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James Patterson: The Murder of King Tut

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James Patterson The Murder of King Tut

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Since 1922, when Howard Carter discovered Tut's 3,000-year-old tomb, most Egyptologists have presumed that the young king died of disease, or perhaps an accident, such as a chariot fall. But what if his fate was actually much more sinister? Now, in The Murder of King Tut, James Patterson and Martin Dugard chronicle their epic quest to find out what happened to the boy-king. The result is a true crime tale of intrigue, betrayal, and usurpation that presents a compelling case that King Tut's death was anything but natural.

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The floor of the burial place was carved stone covered in a fine layer of sand. Bats clung to the ceiling, the rustle of their wings making a sound like what Carter would one day call “strange spirits of the ancient dead.”

Newberry lay nearby. Like Carter, he had spent the night in the tomb, for they had arrived after nightfall and had nowhere else to sleep.

If this was to be Howard Carter’s first day as an Egyptologist-and it was-it couldn’t have gotten off to a more atmospheric start.

From Alexandria, Carter and Newberry had taken the train to Cairo, where they spent a week with Flinders Petrie, whom Lord Amherst had called “the master” of Egyptian excavation for his years of experience in the tombs.

Those days spent in the Egyptian metropolis had been exciting, but soon it was time to move on. From Cairo, Carter and Newberry chugged south.

The tracks hugged the Nile, but while the scenery on the train ride from Alexandria had been lush and green through the river delta, just outside Cairo it had turned barren and desolate. A thin strip of greenery sprouted along either side of the Nile, thanks to its annual habit of overflowing its banks, but otherwise the sensation of being surrounded by desert was powerful indeed.

After two hundred miles, the men disembarked at Abu Qirqas station, where they hired donkeys-one each for themselves, and one each for their luggage.

Carter had no problem handling his animals, thanks to his many years living in the country.

“Just watch me,” he told Percy Newberry. “Do as I do, and you’ll be fine.”

The fertile black loam of the riverside path soon turned dry and rocky. The sun was setting, and Carter and Newberry knew that it would be a race just to get to the tombs before dark.

They lost.

The trail became increasingly narrow and rugged as it climbed an escarpment. But eventually they reached the tombs, which provided acceptable shelter from the wind and nighttime cold. Their remote location allowed the two men to simply step through the ancient stone doorway and stretch out for the night.

Now Carter shuffled outside to see for himself what the Egyptian desert looked like at dawn. He wasn’t disappointed.

“The view was breathtaking,” he later wrote in his schoolboy prose style. “The Nile Valley glowing softly in the sunlight, stretching far into the distance, the edges of the tawny desert contrasting amiably with the fertile plain.”

He was in a land that couldn’t have been more different from the verdant pastures of Swaffham.

But Howard Carter felt like he had finally come home.

Chapter 9

Thebes

1347 BC

THE MAD ROAR OF THE CROWD penetrated the temple’s thick stone walls, shaking them to their foundations. It was bedlam of the most unnerving sort on the streets of Thebes-deafening noise mingled with the spectacle of men and women frantically making love in back alleys, oblivious to the stench of stale urine, desert dust, and whiskey vomit.

Such was the Sed festival in Thebes, a time when all of Egypt celebrated the immortality of the pharaoh. But the partying was happening on the other side of these sacred walls.

Queen Nefertiti wife of Akhenaten and stepmother of Tut Inside the temple at - фото 5

Queen Nefertiti, wife of Akhenaten and stepmother of Tut

Inside the temple at Karnak, Queen Nefertiti was oblivious to the noise of the masses. A slender, shaven-headed package of genius and raw sexuality, she had the habit of making men weak in the knees by her mere presence. (Her name means “a beautiful woman has come.”) Nefertiti was also known for her poise, but at the moment she was seized by an urge to slap someone hard across the face.

Whether it should be her anxious wimp of a husband or the silly sculptor with the peasant beard who was taking hours to draw a simple sketch, she couldn’t decide.

So Nefertiti settled onto her throne and tried to see her husband through the eyes of the sculptor. Amenhotep IV was in his early twenties and at the height of his power and virility. Yet he had generous hips and the breasts of a woman, as well as hideous buckteeth and long spidery hands. And those ears! Could they possibly get any bigger?

Yet she loved him in her way. All his life, her husband had been a freak. But he was her freak, and that freak happened to be the pharaoh, which made her queen.

And what a queen she was turning out to be-performing sacred rituals once reserved just for pharaohs; frequently wearing the Nubian wig that only men had worn prior; even driving her own chariot with the skill of a man.

Much of this was possible because Egypt had always treated women better than other ancient civilizations had. Women could conduct business, own property, represent themselves in legal disputes, study and become doctors. Women had even become pharaoh, and queens with the strength of Nefertiti could control their much weaker husbands.

“You look divine,” purred Nefertiti now, though it was she who felt beautiful. The sheer white gown, floral headdress, and priceless golden amulets decorating her arms accentuated her physical attributes and radiance. The makeup, which she and the pharaoh both wore, did more for him than it did for her.

“I am divine,” laughed Amenhotep IV. It was their little joke.

“Is it so difficult to show me as I am?” he finally barked at the artist. He was a new pharaoh and still didn’t understand that raising his voice showed weakness. His father, Amenhotep the Magnificent, had died from a painful infection of the mouth. Now Amenhotep IV, who had briefly served alongside his father as co-regent, stood to flick a bee off his shaved chest.

He missed.

Nefertiti stepped forward and brushed away the bee before it could sting him, then held her husband’s hand. She saw that he looked all too human on this, the day Egypt was supposed to bask in his strength as pharaoh.

This was a problem: The pharaoh needed to prove his immortality by galloping a chariot through the teeming masses outside. Even under the best of conditions, it was a bold and reckless ride that could easily end in a crash, which would be a disaster for the young pharaoh.

As palace insiders were all too aware, Amenhotep IV was very poor at the reins of a chariot. This ritual race could become a suicide run for him.

Yet if by some miracle he pulled it off, his claim to Egypt ’s throne would be secure. No longer would his masculinity be questioned. With one death-defying ride, Amenhotep IV would demonstrate his power in a most public way. Egypt would know that he was their one true pharaoh.

But if anything went wrong-if Amenhotep IV got thrown or dropped the reins and crashed into the crowd; if a wheel somehow broke off, and the chariot spun out of control-it would be obvious that the strange-looking man claiming to be the pharaoh was no god. And if a pharaoh was not divine, the temple high priests would find another to take his place.

A pharaohs chariot lightweight and sleek Somehow they would kill him And - фото 6

A pharaoh’s chariot, lightweight and sleek

Somehow they would kill him. And possibly his queen as well.

“How are you?” Nefertiti asked. “I have nothing but confidence in you, sire.”

“You lie-so beautifully,” the pharaoh replied.

“How much longer?” Nefertiti whirled and shouted at the sculptor.

“At least thirty minutes.” The callous little man crumpled a sheet of papyrus to start fresh.

“You have ten.”

“But Queen-”

“Not a second more.”

“I’ll do my best,” the sculptor replied.

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