Faye Kellerman - Sacred and Profane

“What’s ole Dustin like?” Decker asked.

“A sleazebag,” said Hollander, taking off his jacket. He pulled up a chair and sat down, his widespread buttocks overflowing the seat. “Wouldn’t trust him to clip my hangnail.”

“What’d you ask him?”

“Well, first thing I do is try to develop the old rapport. Told him his jacket was pretty sharp. Next thing I know, I’m getting a goddam fashion lecture on where to buy clothes. He knows this fart and that putz who’ll give him fifty percent off on all Italian silk imports. The upshot of the whole thing is the guy loves to play teacher. So I’ll play the dupe. Maybe we’ll get lucky and he’ll talk himself into a corner. But no dice.”

“You wouldn’t put it past him to make snuffs?” Decker asked.

“Hell, no. I wouldn’t put it past him. Guy has radar eyes. Always trying to size you up then figure out his angle.”

“What did he tell you about his dad?”

“Hasn’t talked to Daddy in months. They aren’t as close as they used to be.”

“Maybe we can pull out phone bills that says he has.”

“So what?”

“Well, if it were to show lots of calls between the two of them, at least we’d establish Dustin as a liar.”

“Then what?”

Decker shrugged. “I don’t know.”

“We’d prove what I already instinctively know,” said Hollander. “The guy’s an asshole.”

“What did Dustin think about Daddy’s sideline in porno stills?” he asked.

“Dustin got pissed at that one-claimed that Daddy is just a downhome country photographer. If Daddy ever did anything nasty like that, it was just to feed his poor li’l chilluns!”

“How dare we besmirch Daddy’s blemishless image!” Decker mocked.

“You’d better believe it. Guy was ready to call in the ACLU. I calmed him down. I asked him what kind of car he drove. Guy chewed my ear off on the marvels of the Mercedes.”

Mike scratched his nose, thought a moment, then said, “The guy plainly likes his father. He didn’t say much about his mother.”

“You asked him about the fire?”

“Yep. He said this. Mom got drunk a lot. She was very careless about drinking and smoking in bed. More than once he had to pull her out of smoldering bedcovers. Most of the time he’d gotten her out before any real danger was done. Once in awhile, the room was really smoking and he had to call the FD. The day she died he wasn’t home.

“He spoke about his mother in a real detached way, Pete. I don’t know. Maybe it was because she died so long ago.”

“Or maybe he was real pissed off at her for setting the house on fire,” Decker suggested.

“Yeah,” Hollander nodded. “I didn’t detect much love lost.”

“What about Pode’s limited partnership movies?” Decker wanted to know.

“Pode and this partner of his,” Hollander began. “What the hell was his name?”

“Cameron Smithson.”

“That’s the one,” Hollander said. “They invested in low-budget flicks. Grade B horror movies and teenage jiggle films. I asked if it was possible to see them. I wanted to make sure they were what he said they were.”

“That was smart.”

“He showed me the videos-as much as I wanted to see. And what I saw wasn’t porno: just a lot of healthy-looking babes showing off their boobs and buns. Standard R fare. Pode also let me look at the books. Some of those turkeys even netted him some pocket money.”

“Numbers can be fudged.”

“Yeah, no doubt the sleaze has at least four sets of books: one for his accountant, one for the backers, one for the IRS, and one for himself.”

Hollander scratched his nose again.

“I can’t put my finger on why I hated him so much. Yeah, he talked down to me, but I was feeding into his image of me as the dumb cop. He wasn’t an ornery bastard. He was cooperative, polite. He seemed so…so goddamn oily. Even his looks-Pode’s a good-looking guy if you like the male model type. I could see him getting laid by a lot of Marina airheads. But to me, the guy sizes up as a grease ball.”

“Did he have the kind of good looks that could sway an impressionable young girl?”

“Definitely.”

He went over the play in his mind. Act One: Lindsey meets Chris, who introduces her to fellow photographer Cecil Pode. Act Two: Cecil sees Lindsey as much more than a would-be model for Playboy. Act Three: Cecil introduces her to his son, Dustin. Act Four: Dustin seduces her and convinces her to star in his skin flicks. Act Five: Lindsey dies, maybe because she didn’t like what she was doing and Dustin had a low tolerance for recalcitrant actresses; maybe because she starred in a snuff; maybe because she was in the wrong fire at the wrong time-like Dustin’s mother.

A whole lot of maybes.

Why would she bother to make arrangements to meet Chris at the Galleria if she was going to run away with Dustin? Did Lindsey ask Cecil to get Chris out of the way so she could run away with Dustin and throw suspicion on Chris? Poor Chris. Decker could still feel the boy in his arms, cradling him like a baby as he sobbed. And what gasping sobs-like a dying man fighting for air.

He needed the Podes. Cecil was gone. Dustin was all he had.

Discretion was the word of the hour. Hollander’s interview with Dustin Pode had been a double-edged sword. Decker hoped it would smoke out Dustin and make him do something foolish, but he also knew that it had heightened Pode’s awareness of cops. The tail would have to be close to invisible.

He debated over which car to use. Although it had a police radio, the unmarked was a terrible vehicle for a tail, a giveaway to anyone perceptive about cop cars. His personal vehicles were a red ’69 Porsche 911, which he’d rebuilt, and a Jeep. Neither blended inconspicuously in street traffic. Finally, he settled on Rina’s ’77 bronze Volvo station wagon and gave her the Plymouth. He carried his beeper and had asked Marge to buzz him if anything important came up. He hoped all his bases were covered.

So far, the only place Pode had gone to was work. Decker parked a couple of stalls down from the broker’s white Mercedes 450 SL on level C of the underground garage. The place was dank, the air loaded with exhaust fumes, and he felt a headache coming on. He sat in his car for an hour, then, wanting to stretch his legs, climbed the stairs to the fifth floor. The hallways were empty and soundless except for an occasional inner door closing or a ding from the elevator bell. He leaned against the wall and waited. Another hour passed. At 11:15, Dustin finally came out of his office. From a corner, Decker had a good chance to memorize his face as he waited for the elevator.

Mike was right. The younger Pode was a good-looking man. Five eleven, one seventy or eighty, and well built. An iron pumper, his chest swelled under his shirt, big shoulders. Coiffed dark hair with a full mustache. A deep sunlamp tan. His face was lean with a sloped nose and deep-set dark eyes under dark brows.

Tall, dark, and handsome with little resemblance to his father. As soon as Dustin stepped inside the elevator, Decker rushed down the stairwell to his car. He pulled out of the space a couple of seconds after the Mercedes.

Pode’s destination was Beverly Hills-lunch at La Ragazzina Boutique, a one-room Italian restaurant jammed with a mixture of businessmen, entertainment hangerson, and women shoppers with acute ennuitis just dying for a little attention. It was a good place in which to observe Pode because everyone was either self-absorbed or wanted to be noticed. Decker found a spot at the end of the tiny bar and ordered a club soda.

Pode sat in a dark-red booth in the corner opposite the bar. Five minutes later Cameron Smithson joined him with two other suits. The four of them talked animatedly for a while, until Cameron pulled out a briefcase. Within moments, the table was covered with papers.