7.62 and has a twenty-round magazine, too. Get me another one of those, and I can cause all kinds of mayhem from damn near a thousand yards out. Or the dreaded M40A3, that's a fine weapon, too. Trigger pull like snapping a glass rod.'

'We'll see what Kanezaki can do.'

'You ask him for a sniper rifle, he's going to know who's using it. He accused us of forming a damn union after what we did in Hong Kong last year, remember?'

Shit, I hadn't thought of that. Dox and I had partnered on that op to take out a French/Arab arms merchant named Belghazi, and Kanezaki had provided the hardware. Yeah, asking him for another sniper rifle, I might as well have just handed him Dox's business card.

Dox saw my discomfort and laughed. 'I ain't objecting, man, just saying. Half the jobs I've done in the last three years I've done for him. I don't mind if he knows I'm involved in this one. He knows if he ever crosses me he'll spend the rest of a short and anxious life glancing up at the rooftops around him, wondering if that prickling he feels on the back of his neck is me smiling at him from behind a scoped rifle.'

I nodded. 'All right. But I want to handle him a certain way.'

'You just tell me the plan, partner, and I'll follow your lead.'

I smiled, thinking, Poor Kanezaki

23

Yamaoto called Big Liu twice that day. There was nothing to report, but it was important to keep the channels open, to let Big Liu know that Yamaoto was on top of things, that he was concerned.

Yamaoto's men had been to every one of Kito's and Sanada's known associates. Someone had even flown to Fukuoka, Kito's hometown in Kyushu, to interview the man's parents. But the sumos seemed to have become invisible. Yamaoto was beginning to grow concerned. Maybe they really had stolen the money and drugs and were embarked on some long-planned escape route.

He was at his desk, getting ready to call Big Liu for another uncomfortable 'no news' discussion, when his mobile phone rang. Kuro's name appeared on the caller ID.

Yamaoto opened the phone. ' Hai .'

'They're here,' Kuro said. 'They came in.'

Yamaoto leaned forward, relief flooding through him. 'Where?'

'My place in Shinjuku.'

'I'll be there in twenty minutes. Don't let them leave.'

'Understood.'

Yamaoto hung up. He called his driver and had the man bring around the armored Mercedes S-Class that he'd taken to traveling in after his last encounter with John Rain.

Twenty minutes later, he walked into a popular 'Fashion Health' massage place Kuro ran in Shinjuku. Kuro had a way of managing these kinds of establishments. The man was a good earner. Reliable.

The doorman recognized Yamaoto and welcomed him with an obsequious bow. Yamaoto ignored the women lounging on red velour couches in the subdued light and headed straight through a door into the back office.

There they were, occupying opposite ends of a gray leather couch, heads hanging and hands twisting in their laps as though they were the world's largest errant schoolboys. It was a wonder the furniture could support their combined bulk. Kuro was off to the side, seated behind a metal desk. Yamaoto knew he kept a gun back there, highly illegal in. Japan, and that if Kito and Sanada had tried to leave, Kuro would have used it.

The men looked up when Yamaoto entered. They both shot to their feet and bowed deeply. 'Moushiwake gozaimasen, kumicho!' they cried in unison. We humbly beg your forgiveness, boss!

Yamaoto stood silently, looking from one to the other. Eventually they straightened and met his eyes.

'What the hell happened in Wajima?' he asked. 'And where the hell have you been?'

The men looked at each other, then back at Yamaoto. They were plainly terrified.

Kito spoke first. 'We… we're not sure, kumicho.''

Sanada added, 'We arrived on schedule. The Chinese signaled from off the coast and came ashore. We walked over to do the exchange, then… something happened.'

Yamaoto said, 'What?'

Kito said, 'We think someone shot us with a drug. Each of us felt a… a slap in the neck. Then we were waking up in the mud. It was dark, but we saw two men. We tried to fight them, but we were groggy and they shot us again. When we woke up the second time, the Chinese were dead and the shipment and payment were gone. Kumicho, we swear to you this is the truth!'

Sanada stuck his chin high and gestured to his neck. ' Kumicho, look, you can see the marks! They shot us with tranquilizers or something.'

Yamaoto looked at Sanada's massive neck. The skin was indeed discolored in two places, and there were red marks in the center of the discolorations, like the result of a hornet's sting. But what did that mean? They could have made the marks themselves.

'And here,' Kito said, lifting his shirt and exposing a planet-sized belly. He had an identical mark there.

'You didn't get a good look at the men?' Yamaoto asked.

'No, kumicho ,' Kito said. 'It was dark.'

'Nothing that could help us identify them? Did you hear them talking?'

The men looked at each other. Sanada said, 'I think I did, I remember hearing yelling, but I was confused from the drug.'

'Was it Chinese? Japanese?'

'I think Japanese, but also there were parts I couldn't understand. Maybe some English. At one point…'

'What?'

'At one point, I thought one of them was yelling "I love you" in Chinese. But I… I'm just not sure, kumicho.'

Yamaoto wondered if the man was becoming unhinged. Or perhaps they had indeed been drugged. 'Did you tell anyone beforehand about the meeting in Wajima?' he asked.

'No, kumicho!' Kito exclaimed. 'Not a soul!'

Yamaoto looked from one to the other as though having trouble believing their story. As indeed he was. 'Why did you wait to come in?'

The men looked at each other, then back to Yamaoto. Sanada said, 'Kumicho, we're… we're afraid. We know how this looks. But we were set up. We swear to you.'

Kito added, 'In our fear, we lost our heads. But then we decided, we must leave this matter to our oyabun. He will do whatever is truly best.'

Kito's reference to Yamaoto as their oyabun, their father, was clever. The term invoked the traditional relationship between the yakuza boss and his underlings, and so was designed by implication to cast Kito and Sanada as Yamaoto's kobun, his children. And surely no wise and compassionate father could harm his own child.

Yamaoto began pacing the room as though in frustration. He walked past Kuro's desk, admiring as he always did the beautiful Kamakura era daisho sword set the man kept on a stand beside it. The daitou, or long katana, was displayed on top, blade up, the folded steel polished to a mirror finish, with the shorter wakizashi below. The black lacquer soya scabbards, each adorned with a pair of golden Tokugawa family crests, were on separate stands alongside the blades. The set was of museum quality, and Kuro claimed a dealer had once offered him twenty million yen for it, an offer Kuro refused even to consider. He allowed no one but Yamaoto to touch it, both out of deference to his boss's rank and in recognition of his extensive martial arts background, which included not only unarmed arts like judo, but also battoujutsu, combat sword cutting.

Yamaoto paused before the sword stand and turned to face the two men. 'You "lost your heads"?' he said, his voice rising. 'I pay you to think! You say I'm your oyabun, and yet at the first sign of trouble you insult me with your doubt!'

The men dropped their heads in shame and Yamaoto went on, shouting now. 'Do you have any idea of the trouble you've caused with your incompetence? You say you were set up, and maybe you were. But whose responsibility is it to prevent such things?'

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