Barry Eisler - Killing Rain aka One Last Kill

A pretty Chinese woman in black pants and a white Mao jacket emerged from a coatroom to my right. “May I help you?” she asked.

I nodded, and switched on a heavy Japanese accent. “I am Watanabe.” As though that explained everything.

She picked up a clipboard and glanced at whatever was written on it. “Ah yes, Mr. Watanabe, the Shangri-La called to tell us you’d be visiting. Would you like me to show you around?”

“Yes,” I said, with a half bow. “Very good.”

The woman, whose name was May, was an excellent guide, and helpfully answered all my questions. Such as: Where are the private dining rooms? Fifteenth floor. Do you have any that would be appropriate for a small party-say, four people? Yes, two such rooms. And how are the upper floors accessible? Only by the winding internal staircases.

May’s guided tour took about ten minutes. Given the earliness of the hour, there weren’t yet any other patrons on the premises, and the staff was busy laying out silver and crystal and adjusting tablecloths and otherwise preparing for what would no doubt be another capacity-crowd evening for the club.

When we were done, I asked May if it would be all right if I wandered around a bit by myself. She told me that would be fine, and that I if I had any additional questions I should simply ask.

Watanabe-san gave the place a thorough examination, starting with the main dining room on the fourteenth floor and the charming Long March Bar adjacent to it. He observed the positions of the restrooms on the thirteenth and fourteenth floors, and noted that there was no restroom on fifteen, meaning that diners enjoying the private banquet rooms there would have to descend a floor to use the facilities. He wandered around the splendid library, and briefly enjoyed the view of Central from the rooftop observation deck. And of course he made sure to take a peek in all the private dining rooms, paying particular attention to the two that had been set for parties of four. In these, Watanabe stepped inside and paused for an extra moment to admire the furnishings, even running the backs of his fingers along the astonishingly thick interior doorjambs, which in each room was of more than adequate stature for the placement of a miniature audio and video transmitter.

So that we could keep the signal weak and therefore less susceptible to bug detectors, I also placed repeaters in various places outside the private dining rooms and along the stairs down to the fourteenth floor. Before heading down to the elevators on thirteen, I ducked into the fourteenth-floor restroom. As restrooms go, this one was impressive. The floor was white marble, and I noted with satisfaction that my new Dunhill split-toes were utterly noiseless on its polished surface. To my right was a bank of sinks, all solid white ceramic. Folded terrycloth washcloths were laid out neatly on a shelf just above them in lieu of ordinary paper towels, along with an array of special soaps, lotions, and tonics. Straight ahead, a bank of urinals; like the sinks, all heavy white ceramic. To my left were stalls that could more properly be described as closets, separated as they were by marble walls and featuring floor-to-ceiling mahogany doors.

The stalls looked promising, although I was concerned that, after his recent experience in Manila, Manny might have some sort of phobic reaction if he entered a restroom and noticed that one of the stall doors was closed. But then I noticed something that might be even better.

Between the sinks and the urinals was a large mahogany door. On it hung a brass sign with black lettering:

BUILDING ORDINANCE

(CHAPTER 123)

NOTICE DANGER

LIFT MACHINERY

UNAUTHORIZED

ACCESS PROHIBITED

DOOR TO BE KEPT LOCKED

Interesting, I thought. If the passenger elevators went up only to thirteen, this access must be to a freight unit. The door opened out, and there were three sets of heavy brass hinges running up its left side. I tried it, and, per the ordinance, found it was indeed locked. The lock, though, was a cheap single wafer model, what you might find on an old desk or filing cabinet. It wasn’t there to protect valuables, just to comply with a local building ordinance. After all, who in his right mind other than a maintenance man would want to access the lift machinery?

I didn’t even need a lock pick-I simply forced the mechanism with a turn of the Benchmade folder. Then I slipped the knife into the crack between the door and the jamb and eased the door open. The hinges gave a long squeal and I thought, Shit, hadn’t thought of that. Should have brought some lubricant .

I glanced inside. There was a small corridor, providing, I supposed, maintenance access to the elevators. It looked good. There were variables-Manny might have a new bodyguard, or might otherwise not show up alone, or he might not come at all-but this could work.

But what about those hinges. I walked back to the sinks and picked up one of the bottles of lotion. Gardner’s Hand Lotion, the label advised, Replete with Lavender and Other Essential Oils. Well, it wasn’t WD-40, but let’s see. I emptied a healthy amount onto one of the wash towels, then wiped down the hinges. I swung the door open and closed a few times, and the essential oils worked their magic. The squealing stopped.

I wiped down the bottle, put it back on the shelf, and tossed the wash towel into a basket that the China Club had thoughtfully provided for this very purpose. I exited the restroom and began to descend the winding staircase. A waiter on his way up passed me but paid no attention.

Two-thirds of the way down, I had a clear view of the elevators and the coatroom from which May had emerged when I first arrived. The area was empty. May must have been elsewhere for the moment, attending some aspect of preparing the restaurant. She might wonder at not having seen me leave, but I felt I could count on her to assume she had simply failed to notice my departure. Hopefully she would forgive Mr. Watanabe his rudeness in not saying thank you and a proper good-bye.

I turned around and went back up the stairs. This time I really did use the bathroom-I didn’t know how long I’d be without access. Then I opened the closet door again and stepped inside. I pulled the door shut behind me and waited for my eyes to adjust to the darkness. There was just a little light coming from the elevator shaft behind me. The lack of illumination in here wasn’t the problem though-what I really needed to see was the bathroom, and, with the heavy mahogany door closed, that was impossible.

I set down the attaché and popped the hinges. The case opened with a muted double click. I pulled out the Surefire E1E mini-light I was carrying and twisted it on, then slipped into the deerskin gloves. I looked around to see what I might have to work with.

Propped against the wall to my right was a mop in a bucket. On the floor, a plunger and a few rudimentary tools, including a screwdriver. I opened the door, then slid the screwdriver between the door and the jamb on the hinged side at eye level. I pulled the door inward. The steel shaft of the screwdriver created tremendous pressure on the hinged surfaces around it, and something had to give. But it wouldn’t be those heavy brass hinges-instead, the wood itself provided the path of least resistance, and the edge of the door and jamb deformed around the screwdriver as I pulled relentlessly toward me. I went back and forth several times until I was easily able to almost close the door with the screwdriver still in the way.

I stepped outside. I closed the door, then opened it without a problem. Just wanted to make sure that nothing was going to stick as a result of my handiwork. It would have been embarrassing to have to call for Dox to come let me out. I looked at the dent I had made at the intersection of the door and jamb. It was virtually unnoticeable. Even if someone put his eye right up to it, all he would see inside was darkness.