Jonathan Kellerman - Monster

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Monster: краткое содержание, описание и аннотация

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Two murder victims have been discovered in the boots of their cars. The first was would-be actor, Richard Dada; the second Dr Claire Argent, a psychiatrist at a maximum security hospital. Milo Sturgis tends to think there will be plenty of suspects amongst her clientele, but as his friend Alex Delaware remarks, none of his patients ever killed anyone and as they investigate the backgrounds of both victims it appears that Milo needs to look elsewhere, because neither of them are who they made themselves out to be.
As they slowly unravel the strands of their lies another, truly monstrous, character emerges: a man who gains his pleasure not from mere mutilattion and murder but from making his victims watch their own forthcoming death on film. And somehow he has control over some of the Claire Argent's patients, apparently securely behind bars.
In one of the most complex plots he has yet devised, Jonathan Kellerman has created a devastating mystery thriller.

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Milo said, "Put the choppers on standby. Get me two, three more cars. Along the same lines, we drive into Fairway quietly, no lights, no sirens." To me: "Where do the Bunker people hang out?"

"There's a guardhouse right past the entrance."

"Okay," he said to Whitworth. "Meet you at the main entrance. Alex, give him directions. You're the only one who's actually been there."

Chapter 39

The men in the powder-blue shirts weren't happy.

Three guards, surprised as they sat in the mock-Spanish guardhouse. Soft music on stereo. The shirts freshly pressed.

Neat, clean building, outside and in, cozy interior: spotless kitchenette, oak table set with four matching chairs, blue hats on a rack. On the table were the remains of takeout Mexican food. Taco Fiesta, Valencia address. Next to a half-eaten burrito, a Trivial Pursuit board. Three little plastic pies, blue, orange, brown, the last half-filled with tiny plastic wedges.

The door had been unlocked. When Milo and Mike Whit-worth and I entered, all three guards had stood up, grabbed for guns that weren't there. Across the room, a metal locker said WEAPON DEPOSITORY. Next to it was a plaque with the crossed-rifles logo of Bunker Protection.

Now we were all outside in the peach-scented air, under a sky surprisingly deprived of stars. The Bunker guards kept their eyes on the CHP cruisers that blocked the entrance to Fairway Ranch. Inside the cars, the barest outline of men behind night-darkened windshields.

As we'd driven in, Milo had eyed the low white fence, muttered, "No gate. They could've cruised right in."

Moments later, Mike Whitworth coasted up on his Harley and said something to the same effect.

"So you haven't searched yet," Milo said to the tallest guard. "E. Cliff." The one who'd protested loudest until Milo hushed him with a scolding index finger.

"No," he said. "It's past two in the morning, we're not going to wake up the residents. No reason to."

"You'd know if there was a reason?" said Whitworth.

"Absolutely," said Cliff. Adding a barked "Sir."

Whitworth stepped closer to him, using his size the way Milo does. "The way you're set up, anyone could get in-is it Ed?"

Cliff tried to smile as he backed away. "Eugene. Not correct. Anyone entering can be spotted from the guardhouse."

"Assuming the drapes are open."

Cliff's head jerked toward the building. "They usually are."

Milo said, "I'm usually charming." He moved in on Cliff, too. "So tell me, what category would two murderers driving right past you fall into? Sports and Leisure? Arts and Entertainment?"

"Sir!" said Cliff. "There's no reason to get disrespectful. Even with the drapes closed we see headlights."

"Assuming there were headlights-I know, there usually are."

"There's no reason-"

Milo stepped closer. Cliff was over six feet, but reedy, an elk confronting bears. He looked at the other two Bunker guards. Both just stood there.

Milo said, "There's every reason to search the premises, friend, and we're going to do it, right now."

"I'm sorry, sir, in terms of your jurisdiction…" Cliff began. Milo's nose moved a half-inch from his, and the voice tapered. "At the least, I'll have to clear it with headquarters."

Milo smiled. "In Minneapolis?"

"Chicago," said one of the other guards. Nasal voice. "L. Bonaface."

"Call," said Milo. "Meanwhile, we start. Give me a map of this place."

"There isn't one," said Cliff.

"None at all?"

"Not a real map, with coordinates. Just a general layout."

"Jesus," said Milo. "This isn't arctic exploration, hand it over. Before you call."

Cliff looked at Bonaface. "Go get it for him." Bonaface went inside the guardhouse and returned with several sheets of paper.

"I brought a bunch," he said.

Milo grabbed the maps and distributed them. A single page of crude, computer-generated diagram. English street names printed in Gothic, the shops and golf courses, Reflection Lake dead center. No indication a mountain range loomed to the east.

Whitworth said, "Except for the golf courses, it's a small area-that's in our favor… Already divided into six zones, and I've got five officers plus me. How's that for karma?"

"Karma's for believers," said Milo, "but yeah, do the golf courses first, then the public buildings and the lake, then door-to-door at each residence. Prioritize any place with anything Jeep-like parked nearby. If the vehicle's got any film equipment in the back, get really careful. If we're right about Crimmins trying to film something, there may be telltale lights."

I said, "In his notes he debated learning how to use the film cameras or sticking with video. He's not one for honest labor, so I'll bet on video. That means he may just be using a handheld cam, keeping it very low-key. Also, I doubt he'd be on either of the golf courses. Too open."

"Assuming he's even here," said Cliff.

"I'm assuming you've got golf carts," Whitworth told him.

"Sure, but they're the property of-"

"Law enforcement." Whitworth turned to Milo. "You're doing the mountains?"

"If I can get out there. We'll stay in radio contact."

"How're you going to travel?"

"Got a four-wheeler?" Milo asked Cliff.

The guard didn't answer.

"Hard of hearing, Eugene?"

"We have basically one Samurai, over behind the golf shop, with the carts. It's a relief vehicle, just in case."

"In case of what?"

"In case we have to go out back. Like an old person getting lost. But that's never happened yet. We don't use it, I can't even say if the tires have air or if it's gassed up-"

"So you'll inflate and siphon," said Milo. "Bring it over."

Cliff didn't respond.

Milo bared his teeth." Pretty please, Eugene."

Cliff snapped, "Go," at Bonaface. Again, Bonaface hurried away.

Milo asked Whitworth the helicopters' estimated time of arrival.

"I could only get one," said Whitworth. "They're holding it at Bakersfield-five, ten minutes."

"Eugene, is there a road leading from Fairway out to the mountains?"

"Not much of one."

"How much of one?"

Cliff shrugged. "It's maybe a quarter-mile long. It was supposed to be for hiking, but none of the residents hike. It goes nowhere, just ends, and then all you've got is dirt and rocks." He gave a small smirk, decided to hide it by covering his mouth with his hand.

Whitworth drew Milo and me away from him. "The Ott girl was shot, so they've got some kind of firepower. We have vests; how about you?"

"One," said Milo. He looked at me. "None for you. Sit this out."

"Love to," I said, "but you'd better consider using me. It's a hostage situation with two hostage takers, each with a different psychological makeup, in both cases poorly understood. I'm as close to an expert on Peake and Crimmins as you're going to get."

"Makes sense," said Whitworth. "I think we've got an extra vest."

Milo shot him a sharp look.

Whitworth said, "Not that I want to tell you how to-"

"I've been through worse," I said, knowing what was going on in Milo's mind. An undercover situation last year had gone very bad. He blamed himself. I kept telling him I was fine, the worst thing he could do for me was treat me like an invalid.

"Robin will kill me," he said.

"Only if I get scratched. Right now it's Suzy Galvez who's got something at stake."

He looked up at the sky. Out past the development at high, black, unknowable mountains.

"Fine," he finally said. "If there's a vest."

Whitworth trotted over to one of the cruisers, returned with a bulky black package. I slipped the vest on. Scaled for someone Milo's size, it felt like a giant bib.

"Stylish," said Milo. "Okay, let's get going."

"One place you might check right away," I told Whitworth, "is Sheriff Haas's trailer. Jacob and Marvelle Haas. He arrested Peake for the original massacre, is a major link to the past."

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