David Morrell - Double Image

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After a harrowing experience in Bosnia, war photographer Mitch Coltrane makes a vow. From now on, he will take only those pictures that celebrate life and document hope instead of despair. Then the horrors of his previous assignment return to threaten him, and Coltrane must seek refuge from the present in the past. Having uncovered an old, uncaptioned photograph of a hauntingly beautiful woman, Coltrane sets out to discover who the woman was, and why her photo was hidden in the vault of a world-famous art photographer. Soon he finds himself hopelessly obsessed with the woman in the photograph and slipping into a maze of deception and treachery. Surrounded by illusions of the past and present, Coltrane now must fight for his life in the world capital of make-believe: a decadent and deadly L.A…

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“If you’d let us bring you in and protect you, Greg would still be alive. If you’d done what you were supposed to, McCoy wouldn’t be in the hospital. You treated me like a fool and kept me waiting at your place while you went off to be a hero. You had to show me you were smarter than me, that you knew better than anybody how to handle Ilkovic.”

When Coltrane tried to stand, Nolan used the heel of his palm to slam his forehead and knock him onto the floor again. The martial-arts move protected Nolan’s hand while carrying power and not leaving a mark. “Oh, I’ve tried to be a good sport and hide my feelings. I tried to tell myself I’m being too harsh, that you got the job done on Ilkovic, that you paid him back for Greg. Hell, I almost had myself convinced. But then you showed up at Tash’s yesterday and made me and the other guys look like idiots. The next thing I know, she’s asking you to stay, and the next thing after that, you’re taking her to your house, and the next thing after that , she spends the night with you. Now if that isn’t fast work, I don’t know what is.”

“Carl-”

“Shut up while I’m talking to you. The way this is going to work, you’re never going to tell anyone about this conversation, and you’re never going to see Tash again.”

His vision blurry, Coltrane peered up at him. “You and Tash?”

“I told you to shut up!”

“What’s going on?” a male voice demanded.

Coltrane shifted his gaze as Nolan pivoted toward the front of the minivans.

A uniformed security guard studied them nervously. He was in his early thirties, tense-faced, rail-thin compared to Nolan, and shorter. He drew a walkie-talkie from a holster on his belt. “I had a complaint about a disturbance.” His voice was unsteady. “Break it up.”

“LAPD.” Nolan already had his police wallet out of his windbreaker, opening it, showing his badge. “I just apprehended a suspect. He tried to get away.”

The security guard narrowed his eyes and assessed the badge. “LAPD?” He looked relieved. “I wasn’t sure what was… Do you need any help?”

“I’ve got everything under control,” Nolan said. “You can go back to what you were doing. I’ll handle this.”

“Right.” The guard stepped back. “I won’t get in the way.”

Nolan waited until the guard’s footsteps receded to a faint echo, followed by the thump of a door closing.

He pointed rigidly at Coltrane. “That was smart of you not to contradict me.”

Keeping a careful distance, Coltrane wavered to his feet. His head throbbed. “Why would I? This doesn’t involve anybody but you and me.”

“That’s where you’re wrong. It involves you and me and Tash . Don’t go near her again or I’ll put you in the hospital. Is that plain enough for you?”

“Totally.”

“Then we understand each other.” Nolan turned and walked away.

Propped against the concrete wall, Coltrane held his stomach. His chest heaved. He fought the impulse to be sick. He listened to Nolan’s heavy footsteps, heard them stop, heard a car door, an engine, and tires squealing.

Slowly, he pushed away from the wall. His chest continued to heave, no longer because his breath had been knocked out – but because of anger.

6

“IS THERE SOMETHING YOU FORGOT TO TELL ME ABOUT CARL NOLAN ?” Coltrane demanded.

It was ten to four. He was using a pay phone at the outdoor pedestrian mall on Third Street in Santa Monica. Despite his injuries, he had managed to get to the mall before Tash arrived. He had photographed the crowd from as many angles as he could without drawing attention to himself. From a discreet position, he had watched Tash and her escorts approach the clothing boutique and enter. He had crossed the promenade and gotten shots of the crowd on the opposite side. With all of his obligations taken care of, he had then done what he had been determined to do since Nolan had delivered his final warning and stormed away – phone Tash at the store and find out what in God’s name was going on.

“Mitch? What are you talking about?” Tash’s voice was taut with confusion.

“Nolan seems to think that you and he are an item. He did his best to beat the hell out of me to prove his point.”

“He what? Oh my God.”

Down the mall from the store, Coltrane warily studied the crowd. “For all I know, he’s in the neighborhood, and he’s going to beat the hell out of me again to make sure the lesson sticks. So if it isn’t too damned much trouble, would you mind telling me what’s going on?”

“This is terrible. I never imagined he’d… Are you hurt?”

“Not as much as I’m confused. Do you have a relationship with him?”

“No… It’s complicated. I can’t talk about this on the phone.”

“Well, you’re going to have to talk to me about him sometime .”

“I will. Soon. I promise.”

“Could he be your stalker?”

“Carl? No. He can’t be. I didn’t meet him until a week after I started getting the letters and phone calls. He didn’t know me until then. He couldn’t have started this.”

“Then maybe he’s continuing it, making himself indispensable. Maybe he’s the one who bugged your house and started the fire last night. No.” Coltrane immediately corrected himself. “If Nolan did those things, he wouldn’t be stupid enough to come at me and risk drawing suspicion. But if he isn’t your stalker and he didn’t plant the microphones, how did he know I was going to be at the Beverly Center?”

“Walt told him.”

“Walt?”

“After you dropped me off at the sheriff’s station, Carl phoned and asked to be brought up-to-date. Walt explained the plan we were trying. There’s nothing mysterious about how Carl knew where you’d be. It’s not like he had to be listening to the microphone in my living room.”

“I was sure…” Head pounding, Coltrane couldn’t resist going back to the same insistent question. “ Why does he think I’m interfering with something you have going with him ?”

“Please.” Tash sounded self-conscious. “There are people here. We have to meet so I can explain. It’s not what you’re thinking.”

“I’m not sure what I’m thinking.”

“It’s innocent. You’re going to have to take my word until we see each other.”

When ? You won’t be done at the South Coast Plaza until maybe eight o’clock. That means you won’t get home until around eleven. I need to develop the photographs so you can study them and see if you recognize anybody. That’s going to take until… Why don’t you save time and come to my house?”

“Love to.”

“Your bodyguards can leave you there and-”

“Hold it. Does Carl know where you live?”

“Yes.” Coltrane remembered Nolan’s long wait at Packard’s house while he himself had gone to the Maynard ranch instead of leading Ilkovic to the trap that Nolan had prepared.

“He might watch your house in case I show up,” Tash said. “I don’t want any more trouble because of me.”

“I can deal with-”

“It’s my problem,” Tash insisted. “I’ll take care of it. I’ll phone him as soon as I get home tonight. I’ll settle this. Believe me, he won’t bother you again.”

“When you finish talking to him, phone me . I want to know what this is all about.”

“I promise. You’ll understand everything.” Tash hesitated. “I can’t wait to see you.”

Frustrated, Coltrane listened to the click as she hung up. Slowly, he replaced the receiver. He took a deep breath, trying to clear his mind. Tash and her escorts would soon be coming out of the shop. He had to be ready to photograph the crowd as she appeared and walked toward the parking lot. He couldn’t allow himself to be distracted.

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