Jonathan Kellerman - Monster

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Monster: краткое содержание, описание и аннотация

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Two murder victims have been discovered in the boots of their cars. The first was would-be actor, Richard Dada; the second Dr Claire Argent, a psychiatrist at a maximum security hospital. Milo Sturgis tends to think there will be plenty of suspects amongst her clientele, but as his friend Alex Delaware remarks, none of his patients ever killed anyone and as they investigate the backgrounds of both victims it appears that Milo needs to look elsewhere, because neither of them are who they made themselves out to be.
As they slowly unravel the strands of their lies another, truly monstrous, character emerges: a man who gains his pleasure not from mere mutilattion and murder but from making his victims watch their own forthcoming death on film. And somehow he has control over some of the Claire Argent's patients, apparently securely behind bars.
In one of the most complex plots he has yet devised, Jonathan Kellerman has created a devastating mystery thriller.

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"Scott and Terri Ardullo," I said.

The stare.

"Scott and Terri. Brittany and Justin."

The stare.

"Brittany and Justin."

He blinked. Once, twice, six times, twenty, forty-eyelid convulsions, which wouldn't-or couldn't-cease.

Metronomic, hypnotic. I felt myself being drawn in. Avoid that, watch his hands…

His arms rose again. Fear stabbed me and I stood up quickly, backed away.

He didn't seem to notice.

Stood, himself.

Unsteadily, but managing to remain upright. Stronger than he'd appeared out in the hallway, in Heidi's grasp.

Still staring. Hot stare. Hands curling slowly into fists.

Straightening his spine.

Stepping toward me.

Okay, you ve done it, Delaware. Success!

He moved another step closer. I braced myself, plotted my defense. How much damage could he do, unarmed, so thin, so feeble?

Another step. His arms reached out, inviting embrace.

I retreated toward the door.

His mouth opened, contorted-no tongue-thrusts, just the excruciating labor of the lipless orifice struggling to change form, fighting to talk or scream… working so hard, working working-

Suddenly, a shrill, dry sound escaped. Soft, wispy, echoing- soft, but it pounded my ears-

His arms began to climb again, very slowly. When they were parallel with his shoulders, they flapped. Birdlike. Not a bird of prey, something thin, deliberate, delicate-a crane.

Without warning, he turned his back on me and hobbled- still flapping, miming flight-to the far corner of the room.

Pressing his back to the wall, keeping the arms stretched. Head tilted to the right.

Above him, the metal restraint hooks embedded in the wall hovered like warnings.

Eyes still open-wide open-stretched open; I could see wet pink borders all around. Wet eyes. Tears welling, overflowing, streaming down sunken cheeks.

His left leg crossed over its mate so that he was standing on one leg.

More avian posturing-no, no, something else-Posing.

Unmistakable pose.

His body had formed a cross.

Crucifixion on an unseen scaffold.

Tears flooded his face. Uncontrollable, silent sobs, brutally paroxysmic, each gush seizing ownership of his fragile body and shaking it like a wet kitten.

Weeping Jesus.

Chapter 29

He stayed that way, just stayed that way.

How long had I been in there? Surely Dollard, hostile and impatient, would be returning soon and ordering me out.

Five minutes later, it hadn't happened.

Peake remained against the wall. The tears had slowed, but they hadn't stopped.

The stink had returned. My skin itched. Senses returning, heightening. I wanted out.

Knocking on the brown steel door produced only a feeble thump. Could it be heard out in the hall? No sounds from the outside made their way inside the cell. I tried the hatch. Locked. Released only from the outside. The door hatch opened from the outside. Sensory deprivation. What did that do to already damaged minds?

Another knock, louder. Nothing.

Peake stayed frozen in the cruciform pose, pinioned by invisible spikes.

The names of his victims had loosened his tears. Remorse or self-pity?

Or something I could never hope to understand?

I thought of him entering the Ardullo kitchen, spotting his mother, the strength it had taken to saw through the cervical spine…Upstairs, swinging Scott Ardullo's baseball bat.

The children…

Their names had triggered the Jesus pose.

Martyr pose.

No remorse at all?

Seeing himself as a victim!

Suddenly, the absurdity and futility of what I was doing hit me-trying to pry information from a diseased mind that smoothly morphed sin and salvation. What use could this be to anyone?

Had Claire prodded Peake the same way? Died, somehow, because of her curiosity?

The narrow room started to close in on me. I was up against the door, couldn't get far enough away from the white, dangling creature.

Just a trickle of tears, now.

Crying for himself.

Monster.

Serene in his suffering.

His head rotated very slowly. Lifted a bit. Faced me. Something surfaced in his eyes that I hadn't seen before.

Sharpness. Clarity of purpose.

He nodded. Knowingly. As if the two of us shared something.

I pressed my back against the door.

The space opened behind me and I tumbled back.

Heidi said, "Sorry! I should've opened the hatch and warned you, first."

I regained my balance, took a breath, smiled, tried to look composed. Milo watched me, along with Dollard and the trio of doctors-Aldrich, Steenburg, and Swenson. All in sport shirts, as if they'd just gotten in from the golf course. Nothing playful on their faces.

Heidi started to close the door, looked into the room, went pale. "What's he doing? What's going on?"

The others rushed over and stared. Peake had returned to the full Jesus pose, head cocked to the right. But no tears.

I said, "He got up a few minutes ago, positioned himself that way."

Aldrich said, "My, my… Has he done this before, Heidi?"

"No. Never. He never gets off the bed." She sounded scared. "Dr. Delaware, you're saying he actually moved on his own?"

"Yes."

Steenburg and Swenson looked at each other. Aldrich said, "Interesting." The gravity of his tone bordered on comical. Trying to assume authority on a case he knew nothing about.

Frank Dollard said, "What'd you say to him to get him that way?"

"Nothing," I said.

"You didn't talk to him?"

Milo said, "What's the big deal? He used to think he was a vegetable, now he's evolved into Jesus."

Dollard and doctors glared at him.

"Psychosis is a disease," said Aldrich. "It's unseemly to ridicule."

"Sorry," said Milo.

Swenson said, "Has he ever talked about religious themes, Heidi?"

"No. That's what I'm trying to tell you. He doesn't talk much, period."

Swenson turned contemplative, laced his hands over his belt buckle. "I see… So it's something altogether new."

Dollard jutted his head in my direction. "You'd better tell us what you were talking to him about. We need to know, in case he starts acting out."

Aldrich said, "Is there some problem, Frank?"

"These people are a problem, Dr. Aldrich. They keep coming in here, disrupting, going at Peake. Mr. Swig authorized only fifteen minutes with the SDL group, no time with Peake." He pointed through the door. "Look at that. Guy like that, who knows what could happen? And for what? He couldn'ta had anything to do with Dr. Argent. I told 'em that, you told 'em that, Mr. Swig told 'em that-"

Aldrich turned to Milo. "What is your purpose here, Officer?"

"Investigating Dr. Argent's murder."

Aldrich shook his head. "That's not an answer. Why are you questioning PeakeT'

"He said something that might have predicted Dr. Argent's murder, Doctor."

"Predicted? What in the world are you talking about?"

Milo told him.

" 'In a box,' " said Aldrich. He faced Heidi. Steenburg and Swenson did the same. "When did he say this to you?"

"The day before it happened."

"An oracle?" said Steenburg. "Oh, please. And now he's Jesus-am I the only one who sees a trend toward irrelevance?"

Swenson said, "At least it's original. Relatively, that is. We don't get a lot of Jesuses anymore." He smiled. "Plenty of Elvises but not that many Jesuses. Maybe it's the godless state of our culture."

No one else seemed amused.

Swenson wouldn't give up. "We can always do what Milton Erickson did with his Jesuses-give him carpenter's tools and have him fix something."

Aldrich scowled and Swenson looked the other way.

"Officer," said Aldrich, "let me get this clear: on the basis of this supposed… utterance, you're back here?"

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