Jonathan Kellerman - Gone

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No one conducts a more chilling, suspenseful, thoroughly engrossing tour through the winding corridors of criminal behavior and the secret chambers of psychopathology than Jonathan Kellerman, the bestselling “master of the psychological thriller” (People). Now the incomparable team of psychologist Alex Delaware and homicide cop Milo Sturgis embark on their most dangerous excursion yet, into the dark places where risk runs high and blood runs cold.
It's a story tailor-made for the nightly news: Dylan Meserve and Michaela Brand, young lovers and fellow acting students, vanish on the way home from a rehearsal. Three days later, the two of them are found in the remote mountains of Malibu -battered and terrified after a harrowing ordeal at the hands of a sadistic abductor.
The details of the nightmarish event are shocking and brutal: The couple was carjacked at gunpoint by a masked assailant and subjected to a horrific regimen of confinement, starvation and assault.
But before long, doubts arise about the couple's story, and as forensic details unfold, the abduction is exposed as a hoax. Charged as criminals themselves, the aspiring actors claim emotional problems, and the court orders psychological evaluation for both.
Michaela is examined by Alex Delaware, who finds that her claims of depression and stress ring true enough. But they don't explain her lies, and Alex is certain that there are hidden layers in this sordid psychodrama that even he hasn't been able to penetrate.
Nevertheless, the case is closed – only to be violently reopened when Michaela is savagely murdered. When the police look for Dylan, they find that he's gone. Is he the killer or a victim himself? Casting their dragnet into the murkiest corners of L.A., Delaware and Sturgis unearth more questions than answers – including a host of eerily identical killings. What really happened to the couple who cried wolf? And what bizarre and brutal epidemic is infecting the city with terror, madness, and sudden, twisted death?

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Sucking in his belly, he hitched his jeans. The roll of fat shimmered down, covered the horse’s eyes.

Milo said, “Know your neighbors?”

“Don’t got any real ones.”

“No neighborhood spirit around here?”

“Let me tell you how it’s like,” said Charley Bondurant. “This used to be horse land. My grandfather raised Arabians and some Tennessee walkers- anything you could sell to rich folk. Some of the Arabians made it to Santa Anita and Hollywood Park, a couple of ’ em placed. Everyone who lived here was into horses, you could smell the shit miles away. Now it’s just rich folk who don’t give a damn about anything. They buy up the land for investment, drive up on Sunday, stare for a coupla minutes, don’t know what the hell to do with themselves, and go back home.”

“Rich folk like Brad Dowd?”

“Who?”

“White-haired fellow, mid-forties, drives all kinds of fancy cars.”

“Oh, yeah, him,” said Bondurant. “Guns those things too damn fast coming down the mountain. Exactly what I mean. Wearing those Hawaiian shirts.”

“He here often?”

“Once in a while. All I see is the damn cars speeding by. Lots of ragtops, that’s how I know about the shirts.”

“He ever stop to talk?”

“You didn’t hear me?” said Bondurant. “He speeds by.” A gnarled hand slashed the air.

“How often is once in a while?” said Milo.

Bondurant half turned. His hawk-nose aimed at us. “You want a count?”

“If you’ve got charts and graphs, I’ll take them, Mr. Bondurant.”

The old man completed the turn. “He’s the one who killed her?”

“Don’t know.”

“But you’re thinking he could be.”

Milo said nothing.

Bondurant said, “You’re a quiet guy, except when you want something from me. Let me tell you, government never did much for the Bondurant family. We had problems, no help from the government.”

“What kind of problems?”

“Coyote problems, gopher problems, draught problems, prowling hippie problems. Damned mourning cloak butterfly problems- I say ‘butterfly,’ you think cute ’cause you’re a city boy. I think problem. One summer they swarmed us, laid their eggs in the trees, destroyed half a dozen elms, nearly polished off a sixty-foot weeping willow. Know what we did? We DDT’ed ’em.”

He folded his arms across his chest. “That ain’t legal. You ask the government can I DDT, nope, against the law. You say what should I do to protect my elm trees, they say figure something out.”

“Butterfly homicide’s not my thing,” said Milo.

“Caterpillars all over the place, pretty fast-moving for what they were,” said Bondurant. “I had fun stepping on ’em. The car guy kill the girl?”

“He’s what we call a person of interest. That’s government double-talk for I’m not gonna tell you more.”

Bondurant allowed himself half a smile.

Milo said, “When’s the last time you saw him?”

“Maybe a couple of weeks ago. That don’t mean nothing. I’m asleep by eight thirty, someone’s driving past I ain’t gonna see it or hear it.”

“Ever notice anyone with him?”

“Nope.”

“Ever see anyone else go to that property?”

“Why would I?” said Bondurant. “It’s above me a good mile and a half. I don’t go prowling around. Even when Walter Maclntyre owned the land I never went up there because everyone knew Walt was nuts and excitable.”

“How so?”

“I’m talking years ago, Mr. Detective.”

“Always interested in learning.”

“Walter Maclntyre didn’t kill no girl, he’s been dead thirty years. The car guy must’ve bought the land from Walter’s son, who’s a dentist. Walter was also a dentist, big practice in Santa Monica, he bought the land back in the fifties. First city folk to buy. My father said, ‘Watch and see what happens,’ and he was right. Walter started off like he was gonna fit in. Built this huge horse barn but never put no horses in it. Every weekend he’d be up here, driving a truck, but no one could figure out why. Probably staring at the ocean and talking to himself about the Russians.”

“What Russians?”

“The ones from Russia,” said Bondurant. “Communists. That’s what Walter was nuts about. Convinced himself any minute they were gonna come swarming over and make us all potato-eatin’ communists. My father had no use for communists but he said Walter took it too far. A little you-know-what.” A finger rotated near his left ear.

“Obsessive.”

“You want to use that word, fine.” Bondurant hitched his jeans again and returned to his truck on bandy legs. He put the antifreeze back on the passenger seat, slapped the palm of his hand on the hood. The smoke had reduced to occasional wisps.

He said, “Ready to go. Hope you find whoever killed that girl. Beautiful thing, damn shame.”

***

The entrance to the property was unmarked. I overshot and had to travel half a mile to find a spot wide enough for a U-turn. As is, my tires were inches from blue space and I could feel Milo ’s tension.

I coasted back slowly as he squinted at the plot map. Finally, he spotted the opening- ungated and shaded by twisting sycamores. Hard-pack dirt ramping high above the canyon.

Two S-turns and the surface converted to asphalt, continued to climb.

“Keep it slow,” said Milo. Doing the cop-laser thing with his eyes. Nothing to see but dense walls of oak and more sycamores, a skimpy triangle of light on the horizon suggesting an end point.

Then, two acres in, the land flattened to a mesa curtained by mountains and canopied by a cumulus-flecked sky. Uncultivated acres had given way to bunchgrass, coastal sage, yellow mustard, a few struggling loner oaks in the distance. The asphalt drive cut through the meadow, straight and black as a draftsman’s line. Three-quarters of the way to the back of the property stood a massive barn. Flanks of redwood board silvered by time. Dour slab-face unbroken by windows, shingle roof wind-blunted at the corners. A ludicrously small front door.

Cool air carried some of the mustard tang our way.

Milo said, “No building permits issued.”

“Folks round these parts don’t truck with no guv-ment.”

***

Nowhere to conceal the Seville completely. I left it parked off the asphalt, partially hidden by tree boughs, and we walked. Milo ’s hand dangled over his jacket.

When we were fifty feet away, the building’s dimensions asserted themselves. Three stories high, a couple hundred feet wide.

He said, “Thing that size but the door’s too small to get a car through. Wait here while I check the back.”

He took out his gun, sidled around the barn’s north side, was gone a few minutes, returned with the weapon reholstered. “Show-and-tell time.”

***

Double rear doors, ten feet high, were wide enough for a flatbed to drive through. Clean, oiled hinges looked freshly installed. A generator large enough to power a trailer park chugged. Behind us some kind of bird trilled but didn’t show itself. Tire tracks scored the dirt, a frenzy of tread marks, too many to make sense of.

Near the right-hand door a padlock lay on the dirt.

I said, “You found it that way?”

“That’s the official story.”

The barn had no hayloft. Just a three-story cavity, cathedral-sized, vaulted by stout, weathered rafters, walls tacked with white drywall. Dust filters like the one we’d seen in the PlayHouse garage whirred every twenty feet or so. An antique gravity gas pump stood to the right of an immaculate worktable. Shiny tools in a punchboard rack, chamois cloths folded into neat squares, tins of paste wax, chrome polish, saddle soap.

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