Jonathan Kellerman - Bad Love

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It came in a plain brown wrapper, no return address – a tape recording of a horrifying, soul-lacerating scream, followed by the sound of a childlike voice delivering the enigmatic and haunting message:
'Bad love. Bad love. Don't give me the bad love…'
For child psychologist Dr Alex Delaware, the chant, repeated over and over like a twisted nursery rhyme, is the first intimation that he is about to enter a living nightmare. Others soon follow: disquieting laughter echoing over a phone line that suddenly goes dead, a chilling trespass outside his home, a sickening act of vandalism. A carefully orchestrated campaign of vague threats and intimidation rapidly builds to a crescendo as harassment turns to terror, mischief to madness.
Searching his memory for the phrase 'bad love', Alex recalls a symposium he attended over a decade ago commemorating the work of Dr Andres de Bosch who ran a clinic for troubled adolescents. But when he tries to contact the other delegates, Alex discovers a seemingly random series of violent deaths amongst them.
As he delves deeper into the history of the clinic, the escalating pattern of violence becomes inescapably clear. And if Alex fails to decipher the twisted logic of the stalker's mind-games, he will be the next one to die.

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"What kind of meanings?" said Milo.

Paprock looked at him. "Crazy stuff- trying to figure out what the hell it meant. I don't remember. What's the difference?"

He began moving his hands around, stirring the air very quickly, as if searching for something to grab. "Was there any- some sign of- was this Shipler… what I'm getting at is, was there something sexual?"

"No, sir."

Paprock said, " 'Cause that's what they told me they thought it might mean. The first cops. Some psychotic thing- using- sex in a bad way, some sort of sex nut. A pervert bragging about what he did- bad love."

Nothing like that had been in Myra Paprock's file.

Milo nodded.

"A man," said Paprock. "So what are you telling me? The first cops had it all wrong ? They went and looked for the wrong thing?"

"We don't really know much at all at this point, sir. Just that someone wrote "bad love' at the scene of Mr. Shipler's homicide."

"Shipler." Paprock squinted. "You're opening the whole thing up again, 'cause of him?"

"We're taking a look at the facts, Mr. Paprock."

Paprock closed his eyes, opened them, and took a deep breath. "My Myra was taken apart. I had to identify her. To you that kind of thing's probably old hat, but…" Shake of the head.

"It's never old hat, sir."

Paprock gave him a doubtful look. "After I did it- identified her- it took me a long time to be able to remember her the way she used to be… even now… the first cops said whoever- did those things to her, did them after she was dead." Alarm brightened his eyes. "They were right about that, weren't they?"

"Yes, sir."

Paprock's hands gripped the edge of his desk and he wheeled forward. "Tell me the truth, detective- I mean it. I don't want to think of her suffering, but if- no, forget it, don't tell me a damn thing, I don't want to know."

"She didn't suffer, sir. The only thing new is Mr. Shipler's murder."

More sweat. Another wipe.

"Afterwards," said Paprock. "After I identified her- I had to go tell my kids. The older one, anyway- the little one was just a baby. Actually, the older one wasn't much more than a baby, either, but he was asking for her, I had to tell him something."

He knocked the knuckles of both hands together. Shook his head, tapped the desk.

"It took a helluva long time to get it set in my mind- what had happened. When I went to tell my boy, all I could think of was what I'd seen in the morgue- imagining her… and here he is asking for Mommy. "Mommy, Mommy'- he was two and a half. I told him Mommy got sick and went to sleep forever. When his sister got old enough, I gave him the job of telling her. They're great kids, my mother's been helping me take care of them, she's close to eighty and they don't give her any problems. So who needs to change that? Who needs Myra's name in the papers and digging it all up? There was a time, finding out who did it was all that mattered to me, but I got over that. What's the difference, anyway? She's not coming back, right?"

I nodded. Milo didn't move.

Paprock touched his brow and opened his eyes wide, as if exercising the lids.

"That it?" he said.

"Just a few questions about your wife's background," said Milo.

"Her background ?"

"Her work background, Mr. Paprock. Before she became a real estate agent, did she do anything else?"

"Why?"

"Just collecting facts, sir."

"She worked for a bank, okay? What kind of work did this Shipler do?"

"He was a janitor. What bank did she work for?"

"Trust Federal, over in Encino. She was a loan officer- that's how I met her. We used to channel our car loans through there and one day I went down there on a big fleet sale and she was at the loan desk."

Milo took out his notepad and wrote.

"She would have probably made vice president," said Paprock. "She was smart. But she wanted to work for herself, had enough of bureaucracies. So she studied for her broker's license at night, then quit. Was doing real well, lots of sales…"

He looked off to one side, fixing his gaze on a poster. Two perfect-looking, tennis-clad people getting into a turquoise Coupe de Ville with diamond-bright wire wheels. Behind the car, the marble-and-glass facade of a resort hotel. Crystal chandelier. Perfect-looking doorman smiling at them.

"Bureaucracies," said Milo. "Did she deal with any others before the bank?"

"Yeah," said Paprock, still turned away. "She taught school- but that was before I met her."

"Here in L.A.?"

"No, up near Santa Barbara- Goleta."

"Goleta," said Milo. "Do you remember the name of the school?"

Paprock faced us again. "Some public school- why? What does her work have to do with anything?"

"Maybe nothing, sir, but please bear with me. Did she ever teach in L.A.?"

"Not to my knowledge. By the time she moved down here, she was fed up with teaching."

"Why's that?"

"The whole situation- kids not interested in learning, lousy pay- what's to like about it?"

"A public school," I said.

"Yeah."

Milo said, "What subjects did she teach?"

"All of them, I guess. She taught fifth grade, or maybe it was fourth, I dunno. In elementary school, you teach all the subjects, right? We never really had any detailed discussions about it."

"Did she teach anywhere before Goleta?" said Milo.

"Not as far as I know. I think that was her first job out of school."

"When would that be?"

"Let's see, she graduated at twenty-two, she'd be forty this May." He winced. "So that would have been, what, eighteen years ago. I think she taught maybe four or five years, then she switched to banking."

He looked at the poster again and wiped his forehead.

Milo closed his pad. The sound made Paprock jump. His eyes met Milo's. Milo gave as gentle a smile as I'd ever seen him muster. "Thanks for your time, Mr. Paprock. Is there anything else you want to tell us?"

"Sure," said Paprock. "I want to tell you to find the filthy fuck who killed my wife and put me in a room with him." He rubbed his eyes. Made two fists and opened them and gave a sick smile. "Fat chance."

Milo and I stood. A second later, Paprock rose, too. He was medium-sized, slightly round-backed, almost dainty.

He patted his chest, removed the aspirin bottle from his breast pocket and passed it from hand to hand. Walking around the desk, he pushed the door open and held it for us. No sign of John Allbright or anyone else. Paprock walked us through the showroom, touching the flanks of a gold Eldorado in passing.

"Whyncha buy a car, as long as you're here?" he said. Then he colored through his tan and stopped.

Milo held out his hand.

Paprock shook it, then mine.

We thanked him again for his time.

"Look," he said, "what I said before- about not wanting to know? That was bullshit. I still think about her. I got married again, it lasted three months, my kids hated the bitch. Myra was… special. The kids, someday they're gonna have to know. I'll handle it. I can handle it. You find something, you tell me, okay? You find anything, you tell me."

• • •

I headed for Coldwater Canyon and the drive back to the city.

"Public school near Santa Barbara," I said. "Lousy pay, so maybe she moonlighted at a local private place."

"A reasonable assumption," said Milo. He lowered the Seville's passenger window, lit up a bad cigar, and blew smoke out at the hot valley air. The city was digging up Ventura Boulevard and sawhorses blocked one lane. Bad traffic usually made Milo curse. This time he kept quiet, puffing and thinking.

I said, "Shipler was a school janitor. Maybe he worked at de Bosch's school, too. That could be our connection: they were both staffers, not patients."

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