David Morrell - Double Image

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After a harrowing experience in Bosnia, war photographer Mitch Coltrane makes a vow. From now on, he will take only those pictures that celebrate life and document hope instead of despair. Then the horrors of his previous assignment return to threaten him, and Coltrane must seek refuge from the present in the past. Having uncovered an old, uncaptioned photograph of a hauntingly beautiful woman, Coltrane sets out to discover who the woman was, and why her photo was hidden in the vault of a world-famous art photographer. Soon he finds himself hopelessly obsessed with the woman in the photograph and slipping into a maze of deception and treachery. Surrounded by illusions of the past and present, Coltrane now must fight for his life in the world capital of make-believe: a decadent and deadly L.A…

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The second blow struck Coltrane harder. Ears ringing, his vision blurring, he landed hard, but his head seemed to be falling farther, and at once his consciousness cleared enough for him to realize that his head had indeed fallen farther. Half of him was hanging over the cliff.

“Or to this .” Nolan kicked him another few inches over the cliff. “I told you not to touch her again, but you went ahead and did it anyhow. You never take advice.”

This time, when Nolan kicked him, the force was so great that it shocked Coltrane over the edge. A groan escaping him, stomach rising, he clawed at the rock wall, scrabbling to find an outcrop. With a strain that threatened to dislocate his arms, he jerked to a halt, his body dangling, his fingers clinging to a two-inch ledge ten feet below the top. A hundred feet farther down, the hungry, pounding surf waited for him.

“Still hanging around?” Nolan frowned over the edge. “What do I have to do, drop a rock on your head?”

Staring up helplessly, his ribs aching from where he’d been kicked, Coltrane opened his mouth to say… he didn’t know what. Whatever it was came out as a hoarse inhuman croak.

Above him, Nolan looked around, presumably for the rock he meant to drop, then scowled at something behind him. “Hey, where the hell do you think you’re going?” He charged away from the cliff.

Tash, Coltrane thought. She must be running for help. He’s trying to stop her.

Despite the agony that racked his body, Coltrane scraped his shoes against the cliff. Unnerved by the thunder of the surf below him, he trembled, feeling a surge of hope when his right shoe found support in a crevice.

Do it! he mentally shouted. He lifted his left foot, taking three tries before he pressed his shoe onto a rock spur. His mind became gray. No! Clinging more fiercely, he inhaled deeply. His heart pounded faster. His consciousness focused, the gray dispersing. Move!

But his body didn’t want to obey.

Then his reflexes took control when he heard Tash shouting. He reached up his right hand, wedged his fingers into a crack in the stone, lifted his right foot, scraped it against the cliff, planted it on an outcrop, and pulled himself higher. The camera around his neck snagged on something. He squirmed, fearful that his movements would dislodge him, imagining his plunge to the rocks.

Again Tash shouted. He freed the camera and stretched higher, lifting, pawing, groping. Then he couldn’t find another handhold. His strength dwindling, he clawed at air, heard Tash shout a third time, and realized that the reason he couldn’t find another handhold was that there weren’t any to be found. His fingers were at the top. All he had to do was grip the edge, push himself up, and…

13

THE ROCK FORMATION CAME INTO VIEW. Squirming over the rim, he rolled onto his back, but he couldn’t allow himself to rest, and he rolled again, onto his hands and knees. The next shout from Tash made him waver to his feet and charge in her direction.

Her cry came from somewhere among the ruins. Adrenaline giving him strength, he didn’t waste time looking for a gate through the waist-high wall. He raced straight ahead, sending more lizards scurrying as he scrambled over the wall. Landing among a tangle of ferns and flowers, he heard Tash yell within the maze of buildings. His camera thumping against his chest, he charged past the shells of what might once have been guest houses and servants’ quarters. Vines tugged at his ankles, threatening to topple him as he veered around a corner and saw Nolan push Tash against a wall, trying to kiss her.

This time, it was Nolan who was caught by surprise. Before he could register the noise behind him, Coltrane slammed against his back, driving him hard past Tash, ramming him against the wall. With a groan, Nolan sagged, then spun, only to double over from Coltrane’s fist in his stomach.

But before Coltrane could strike again, Nolan rammed his head forward. Colliding with Coltrane’s chest, he propelled both of them across a flower-choked courtyard, walloping Coltrane against the opposite wall.

Coltrane wheezed, his breath knocked out of him. He did his best to punch Nolan, but his arms were weak from struggling up the cliff, and he had no effect on Nolan’s solid body. Nolan’s hands found his throat, gripped the camera strap around it, and twisted. Wheezing again, Coltrane fought to breathe, his face swelling as Nolan tightened the camera strap, cutting into Coltrane’s neck.

Coltrane’s strength failed. His vision dimming, he fumbled to try to peel Nolan’s hands away. He brushed against the shutter button on the camera, unintentionally tripping it, the camera’s whir barely audible, the last sound he might ever hear. No! Conscious of Tash’s frightened presence, he told himself he had to save her. He rammed his knee into Nolan’s groin. Again. Again . Nolan lurched back in pain.

It was the sweetest breath Coltrane had ever known. As he filled his lungs, Nolan kept stumbling away, needing to gain as much time as he could to recover from his pain. Then Nolan took one step back too far, tripped over vines, and toppled backward into the wreckage of a ruined building. Coltrane gaped. His eyes had to be playing tricks on him, he thought, for the decayed thatch of the collapsed roof suddenly came to life when Nolan landed, poles and twigs and strands of fiber thrashing into motion, snapping at Nolan, twisting, rippling over him, and – Oh, my God, Coltrane thought, those aren’t poles and twigs and strands of fibers. Those are snakes.

Nolan barely got a shriek out before his body tensed and trembled, dying. Snakes that had made their home in the ruin slithered out of the doorway.

“Tash!”

Momentarily paralyzed, she snapped into motion and rushed toward Coltrane. As the snakes hissed and coiled, Tash and Coltrane raced from the chaos of the ruins, staring frantically around to make sure they weren’t running into others. Every bush seemed a danger, every cluster of flowers a trap. They squirmed onto the wall, hesitating, afraid of what might be hiding beneath the shrubbery below them. The quick-legged scamper of a lizard made Tash cry out and jump down past ferns, racing toward the car.

Coltrane was only a few hurried strides behind. They scrambled into the car and yanked the door shut, breathing in a frenzy.

“Dear God,” he managed to say. His chest wouldn’t stop heaving. Sweat mixing with the blood from his swollen lips, he turned toward Tash, whose head was pressed exhaustedly against the back of the seat. Her eyes wide with panic, she stared at the ceiling.

“Are you…” Coltrane filled his oxygen-starved lungs.

“I think I’m…” Her chest rose and fell in alarming turmoil. “I think I’m all right. He had me trapped. If you hadn’t climbed to the top…”

“How the hell did he know where we’d be?”

“He shouldn’t have. We were careful.”

“I don’t understand. What did we do wrong?”

“Somehow he followed us.”

“I can’t believe I’m still alive.”

Trembling, Tash held him.

“I was sure I was going to fall,” Coltrane said.

“Alive.” Tash held him tighter. “My God, I was so scared. I am scared.” Her mouth was suddenly on his, and the pain of the pressure against his mangled lips was nothing compared to the life-affirming force of their embrace. Alive, Coltrane thought.

14

BUT HE COULDN’T STOP FEELING NUMB AND HOLLOW.

“Talk to me,” Tash said.

He kept shaking his head, staring out the window.

“What are you thinking?”

The car seemed filled with the smell of fear and death.

“Get it out of you,” Tash said.

“We can’t leave him like this.”

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