John Case - Ghost Dancer aka Dance of Death

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Photojournalist Mike Burke carried his camera into every war zone and hellhole on earth – and came back with the pictures (and battle scars) to prove it. He was flying high until, quite suddenly, he wasn’t. When Burke’s helicopter crashed and burned in Africa, he came away with his life but lost his heart to the beautiful woman who saved him. That’s when he decided it was time to stop dancing with the devil. But a wicked twist of fate puts an end to Burke’s dreams, leaving him adrift in Dublin with bittersweet memories… and no appetite for danger. But the devil isn’t done with him yet.
An ocean away, Jack Wilson leaves prison burning for revenge. Like Burke, Wilson has had something taken from him. And he, too, dreams of starting over. Only Wilson ’s dream is the rest of the world’s nightmare. Driven by his obsession with a Native American visionary, and guided by the secret notebooks of Nikola Tesla, the man who is said to have “invented the twentieth century,” Wilson dreams of the Apocalypse – and plans to make it happen.
As a terrifying worldwide chain reaction is set in motion, Burke alone grasps the impending horror of Wilson ’s malevolent plan. With nothing left to lose, Burke pursues an American terrorist – a twisted genius who journeys from a lawless weapons arsenal in the Transdneister to the diamond fields of the Congo… to an isolated Nevada ranch. It is here, in a climactic showdown, that a determined Mike Burke faces a nemesis who knows no fear.

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And no “Francisco d’Anconia.”

He didn’t get it. He could hear the desk clerk’s voice, indignant that Burke had never heard of Tesla. But d’Anconia had. “Your friend – he gives speech! At the symphony.”

Then Burke had one of those realizations that begins with duhhh. He wasn’t looking for “d’Anconia.” He was looking for the man who had used that name as an alias, a joke, or an homage. If the guy he wanted to find had given a speech at the symposium, then he was one of the scientists listed in the program.

Burke sat back and sighed. Geomagnetic decay? Scalar weapons? This was not at all what he had in mind when he came to Belgrade, tracking “Francisco d’Anconia.”

He printed a copy of the symposium’s program, logged out, paid for the time he’d used, and began walking back to the Esplanade.

He was trying to get his head around it.

One point he had to give to Kovalenko: Some of Aherne’s clients were a little dodgy. He was pretty sure one guy was running an online poker game. That was illegal in the States but not in Europe. He suspected that another client was bootlegging Microsoft DVDs. And there were dozens of customers engaged in “creative” accounting where taxes were concerned.

D’Anconia didn’t fit in with that crowd. In fact, Kovalenko had all but called him a terrorist.

But if d’Anconia was one of the scientists on the list, well, it just didn’t make sense to Burke. In his view, terrorists don’t think about things like “vector drag,” and they don’t present papers at symposia.

They just don’t.

CHAPTER 24

It was dark and cold, and as Mike Burke walked back to the Esplanade, the snow was sifting down like flour out of the sky. The streetlights swarmed with snowflakes. Coming toward him, a woman in a long red coat walked with quick little steps, hunched against the cold.

The woman made him think of Kate and he found himself wishing that his wife was beside him. When the weather was like this, he’d put his arm around her, and pull her into the shelter of his shoulder. He could almost feel the warmth and weight of her. If she were here now, he would take her to one of the restaurants on the river, where they’d watch the light on the water, and drink red wine.

Snap out of it.

He turned the corner, and there was the Esplanade. He headed straight for the bar. Now that it was nighttime, half the little tables were occupied, with each one sporting a candle in a red glass. A brace of microphones on a tiny stage threatened live entertainment. He’d read in the guidebook that one of the musical specialties of Belgrade was a hybrid of techno and Serbian folk music called turbofolk.

The bar itself was more like a voodoo altar. A long blue mirror strung with Christmas lights looked down on dusty bottles of whiskey, gin, and vodka. Plastic cacti glowed green amid miniature Chinese lanterns, pink flamingos, paper angels, and bobbleheads of Marilyn, Jesus, and Elvis. A woman filled four mugs of beer, then turned to him with an inquiring look.

“I’m looking for Tooti,” Burke said, barely believing the words.

The woman behind the bar was forty, or maybe even fifty, with thinning hair and an unhealthy pallor. “You found her.”

“There was an American who stayed at the Esplanade in January. The desk clerk thought you might have seen him. About my age.”

She arched a plucked eyebrow.

“He wore a hat,” Burke added. “When I saw him, he was wearing a fedora, or whatever they’re called.”

She smiled. “He’s gay, this guy?”

Burke shook his head. “No. I mean, I don’t know.”

Her lips came together in a pout. “Then what do you care?”

He thought about lying, but the effort was almost too much. So what he said was: “It’s kind of complicated, but… my name’s Burke. I’ve come a really long way. Y’know?”

She looked at him for a moment, and then she nodded, as if deciding something. When she smiled, Burke realized that she must have been a very pretty girl. “His name was Frank.”

Burke lit up with surprise. “You remember him!”

“We don’t get so many Americans,” she explained. “Mostly, they go to the Intercon.”

“You want a drink?” Burke asked. He put a thousand-dinar note on the table. She poured herself a tumbler of Johnny Walker Black. Took a sip and frowned. “You’re not a cop?”

Burke shook his head.

“You don’t look like a cop.”

“What’s a cop look like?” he asked.

“Big muscles and little piggy eyes.” She leaned on the bar. “Last week, two guys come from the RDB. They ask about this ‘Frank’ guy.”

“RDB?”

She rolled her eyes. “State Security.”

“So what did they say?” Burke asked.

“Who cares? No one tells them anything.”

“Why not?”

“These same pricks are here two months ago. Arrest nice girls.” She paused. “Okay,” she admitted, “maybe they do prostitution. But no trouble, ever. Good tips, too.” She looked Burke in the eyes. “You tip?”

Burke nodded. “Oh, yeah. I’m always tipping.”

“Good! Because here, most people don’t tip. I blame communism.”

Burke nodded in sympathy. Tossed another thousand dinars on the bar.

“Anyway,” Tooti said, “nobody tells these cops nothing.”

“Y’know, your English is really good…”

“I’m in Chicago for twenty years. West side.”

“Really?! And then… what? You came back.”

“My mother was sick, so…” She threw back her scotch, as if it were a shot of tequila.

“She get better?” Burke asked. “I mean, is she all right?”

Tooti tilted her head and smiled, surprised that he’d asked. “Yeah,” she said. “She’s fine now. They cut it out.” She paused. “Look, I don’t mind telling you about this Frank of yours, but don’t get excited. I don’t know much.”

“You know his name. You call him Frank.”

She shook her head. “He called himself Frank. He’s coming in, has a couple of beers. He’s not so friendly.”

“So what did you talk about?” Burke asked.

“I said, ‘Hi. I’m Tooti.’ And he said, ‘Frank.’”

“That’s it ?”

Tooti nodded. The dinars vanished.

Burke felt as if he’d been had. “He talk to anyone else?”

Tooti shook her head. “No. And it’s too bad. Good-looking boy like that. Some people flirt with him – girls, boys – he’s not so interested.” She thought for a moment. “Most of the time, he’s writing.”

“Writing?”

“He has notebook,” she explained. “Sometimes, he sits where you are, and I look. He’s writing letters.” She frowned. “But not Aunt Mary ‘letters.’ Letters and numbers.”

“You mean, like-”

“Algebra. I think maybe he’s a student.” She tapped her glass with a finger and looked at Burke with an inquiring expression. He nodded and she poured herself another drink.

“He never talked about himself?”

She shook her head. “One time, he danced.”

“Danced?” Burke asked.

Tooti nodded. “This night, the band takes break. Not too much business. But Frank, he is getting loaded. So… he dances.”

“By himself?”

Tooti laughed. “Yeah! And this dance, it’s not the Twist, y’know? I mean, it’s not like any dance you’ve ever seen! This guy Frank, he’s kind of humming. Turning around. It’s like he’s floating. Very graceful, but… Anyway, he dances for a long time – five, ten minutes. After a while, the band stood there, watching him. Me, too.”

She looked at Burke. His expression told her that he didn’t know what to make of the story. She shrugged. “Anyway, when he stopped dancing, he gave me a big tip. Said he was going away.”

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